It's a long-long way from flying nun to matriarch of a powerhouse television family. Sally Field has landed in a very good place, anchoring a powerful cast on ABC's award-winning "Brothers and Sisters." The "Brothers and Sisters" plot undoubtedly fits together for viewers who have remained faithful from the very first episode, in which William Walker, pater familiae and founder of Ojai Foods, drops dead. Kitty, his wife, mourns properly and just as properly takes charge as her grown children and their families gather around her. Mourning grows complicated as William Walker's deep-dark secrets come to life, and family life heats up as different family members cope with different secrets in different ways. From five family members come forty possible combinations and recombinations, and from those possibilities spring infinite plots"”even before writers and producers add significant others and children. "Brothers and Sisters" can hold its exalted Sunday night place indefinitely. Unlike some riveting family dramas, "Brothers and Sisters" does not show bitter, fierce, destructive sibling rivalry. For the most part, these big kids like one another, and their mother loves them all. Of course, one is an Afghan war veteran with a drug problem, and another is a gay lawyer, the favourite son and heir has both financial and marital difficulties, but the real odd-ball is the daughter who breaks the family's liberal tradition and takes-up with the likes of Ann Coulter and Mike Huckabee. Did we mention that "Brothers and Sisters" has the stuff to go on indefinitely?

Call it one of television's most credible attempts at realistic fiction: Ryan Murphy, "Nip/Tuck's" producer, insists the medical conditions and procedures on which the episodes center "are 100% based on fact." Ironically, though, "Nip/Tuck's" representation of the surgeon's private lives may impress ordinary viewers as the program's most faithful representation of real life people and events. "Nip/Tuck" centers on Sean McNamara and Christian Troy, successful plastic surgeons, originally practicing their science and art in Miami, but conveniently relocated to Los Angeles at the end of "Nip/Tuck's" fourth season. Dr. McNamara, "the nice one," struggles to keep his family together as they weather trials and tribulations that come as the complications of success. Dr. Troy, "the naughty one," loves money and sex, and sometimes commits serious scalpel screw-ups. Never shy about taking-on controversial subjects, "Nip/Tuck" won critical acclaim, Golden Globe and Emmy awards for its treatment of domestic violence, promiscuity, recreational drug use, and the risk of addiction to cosmetic surgery. On March 3, 2010, "Nip/Tuck's" one hundredth episode, last in the series, became the most-watched scripted program in the history of the FX network.

"Wu-Tang: An American Saga" is a television drama series that premiered on Hulu in 2019. The show is based on the true story of the formation of the Wu-Tang Clan, a group of rappers who rose to fame in the 1990s. It explores the lives of the nine members of the group and how they came together to create a new sound in hip-hop.

Using state-of-the-art technology and amazing skill with make-up and costuming, Chance, the main character, becomes literally a human target. In each episode of "Human Target," Chance assumes the identity and everyday life of a prominent person in danger. Describing himself as an "extreme bodyguard," Chance uses his wits, skills, and wise-cracking bravado to turn serious danger into a trap for the villains. The sinister evil-doers plot kidnapping, blackmail, extortion, and especially death; the "human target" plots capture. Not the kind of thing for which an ordinary guy usually would volunteer. "Human Target" TV show was praised by the critics and audiences for the quality of the acting"”especially the performances by Earl Haley, Jr., which make a somewhat implausible premise absolutely believable and compelling. Because "Human Target," a decidedly out-of-the-box crime drama, is loosely based on the DC comic series of the same name, the creators have no shortage of bad guys, nor do they struggle to find quirky characters for Chance to impersonate. Critics and audiences agree that the actors playing the three main characters go a long way toward redeeming the show's average, sometimes genuinely awkward writing. They wonder, though, will the actors be able to hold the viewers' attention and loyalty long enough for the writing to fulfill the promise in the premise?

"The Company You Keep" was a television show that aired on BBC One in the United Kingdom. The show was a drama series that followed the lives of a group of middle-aged friends who were trying to navigate their way through life's challenges. The group, known as the "Company," was made up of six friends who had all attended university together and were now in their 40s.

Take a set of twin sisters who've been at odds for many years. Add in the fact that one of them suddenly disappears. And then show that one of them is full of mystery and intrigue, and on the run from some mysterious mob. Here we have Siobhan and Bridget. Two sisters who have been living apart and out of touch for the past eight years, with one taking a road that winds up leading her onto a path that is unsafe and definitely different from the norm that her twin has followed. When the two sisters take a boat trip Siobhan suddenly disappears overboard. Now Siobhan discovers her twin Bridgit has been leading a double life and hers will never again be the same. Siobhan is attacked by some evil men who evidently are part of the mob when she stays in her sister, Bridgit's house. So did one of the twins really die or simply disappear to avoid the mob? Sarah Michelle Geller (Buffy the Vampire Slayer, Scooby-Doo) stars as both twins and she has her hands full when she discovers her twin was leading a life full of mystery and fear. Nestor Carbonell (Smokin' Aces, The Dark Knight) is FBI agent Victor Machado who finds his job of keeping Bridget safe a dangerous one. Action packed with top quality writing and actors.