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Hit Man is a 2024 crime comedy film written by Richard Linklater and Glen Powell, inspired by a true story first reported in a 2001 Texas Monthly article about Gary Johnson, a real New Orleans professor and part-time police consultant who spent years posing as a hitman in FBI sting operations. Directed by Linklater — whose career spans Dazed and Confused, Before Sunrise, Boyhood, and School of Rock — the film is a gleeful, stylistically confident blend of comedy, romance, and thriller that stands as one of the director's most purely entertaining and commercially accessible works.
Glen Powell stars as Gary Johnson, a mild-mannered philosophy professor who discovers an unexpected talent and appetite for playing hired killers in undercover operations — slipping effortlessly between personas, costumes, and accents to become whatever the client needs to see. When he meets Madison (Adria Arjona), a woman who comes to him seeking escape from an abusive husband, Gary breaks every protocol by developing real feelings for her — creating a dangerous entanglement between the hitman he plays and the person he actually is. Austin Amelio, Retta, and Sanjay Rao provide strong supporting turns in a film that keeps its audience off-balance about who and what to trust.
Hit Man premiered at the Venice Film Festival in September 2023 and was subsequently acquired by Netflix for a 2024 theatrical and streaming release, becoming one of the platform's most acclaimed original films that year. The film was celebrated for Powell's star-making performance — a comedically expert, physically precise turn that established him as one of Hollywood's most versatile leading men — and for Linklater's assured, playful direction, which brings the same improvisational spirit and philosophical lightness to genre material that has characterized his career's best work.
"Muy Gay Too Mexicano" is a short film that explores the intersection of being gay and Mexican through the eyes of the main character, J.D. The film follows J.D. as he prepares for a date while grappling with his identity and the expectations of his two roommates, who represent different aspects of his personality.
As J.D. tries to navigate his conflicting feelings and fears, he must also listen to his roommates' advice in order to have a successful third date. The film highlights the challenges of being a marginalized person with multiple intersecting identities, as well as the importance of self-acceptance and support from those around us.
The film is a powerful and insightful exploration of the complex issues faced by LGBTQ+ people of color. It challenges stereotypes and celebrates the diversity of human experience, while also providing a message of hope and resilience. "Muy Gay Too Mexicano" is a must-see for anyone who wants to understand and appreciate the richness and complexity of the LGBTQ+ community.
Irma Vep is a movie that was released in 1996. It was written and directed by Olivier Assayas and starred Hong Kong actress Maggie Cheung, who played a fictionalized version of herself. The film is a comedy-drama about the struggles of a French film director, played by Jean-Pierre Léaud, as he attempts to remake the classic silent film serial Les Vampires from 1915-1916. The movie takes a unique perspective, largely through the eyes of a foreigner, Cheung, and also examines the state of the French film industry.
The title of the movie is an anagram for the word "vampire," which was a reference to the original film being remade. Irma Vep was screened at the 1996 Cannes Film Festival and was released in France on November 13th of the same year. It received critical acclaim for its witty humor and unique take on the film industry.
In 2022, the film was adapted into a miniseries for HBO, also created by Assayas. The show features Alicia Vikander in the lead role and explores similar themes to the movie. This new adaptation has sparked renewed interest in the original film, which remains a classic of French cinema.
La Ciénaga is a 2001 Argentine drama film written and directed by Lucrecia Martel. The movie depicts the lives of two families living in Salta, a small town in northern Argentina. The families are connected by a friendship between the mothers, who come from different social classes. The movie explores themes of privilege, boredom, and alcoholism.
The title of the film translates to "The Swamp" in English, which is a metaphor for the stagnant lives of the characters. The film is shot in a naturalistic style, with the camera often lingering on small details of the characters' surroundings. This creates a sense of unease and tension, as if something ominous is about to happen.
La Ciénaga was praised by critics for its nuanced portrayal of Argentine society and its strong performances. The film was also noted for its feminist themes and its critique of the traditional roles assigned to women in Latin American society. La Ciénaga has since become a classic of Argentine cinema and is considered one of the best Latin American films of the 21st century.
Speedy is a 1928 American silent comedy film directed by Ted Wilde. It stars comedian Harold Lloyd in the title role as a man named Speedy, who is a baseball fanatic and has trouble holding down a job. Speedy becomes determined to save his girlfriend's grandfather's horse-drawn streetcar from being replaced by a modern bus.
The film is notable for its location shooting in New York City, which was unusual for a Hollywood production at the time. The filmmakers had to get permission to film on location, which was a difficult task due to the chaos of the city. They even had to pay off a street gang to clear the area for filming.
Speedy was a critical and commercial success upon its release and remains a classic of silent cinema. The film is notable for its inventive sight gags and Lloyd's physical comedy. It also features cameo appearances by Babe Ruth and other famous baseball players of the era. Speedy was later remade as a sound film in 1949, but the original remains the definitive version.
A King in New York is a 1957 British comedy film directed by and starring Charlie Chaplin. The movie tells the story of an exiled king from Europe who visits New York City. He is shunned by the American government and must rely on a young boy he befriends to help him navigate life in the city.
The film is notable for its satirical take on American society during the Cold War era. Chaplin uses the character of the king to comment on the excesses of capitalism and the dangers of anti-communist hysteria. The movie was seen as controversial at the time of its release and was banned in several countries.
Despite its initial reception, A King in New York has since been reappraised and is now considered one of Chaplin's underrated masterpieces. The film is notable for its social commentary, as well as its blend of physical comedy and political satire. A King in New York remains a relevant and entertaining film that offers a unique perspective on American society in the mid-20th century.
The Barkleys of Broadway is a 1949 American musical film directed by Charles Walters and starring Fred Astaire and Ginger Rogers. It was their tenth and final collaboration together. The movie tells the story of a married couple who are a famous song-and-dance team. When the wife decides to retire from show business and pursue a career in dramatic acting, it strains their marriage and their professional partnership.
The film is notable for its Technicolor cinematography and its memorable musical numbers. It features songs by Harry Warren and Ira Gershwin, including "They Can't Take That Away from Me" and "Shoes with Wings On". The movie was also one of the first films to feature the new process of widescreen projection known as CinemaScope.
Despite its success at the box office, The Barkleys of Broadway was a bittersweet moment for Astaire and Rogers. The film marked the end of their onscreen partnership, which had begun in 1933 with Flying Down to Rio. However, it remains a beloved classic of Hollywood's Golden Age, thanks to the chemistry and talent of its two iconic stars.
Beatriz at Dinner is a 2017 American comedy-drama film directed by Miguel Arteta and written by Mike White. The movie stars Salma Hayek as Beatriz, a holistic healer and massage therapist who is invited to a wealthy client's dinner party. When Beatriz's car breaks down at the client's house, she is invited to stay for the party, but tensions arise as she clashes with a smug, arrogant businessman played by John Lithgow.
The film is a social satire that examines the class divide in America and the clash between different cultures and belief systems. Beatriz represents a more spiritual and compassionate worldview, while Lithgow's character embodies the ruthless, self-serving values of corporate capitalism. The movie explores themes of environmentalism, social justice, and the search for meaning in a world that seems increasingly disconnected from nature and community.
Beatriz at Dinner received positive reviews from critics, who praised the performances of Hayek and Lithgow as well as the film's timely message. The movie is a thought-provoking exploration of contemporary issues and a poignant reflection on the search for common ground in a divided world.
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