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Aaron Eckhart has established itself as a great orator in, for whom are ready to follow both his followers and opponents (Thank You for Smoking), and even if he plays a loser (Hello, Bill!). His charm and an honest look impossible to doubt, and Eckhart's character is more interesting then Aniston's character, who modestly speaking takes a back seat. There is minimum or none of humorous component in this romantic melodrama, aside the main characters: Layne (Dan Fogler), Agent Burke, Eloise and her colleague Marty (Judy Greer), which is very believable and normally obsessed with sex. Extremely sentimental spectator will whisk away the tears every 8 minutes during the first 40 minutes. Toward the end of the movie the stream of tears, will be o only increasing, but more happiness will occur as well.

Six charming characters of the Things You Can Tell Just by Looking at Her are intelligent, independent and very decent women. They live in Los Angeles, not a curse, and carefully monitored to ensure that they match the facade of the image of peaceful and prosperous lady. "But nobody, including the people closest to them, could not even imagine that a terrible loneliness and incredible heartache lies behind this respectable facade. Life, however, would lose its meaning if you had not left the main thing - hope. "And therefore much will change, much settled, intertwine destiny tears treads a smile, and life will try to smile back ..."

The Vicious Kind tells the story of one family, more precisely on the short stage in the life of a certain circle of people. A young couple, Peter and Emma, come to visit his father on Thanksgiving Day. They are driven up by pretty brutal, bizarre and intemperate man, the dear elder brother of Peter. Due to certain family circumstances, about which we would be told in the end of the movie, the eldest son is not communicating with his father for nearly eight years.

Boondock Saints II: All Saints Day which has got a negligible box office cash, and undergone severe criticism from the media and representatives of the Church, accused of promoting violence and immorality, a few years later acquired a cult status and enjoys the growing number of their fans. Troy Duffy, doomed the audience to agonizingly long waiting, in ten years, gives the world a worthy sequel.

If you are going to look for that "half", which makes "Nine" more than "Eight and a half", then you can find it in a consequence of the almost complete rejection of Marshall's confessional original. Instead og Fellini's excursion into your own mind here is melodrama of a person who does not want to change the freedom of their own fantasies on the responsibility and hassle of the real world. The unique crisis Marshall thus replaces the by the universal one. And with all the vulgarity of the resulting parade lacy stockings and fake romantic accents you have to admit: there is no need to be Fellini to resolve difficult relations with all the women of the life. It is much better to build mentally the cabaret of these women instead.

A Serious Man is probably the best Coen brothers' movie. It is a hilarious parable disguised as anti-Jewish satire. The being Jewish, for authors, is not so much the subject as an occasion for much more interesting and witty conversation. The object of their ridicule is certainly neither the American Tzadik not the Jewish community as a whole, and certainly not God-seeking, but in itself painful mistrust inherent Semites. In general, it seems that anyone with the words "Bar Mitzvah" and "Dibbuk" aches nostalgic parts of the brain, "A Serious Man" will become perhaps the most hilarious film of the year, and this is the important detail in the case with Cohen's. In essence, "A Serious Man," this is "The Simpsons Movie" translated into the universal language of cinema as an everyday way of perceiving the infinite series of pleasant wonders.

Starting as a psychological thriller half-baked in the early Shyamalan style, closer to the second hour "The Box" quietly and gradually reaches some incredible degree of psychedelic action that much similar to Kelly - Lynch and Kubrick. Absolutely not sparing the audience (even forgetting it), Richard Kelly continues to swing the flywheel of action, reeling him more and more new characters, then explaining that by entering into contradiction with itself, and at the last minute just shot at close plan. Plot of The Box, placed in the chaos of the decade. It is so layered, that it is absolutely pointless to discuss the ranking of importance raised by the director of the movie. However, merged into one crazy idea of science fiction of 70's, dozens of conspiracy theories, including human psychology and even his own biography, Richard Kelly still rules.

Star Trek is a devilishly vigorous, beautiful and sometimes even enchanting movie. The action runs so fast that it sometimes seems: there was some fiddling with the space-time continuum. The magnificent scenes like a desperate ram by Kelvin of the more powerful opponent, a trio landing near a penetrating the Planet energy borax, the emerges from a warp jump, blazing with all guns Enterprise will stick in the memory for a long time. Add to this the excellent casting, which, coupled with some rethinking of the character hits the bull's-eye thing.

The Young Victoria was produced by Martin Scorsese, on the one hand, and Sarah Ferguson, Duchess of York, on the other hand. It is felt, respectively, and the American swing, and the English trembling breathing at the mouth of the Victoria and Albert. The combined effort of the ethnic, as well as budget of $ 50 million allows expecting, perhaps something more intimate than the movie version of Cinderella. However, it turned out beautiful fairy tale about a princess, initially did not have any chance at the throne, and even more so, for good luck.

There is nothing to judge in Astroboy. It is a colorful, light-footed and frivolous animated movie, which maintains the balance of the funny, childish, bright and exciting things. Plus, the director David Bowers, has a phenomenal talent for details. The second and the third plans of crowds showcase so much funny characters, ingenious vignettes and additional jokes that willy-nilly, you become distracted from the shortcomings of the plot. Bowers generally leads the viewer through the film, like all the time dancing. And this "dizzying ease" is very captivating. Maybe buzzwords like "brilliant", "phenomenal" and "stunning" will sound to loud for the Astroboy. But here's the epithet "good", which is no less worthy. And Astroboy has earned it."