The latest from director Mabrouk El Mechri (French TV series Maison Close) and with a stellar cast, The Cold Light of Day follows a man's quest for his kidnapped family. They were taken while on vacation in Spain and now Will Shaw (Henry Cavill from The Tudors, Red Riding Hood) is determined to rescue his family but gets involved with a government conspiracy that involves his father and his "darkest secret". Also starring Bruce Willis (Die Hard movie series, The Sixth Sense) as Martin Shaw, Sigourney Weaver (Alien movie series, Gorillas in the Mist), and Joseph Mawle (TV series Women in Love, Agatha Christie's Poirot) as Gorman.ill Shaw is a young and cocky Wall Street trader that has somewhat unwillingly traveled with his family for a vacation in Spain. His family has been kidnapped and Will must negotiate with the government in order to unravel secrets deeply hidden concerning his father and that government conspiracy he knew nothing about. Suspenseful and well acted and written, The Cold Light of Day will entertain you thoroughly!

It should come as no surprise that if something is financially successful it will be repeated. That is especially true with feature films. This is the sequel to the popular Journey to the Center of the Earth (2008) and follows in the filmsteps of some pretty successful movies including the original Journey to the Center of the Earth made back in 1959 and starred James Mason and Pat Boone. As the majority of filming was done in Hawaii look for some spectacular scenery!hen his grandfather goes missing Sean Anderson sets out to find him on a mythical lost island filled with scary monstrous things. Along with him is his mother's husband and a tour guide team. Part of the fun of this film is found in watching faces when the monsters show up! Look to see who actually appears scared out of their wits and who is obviously only hamming it up for cameras.osh Hutcherson (Zathura: A Space Adventure, The Polar Express) plays Sean Anderson, Michael Caine (Hannah and Her Sisters, Cider House Rules) is the sought after grandfather Alexander Anderson, Sean's stepfather Hank Parsons is played by Dwayne "The Rock" Johnson, and as tour guide and a love interest for Sean Vanessa Judgens (Thunderbirds, Beastly) plays Kailani.

Irish author Jonathan Swift first published Gulliver's Travels in 1726, and it became an immediate sensation. Since then, Gulliver's Travels never has gone out-of-print, and its twenty-first century sales remain nearly as robust as they were in the sixteenth. Universally acknowledged as a classic of British literature, Swift's wonderwork scathingly satirizes human nature and parodies "travellers' tales." Not surprising, then, Hollywood has attempted to bring Gulliver's story to life on film in every decade since the medium was invented. Typically, the special effects have failed to keep pace with Swift's imagination. In the story's latest reprise, a slightly modernized version, the special effects are up to the challenge, but the question emerges, "Is Jack Black up to it?" Black has disappointed fans with his last couple of ventures, but critics say he looks "at ease" as he goes for "big" laughs in the land of the Lilliputians. The producers and director have built-in a few features to give Black a healthy bounce: Updating the story, they show Gulliver as a contemporary mailroom guy who finally catches a break, winning a travel-writing assignment in the Bermuda Triangle. 3D has gotta help the contrast between big Gulliver and little Lilliputians, and an all-star supporting cast is expected to bring out the best of Black's comic gifts.

In a more sophisticated "golden age" when American public schools actually taught people to read, Hollywood made movies from literature—Grapes of Wrath, for example, or To Have and Have Not. According to Oliver Stone, in the 1990s, film became the literature of the age. In 2011, driven by a fetish for "CG integration," Hollywood adopted the comic book as its model of choice. Not "the graphic novel," which has a slightly more elevated ring to it. No. The comic book. "Comic book novices may have difficulty differentiating their Green super-heroes: The Green Lantern does not attract The Green Hornet as moth to flame. Green Lantern may, however, attract almost as many teen girls as teen geeks, because it features Ryan Reynolds, People Magazine's sexiest man, archetype of "obscenely cut" abs. Critics already have remarked and documented strong similarities between Green Lantern and the IronMan series. Given its comic book origins, you know how Green Lantern goes: Cocky gonna-be super-hero must grow into and take responsibility for his super-powers. He becomes part of an inter-galactic super-squadron charged to protect and serve the universe. Of course, hard-rockin' soundtrack and jaw-droppingly attractive women, both good and evil, accompany him wherever he goes. "After summer's spate of cartoon movies, literate viewers may wax nostalgic for Hemingway in collaboration with Bogart and Steinbeck inspiring Henry Fonda.

The fact that appeals to the classic Disney animated film "Fantasia", The Sorcerer's Apprentice" movie was a success, making it hardly unexpected blockbuster the 2010 summer. The decisive factor is probably worth to consider the appointment of a director's chair, Jon Turteltaub. This school friend of Nicolas Cage commemorates in connection with "National Treasure", and in the new movie he has done almost all the same, minus the injections a few stupid conspiracy patriotism doses. In "The Sorcerer's Apprentice" he not only made the reliability of the tale, but also led to believe in the magical origins of Nicolas Cage, in recent years the losses, on the contrary, the tragic mediocrity. And finally, we believe, neon signs have never seemed so magical thing, like after watching this, probably the best children's film of the 2010 year.

Nicholas Cage proves his special gift for keeping the paychecks coming, teaming up with the director of My Bloody Valentine for Drive Angry 3D, due in theaters early in February, 2011. The promotional materials seem a little ambivalent or ambiguous about the film's supernatural element: Cage supposedly has escaped from Hell to avenge his daughter's murder and rescue his infant grand-daughter from sacrifice at the hands of a devil-worshipping cult. Of course, "The Accountant," one of Satan's executive demons, pursues Cage as he drives angrily across a hostile landscape in hot pursuit of bad guys and redemption. Many of the synopses omit the demonic content, perhaps because it has very little impact on the characters, situations, or plot. Three classic American muscle cars actually star in Drive Angry 3D, exuding at least as much sex appeal as Charlotte Ross, who delivers a soon-to-be-legendary sex-and-violence vignette between Cage's angry driving sequences. What's not to love about a 1964 Buick Riviera, a 1969 Dodge Charger, and a 1971 Chevy Malibu all muscled-up and chromed for the occasion? Regardless of critics' and audiences' reaction to Drive Angry 3D, film historians may use the film as compelling evidence in support of their argument 3D definitely makes a film's imagery more vivid but does not automatically improve its content or redeem it as a work of art.