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Death of a Unicorn is a horror-comedy written and directed by Alex Scharfman in his feature debut, released by A24. Blending creature-feature thrills with pointed satire of the ultra-wealthy, the film pairs Paul Rudd and Jenna Ortega as a father and daughter whose weekend at a billionaire's remote estate goes catastrophically wrong.
Rudd plays Elliot Kintner, a widowed lawyer angling for a promotion, and Ortega is his skeptical teenage daughter Ridley; en route to the estate of Elliot's dying pharmaceutical-magnate boss, they accidentally strike and kill a unicorn. When the family discovers the creature's blood holds miraculous healing powers, greed takes over, and the mythical animal's vengeful kin come looking for their young. Richard E. Grant, Téa Leoni, and Will Poulter co-star as the grasping Leopold clan whose exploitation of the discovery unleashes bloody chaos.
Premiering at South by Southwest in March 2025, Death of a Unicorn earned mixed reviews, with critics praising the warm, funny chemistry between Rudd and Ortega while finding its eat-the-rich satire uneven. Though a modest performer at the box office, the film found a wider audience on streaming and stands as a distinctive, gory swing from a first-time director. It streams on HBO Max.
Wes Anderson's The Phoenician Scheme is the director at his most extravagantly conceived: an elaborate ensemble piece following a dying arms dealer named Zsa-zsa (Benicio del Toro) who summons his various children and associates to a series of increasingly eccentric meetings in an attempt to set his affairs in order. With an A-list cast that includes Tom Hanks, Scarlett Johansson, Michael Cera, Jeffrey Wright, and Mia Threapleton, the film is a symphony of Anderson's signature aesthetic concerns — symmetrical compositions, deadpan delivery, and meticulous production design elevated to almost satirical heights.
The screenplay, co-written with Roman Coppola, takes the form of a series of nested stories and theatrical scenes, each episode moving to a different European location rendered in Anderson's characteristic palette of mustards, teals, and deep reds. The film is ostensibly a comedy about family dysfunction and the moral complications of inherited wealth, but Anderson's true subject — as always — is the performance of identity, and the way people use elaborate rituals and costumes to manage the grief of living.
The Phoenician Scheme wears its ambition openly and revels in its own artifice in ways that will delight Anderson's devoted audience. It is also one of his most emotionally substantial films, with del Toro delivering a genuinely moving performance beneath all the whimsy. For those already attuned to Anderson's singular frequency, the film offers moments of startling beauty and genuine feeling. Anderson's eleventh feature film premiered at Cannes to strong reviews.
Hit Man is a 2024 crime comedy film written by Richard Linklater and Glen Powell, inspired by a true story first reported in a 2001 Texas Monthly article about Gary Johnson, a real New Orleans professor and part-time police consultant who spent years posing as a hitman in FBI sting operations. Directed by Linklater — whose career spans Dazed and Confused, Before Sunrise, Boyhood, and School of Rock — the film is a gleeful, stylistically confident blend of comedy, romance, and thriller that stands as one of the director's most purely entertaining and commercially accessible works.
Glen Powell stars as Gary Johnson, a mild-mannered philosophy professor who discovers an unexpected talent and appetite for playing hired killers in undercover operations — slipping effortlessly between personas, costumes, and accents to become whatever the client needs to see. When he meets Madison (Adria Arjona), a woman who comes to him seeking escape from an abusive husband, Gary breaks every protocol by developing real feelings for her — creating a dangerous entanglement between the hitman he plays and the person he actually is. Austin Amelio, Retta, and Sanjay Rao provide strong supporting turns in a film that keeps its audience off-balance about who and what to trust.
Hit Man premiered at the Venice Film Festival in September 2023 and was subsequently acquired by Netflix for a 2024 theatrical and streaming release, becoming one of the platform's most acclaimed original films that year. The film was celebrated for Powell's star-making performance — a comedically expert, physically precise turn that established him as one of Hollywood's most versatile leading men — and for Linklater's assured, playful direction, which brings the same improvisational spirit and philosophical lightness to genre material that has characterized his career's best work.
Barbie is a 2023 fantasy comedy film written and directed by Greta Gerwig, based on the iconic Mattel fashion doll. The film stars Margot Robbie as Barbie and Ryan Gosling as Ken, and follows the two as they journey from the perfect world of Barbieland to the real world after Barbie begins having troubling thoughts about death and her feet inexplicably go flat.
Co-produced by Mattel Films and LuckyChap Entertainment and distributed by Warner Bros. Pictures, the film features a star-studded ensemble cast including America Ferrera, Kate McKinnon, Issa Rae, Simu Liu, Will Ferrell, and many others. Gerwig co-wrote the screenplay with her partner Noah Baumbach.
Released on July 21, 2023 — simultaneously with Christopher Nolan's Oppenheimer — Barbie sparked the global cultural phenomenon known as "Barbenheimer," with audiences flocking to see both films back-to-back on the same day. The film became the highest-grossing movie of 2023 and the highest-grossing film ever directed by a woman, earning over $1.44 billion worldwide. It received eight Academy Award nominations including Best Picture.
"Bull Durham" is a 1988 sports romantic comedy film directed by Ron Shelton. The story revolves around the world of minor league baseball and follows the lives of three main characters: Crash Davis, a veteran catcher; "Nuke" LaLoosh, a talented but inexperienced pitcher; and Annie Savoy, a passionate baseball groupie who chooses one player each season to mentor.
As the baseball season progresses, Crash takes Nuke under his wing, teaching him not just about the game but also about life and love. Meanwhile, Annie finds herself caught in a love triangle between Crash and Nuke, leading to amusing and heartfelt moments of romance and rivalry.
The film explores themes of love, loyalty, and the pursuit of dreams. It has been praised for its witty dialogue, authentic portrayal of the baseball world, and the chemistry between the lead actors. "Bull Durham" is often considered one of the best sports films ever made and has become a cult classic. It stars Kevin Costner as Crash Davis, Tim Robbins as "Nuke" LaLoosh, and Susan Sarandon as Annie Savoy.
"Win Win" is a 2011 comedy-drama film directed by Tom McCarthy. The movie tells the story of Mike Flaherty, a struggling lawyer and high school wrestling coach who takes on the guardianship of an elderly client, Leo, in order to earn extra money. However, things become complicated when Leo's troubled teenage grandson, Kyle, shows up and forms a bond with Mike's family.
As the plot unfolds, Mike faces ethical dilemmas as he balances his responsibilities towards Leo, Kyle's well-being, and his own financial struggles. The film explores themes of family, morality, and second chances, as the characters navigate their way through unexpected circumstances and personal growth.
"Win Win" received positive reviews for its heartfelt storytelling, well-rounded characters, and the performances of its cast, including Paul Giamatti as Mike Flaherty, Amy Ryan as Mike's wife, and Alex Shaffer as Kyle. The movie effectively blends humor and drama to delve into the complexities of human relationships and the choices we make. It is considered a notable entry in Tom McCarthy's filmography, known for its honest and compassionate exploration of flawed but relatable characters.
"Down by Law" is a movie written and directed by Jim Jarmusch. It was released in 1986 and is categorized as a comedy-drama film. The story revolves around three characters: Zack, Jack, and Roberto, who end up in jail for various reasons. Despite their initial conflicts, they eventually form a bond and plan an escape together.
Zack, an unemployed DJ, is framed for a crime he didn't commit and lands in jail. Inside, he meets Jack, a pimp who is also wrongfully accused. The two initially clash but gradually develop a friendship. Their dynamics change when Roberto, an Italian immigrant, joins them. Together, they hatch a plan to break out of prison and embark on an unpredictable journey through the Louisiana bayou.
The film explores themes of friendship, redemption, and the human capacity for connection in unexpected circumstances. Jarmusch's distinctive style is evident in the movie's slow pace, deadpan humor, and black-and-white cinematography. "Down by Law" received critical acclaim for its unique storytelling and performances by actors Tom Waits, John Lurie, and Roberto Benigni. It remains a notable entry in Jarmusch's filmography, showcasing his talent for creating offbeat and character-driven narratives.
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"Lo Que Siento Por Ti" is a Spanish language film that tells three stories of inclusion and acceptance. Each of the three stories is centered around a different character, exploring their struggles with inclusion in society.
The first story follows a mother of two autistic teens who must navigate the challenges of raising children with special needs. The second story features a couple who are trying to have a child using in-vitro fertilization, but are facing societal pressures and expectations. The final story follows the father of a Special Olympian, who shares his pride and joy in his son's accomplishments, as well as the challenges they face as a family.
Through their struggles, the characters in "Lo Que Siento Por Ti" learn to find strength and resilience in themselves and in their relationships with others. The film encourages viewers to see the beauty and value in all individuals, regardless of their backgrounds or abilities. It is a powerful reminder of the importance of acceptance and empathy for those who are different from us, and calls for a more inclusive and compassionate society.
