"There are eight million stories in the city that never sleeps," Gary Sinise's unmistakable tenor voices-over the opening skyline shots for "CSI: New York." Apparently, New York's dedicated crime scene investigators also suffer sleep-deprivation, working tirelessly"”some would say obsessively"”to demystify eight million different ways to die in the Big Apple. Sinise plays Detective Mac Taylor, suitably intense CSI:NY unit leader, complemented well by workaholic assistant Stella Bonasera, expertly portrayed by Melina Kankaredes. Together, the lead detectives manage an appropriately colorful team of streetwise geeks and nerds determined always to make their cases well beyond reasonable doubts. Like the others in Jerry Bruckheimer's crime-drama franchise, "CSI: New York" devotes more attention to sophisticated computer work and uber-cool lab procedures than to the old-fashioned business of talking to people. Mac Taylor quickly reminds, though, "We follow the evidence, because the evidence never lies."

"Mad Men TV show" delivers its drama in the same slick and glossy packaging the Madison Avenue ad-men serve-up to their clients, making it just as stylized, trendy, and gotta-have-it cool as anything as a two-page spread for Chryslers and Chesterfields in the centerfold Life. Central character Don Draper, a pitch-man with a secret and sordid past, ruthlessly and relentlessly courts clients and seduces women, attempting to feed his insatiable ego. In other words, he personifies the archetype of the ad-man. Draper races full speed to stay one step ahead of changing times, cut-throat competitors, and revelation of his secrets: Born the son of a prostitute who died in childbirth, he stole a Korean war buddy's identity to put on a patina of respectability. Propriety and respectability figure prominently in the drama, which accurately represents steamy seductions and corner-office conniving hiding behind the Norman Rockwell wholesomeness of 1960s family values. Brilliantly written, beautifully photographed, and consummately well acted, "Mad Men TV show" has collected a boatload of awards, including three Golden Globes and back-to-back Emmys.

It seems like NBC decided not to give up with paranormal things in 2012. After the cancelation of Awake and realizing that Smash is not going to be a great hit, they decided to launch brand new supernatural-paranormal medical drama with far not first two-word gerund/noun title Saving Hope. But please, don't expect it to be a kind of chimera with mixed DNA of Saving Grace and Rising Hope. Not even close. To describe what Saving Hope is. Let's begin with the "complication" of the plot: two nice people are snuggling inside the wedding cab which is suddenly gets struck by the car. We see as the wedding couple acts absolutely professionally saving the life of the driver by using only medical equipment they have: a pair of common scissors and a tampon. This act of help reveals the newlyweds as the good doctors exactly that they are. The groom is Dr. Charles Harris (Michael Shanks) and the bride is Alex Reid (Erica Durance). However, the situation is getting worse after Alex realizes what a whack in the head Charles got during the accident. Shortly the traumatic brain injury sends Dr. Charles Harris to the hospital bed with the coma diagnosis instead of the honeymoon. As a side effect he receives a supernatural power to walk unseen and unheard between his former colleagues and patients. During his trips he immerses himself deep into the emotions of dying people and doctors trying to save them. He attempts to help both of them using his paranormal gift (which reminds us the CBS' Gifted Man). Charles also trying to get in touch with his ex-fiancee Alex, but all of these attempts fail frightening her almost to death. On the other hand Alex is trying to struggle for saving Charles' life, while he is in coma, but day after the day, she realizes the unfortunate futility of her attempts.

A stylistic and narrative departure from the other titles in the "CSI" franchise, the CSI: Miami edition strives to recreate the neon-drenched allure of South Beach. Veteran television viewers may recognize the show's natural affinity with the eighties hit "Miami Vice"; apparently, in Miami, the light always shines through colored filters and everyday events always have awesome soundtracks. As in all the "CSI" shows, a dedicated squad of forensics experts solves otherwise unsolvable crimes with the benefit of their daunting intellects and their dazzling technology. Plots follow Jerry Bruckheimer's tried-and-proven formula for "following the evidence" wherever it leads. The "pretty" one among the CSI brands, "CSI: Miami TV Show" features at least as much scientific could-be as it depends on forensic facts. Naturally, the characters are as pretty as their surroundings. David Caruso stars as Horatio Cane, the unit leader with a special gift for slowly and deliberately taking off his sunglasses and delivering pithy one-liners as if they were lines from Shakespeare. Emily Procter charms as ballistics expert Calleigh Duquesne, and the juxtaposition of petite southern belle with major firearms is not wasted on the show's primarily male audience. Adam Rodriguez plays the sometimes tormented "Delko," and Rodriguez tops fan polls as the show's most personable actor. Jonathan Togo and Eva LaRue round-out the show's collection of pretty people.

Television currently suffers a serious adolescent crush on New Jersey, happily showcasing its housewives, manicurists, unemployed party animals, and now its history of slick, sophisticated organized crime. "Boardwalk Empire," adapted from the bestseller with the same name, shows Atlantic City's colorful jazz age history, paying fierce attention to realistic details and historical accuracy. "Boardwalk Empire" takes the Sunday night timeslot usually reserved for "True Blood" while the vampires go on hiatus, and with skilled assistance from Martin Scorsese, it so completely rivets its audience that they cannot remember what they used to watch after "60 Minutes." Like a complicated, sophisticated Victorian novel, "Boardwalk Empire" takes two episodes to set the stage and establish its historical context; but once the bootleggers, gangsters, and corrupt politicians get their machinery greased-up and going, eager audiences stay tuned. The New York Times effectively summarizes, "'Boardwalk Empire' is a well conceived, beautifully made series that has every reason to be great. Who doesn't want to watch rum runners and gangsters on HBO?" Mtv and E! will break-up with Jersey, and they will not "still be just friends" when new seasons roll around; but viewers can look forward to HBO's going steady with "Boardwalk Empire" until the vampires come home.

Chase TV Show is another hit from executive producer Jerry Bruckheimer, but this is not your typical police drama. It is based in Houston, Texas and chronicles a U.S. Marshal team specializing in fugitive apprehension; who are on the chase for the country's most wanted criminals. Deputy Annie Frost (Kelli Giddish) leads the all star team including intelligence and weapons/tactical specialists as well as a true Texan cowboy. Follow this notorious team of five as they capture the really bad guys and overcome their own personal issues at the same time. You can be assured, Chase TV Show is a fast moving action packed one hour drama that you won't want to miss, so stay tuned!