If you are going to look for that "half", which makes "Nine" more than "Eight and a half", then you can find it in a consequence of the almost complete rejection of Marshall's confessional original. Instead og Fellini's excursion into your own mind here is melodrama of a person who does not want to change the freedom of their own fantasies on the responsibility and hassle of the real world. The unique crisis Marshall thus replaces the by the universal one. And with all the vulgarity of the resulting parade lacy stockings and fake romantic accents you have to admit: there is no need to be Fellini to resolve difficult relations with all the women of the life. It is much better to build mentally the cabaret of these women instead.
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Anna Miko enjoys writing more than reading books. But most of all she likes to write movie and series reviews. Being fond of classic cinema, she nevertheless is the author of many research works on contemporary visual arts. She also writes short essays on new movies and series helping others to navigate the world of modern cinema.
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