"Rich & Shameless" is a collection of seven premium films produced by TNT and Raw. The series delves into the lives of individuals who have achieved enormous wealth and the ups and downs that come with it. The films offer a glimpse into the realities of extreme wealth, something that most people never experience.
Each film in the series tells a true story, capturing both the successes and failures of the individuals involved. Viewers are taken on a journey that explores the thrills and miseries that accompany such immense wealth. Through this series, viewers gain a better understanding of the complexities that come with a life of luxury.
The series provides a unique insight into the lives of the wealthy and famous. It reveals the harsh realities of their experiences, which are often glamorized in popular culture. With "Rich & Shameless," viewers can gain a deeper appreciation for the complexities of wealth and the struggles that come with it.
By some miracle, everybody in America knows all about "30 Rock," and everybody loves Tina Fey, the show's creator and star, but relatively few viewers tune-in every week. During its first season, "30 Rock" toted-up a record twenty-two Emmy nominations, but its ratings ranked 102nd of 142 primetime shows. NBC stayed with the project on the assumption that Fey's popularity and the intense critical buzz eventually would translate to ratings; and the gamble paid off as viewership steadily rose over the comedy's first six seasons. Based on Fey's experiences as head writer for "Saturday Night Live," the show satirizes life behind the scenes of a network comedy, trapping co-star Alec Baldwin in corporate intrigues as the writers and actors endure the trials and tribulations of producing a live weekly broadcast. Strong characters and brilliant badinage distinguish "30 Rock" from the standard sitcom fare, and the thirteen-member ensemble cast puts the plausibility in improbably characters.
Sometimes "Bravo" serves-up high-quality instruction at least as powerfully as "The Learning Channel" and "National Geographic." Case in point: "Kell on Earth" reveals the ecology of New York's fashion industry, vividly illustrating the perilous lives of smaller fish on the couture food chain, and charting the symbiosis between design houses and the fashion press. The "Kell" in "Kell on Earth" refers to hyper-manic high-powered fashion publicist Kelly Cutrone, diva-dominatrix of public relations firm "People's Revolution." Although eponymous Kell gets the most air-time, "Kell on Earth" is not automatically all about her; instead, it shows the harried lives of second-tier stylists, public relations interns, and personal trainers who dwell near the bottom of New York's tumultuous, tempest-tossed fashion fishbowl. Observant viewers will note striking similarity between People's Revolution and Lauren Conrad's workplace on "The Hills" and "The City," which brought Cutrone into the public eye. Those same insightful viewers will see, however, that real-reality show "Kell on Earth" proves Cutrone's "little people" frequently sweat, swear, and stress, really working for their paychecks.
Creators and critics refer to "Caprica TV show" as a spin-off from the classic "Battlestar Gallactica," but the allusion deceives devoted viewers of the old space drama, and it flies right over the heads of the new show's most enthusiastic viewers"”adolescent boys obsessed with all things technological. Strictly speaking, "Caprica" is a prequel to the final struggle for survival dramatized in "Battlestar Gallactica": The stories are set approximately sixty years before the Cylons began plotting to destroy humanity, and it focuses on a tech-crazy world drunk on its own runaway success. The stories dramatize dangerous, self-destructive tendencies in people so completely self-absorbed and so thoroughly addicted to their gadgets they become oblivious to the world that lives beyond their arms' reach, palpable instead of digitized. Characteristic of the best science fiction writers, "Caprica's" crew subtly allegorizes the serious ethical ramifications of post-modern advances in artificial intelligence and robotics. In the United States, the SyFy channel put "Caprica TV show" on hiatus late in 2010, holding back just a few new episodes for first broadcast sometime early in 2011. Despite the show's uncertain American future, the production team continued making new episodes for air in the United Kingdom and Canada.
One critic characterized "Breaking Bad's" dark humor as "Thelma and Louise as seen by Dostoyevsky" and that was one of the perkier, more optimistic descriptions. A seven-part AMC series, "Breaking Bad" TV show tells the story of Walt White, high school chemistry teacher turned methamphetamine cooker and dealer. Of course, as Glenn Frye crooned, "The lure of easy money has a very strong appeal," but "Breaking Bad" does not allow for even a split-second of sunshine through the abysmal darkness. In this corner of the universe, crime never-ever pays. Walt, expertly portrayed by Bryan Cranston of "Malcolm in the Middle" fame, is neck-deep in problems, complications, and flat-out ugliness from the minute he lights the Bunsen burner. Although the writers have woven-in some amazingly ironic lines, known in the trade as "comic relief," the characters deliberately deliver their quips in such a super-slow, slack-jawed drawl they seem more tragic than funny. Of course, "Breaking Bad" TV series make some pretense toward allegory of the American middle class struggling through the throes of deep recession, and it scores some hard hits. Most of all, though, "Breaking Bad" shows that even when fine writers, directors, and actors can find humor and pathos in displaced white-collar workers' undignified struggle for dignity, it still looks awfully damned dreary and ugly.
Intensely cerebral, narrated more or less in the style of a Latin American magic-realist novel which shows the conclusion before the story begins, "Damages" TV show strangely fulfills the immanent promise in cable television programming, appealing very strongly to what the poet Milton called "fit audience though few." "Damages" series'unmistakable style, sophistication, and subtle sizzle are spellbinding, and the writers have crafted heroes you love to love and villains you love to hate with a team of attorneys working both sides of the continental divide between good and evil. Unabashedly stealing its premise from the Bernie Madoff case, "Damages" asks and answers, "What if you were Madoff's antagonist?" Glenn Close plays Patty Hewes, the high-powered and equally high-priced attorney determined to bring down ponzi-schemer Louis Tobin, portrayed by Len Cariou. The word "perfect" appears in most critics' discussions of their performances. A New York Times reviewer aptly summarized, "It's impossible to overestimate how delicious Ms. Close is as this fiercely driven, mercurial and manipulative woman. " In a stroke of casting genius, the producers chose Lily Tomlin to quicken the character of Mrs. Tobin, long-suffering wife of the arch-villain; the audience remains in suspense about her true colors and motives, suspecting she may be "Damages'" answer to Lady Macbeth. Martin Short also stars as Tobin's family attorney.
"24" TV show premiered in November, 2001, amidst much critical acclaim and a great deal of audience perplexity, because it purported to show events as if in real time, and it attempt to show some events happening simultaneously. Despite its mind-bending qualities, "24" TV series became an instant sensation, and it remained a ratings dominator through its final episode on May 24, 2010. Running for a total of 192 episodes, "Twenty-Four" series went into the record books as television's longest-running spy-themed series, eclipsing legends "The Avengers" and "Mission: Impossible." Kiefer Sutherland starred as Jack Bauer, counter-terrorism expert supreme. Bauer is the only character that recurred through all eight seasons, because different terrorist plots required radically different villains and a variety of corrupt government officials. In eight 24-hour stories, Bauer thwarted assassination of a Presidential candidate, prevented terrorists' destruction of Los Angeles, stopped a crazed drug-dealer from releasing a deadly virus in LA, getting fired from and being reinstated at his job"”just in time to bring down a corrupt President, and escaping from Chinese kidnappers in order to stop a string of terrorist attacks on major American cities.
Lisa Jane Smith, author of a whole library-shelf full of Vampire Diaries for literate tweens, has every right to feel like a Shakespearean monarch whose throne is usurped in a tragedy's first act. She pioneered the genre, took a little sabbatical, and came back to find her world dominated by Harry Potter and all those "Twilight People." In 2008, The Vampire Diaries were reprinted in cool new covers and fonts, and L.J. Smith returned to writing full time. In the fall of 2009, "The Vampire Diaries TV Show" came to the CW, developed and produced by Kevin Williamson of "Dawson's Creek" fame. To his everlasting credit, Williamson expertly preserves the goodness and sweetness of Smith's characters and situations. Although the vampires naturally want to seduce the sensitive young heroines into their dark world, the pretty little women always bring the flesh-hungry bad boys back into the light. Of course, the show's production values allow lots of room for good music and teen-aged angst"”there is no shortage of fog, but it also has plenty of attitude. In addition to foretelling evil events, the show's prophet can predict fashion trends. The story turns on a tween's eternal dilemma: wistful good girl falls in love with the good vampire brother but is constantly tempted by bad-boy vampire other-brother. What is a girl to do?
Dancing with the Stars is a spectacular reality competition that focuses on the glamorous and entertaining world of competitive dance. Dancing with the Stars show pairs a number of celebrities with professional ballroom dancers, who each week compete by performing dances. These are then given scores by a panel of judges. Viewers are given a certain amount of time to place votes on their favorite dancers, either by telephone or (in some countries) by the Internet. The couple with the lowest combined score (judges plus viewers) is eliminated, and continue in the next week. This process continues until there are only two or three couples left, at which point one couple is declared the champion.
"There are eight million stories in the city that never sleeps," Gary Sinise's unmistakable tenor voices-over the opening skyline shots for "CSI: New York." Apparently, New York's dedicated crime scene investigators also suffer sleep-deprivation, working tirelessly"”some would say obsessively"”to demystify eight million different ways to die in the Big Apple. Sinise plays Detective Mac Taylor, suitably intense CSI:NY unit leader, complemented well by workaholic assistant Stella Bonasera, expertly portrayed by Melina Kankaredes. Together, the lead detectives manage an appropriately colorful team of streetwise geeks and nerds determined always to make their cases well beyond reasonable doubts. Like the others in Jerry Bruckheimer's crime-drama franchise, "CSI: New York" devotes more attention to sophisticated computer work and uber-cool lab procedures than to the old-fashioned business of talking to people. Mac Taylor quickly reminds, though, "We follow the evidence, because the evidence never lies."
The Celebrity Apprentice 3 (The Apprentice 9) is the reality television show - the ninth installment of the United States version of The Apprentice. The Apprentice show depicted 16 contestants from around the country with various backgrounds competing in an elimination-style competition to become an apprentice to Donald Trump. The winning contestant would have the opportunity to work for Trump as the president of one of his companies for at least one year with an annual salary of $250,000.
