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In the second part, which came up for a great name: Alvin And The Chipmunks: The Squeakquel. All the action revolves around the vocal talents of the chipmunks' trio. Chipmunks are still in an exemplary self-confident, dynamic, wonderful, although sometimes vulgarly joking. It is not surprising that two years ago, they were the real heroes and idols for young audience. At this time we can confidently predict that the audience of fans of Alvin, Theodore and Simon will increase considerably.

There is no unique conflict in Did You Hear About the Morgans? movie and rather expected gags: Hugh Grant is trying to chop wood, Parker is trying to milk the cow, together they shoot a gun, etc. Nevertheless, the golden rule of romantic comedy - that Hugh Grant will pull out any film in this genre continues to operate, despite his imminent fiftieth anniversary. And with fresh American female partners with whom Hugh seems to work best: Sarah Jessica Parker, the one who was missing in a row with Andie MacDowell, Sandra Bullock, Renee Zellweger and others. There is no chemistry between the actors, but there is no need in this, that's another story…

The Twilight Saga: New Moon, the second part of the "Twilight" appeared to be more exciting, vibrant and interesting. There are new secrets, new characters, igniting incredible passion. The action moves from gloomy Forks to sunny Italy, where a clan of vampires Volturi sitting in the marble interior of the temples of the Renaissance. Probably because the Cullens are aesthetic vampires the film strikes with the elegance. David Brisbin, the production designer of the movie worked on color in the film, based on a rich color palette of pre-Raphaelite artists. Forks lush greenery, red hair vampire, red cloak and eyes of vampires are creating an incredible fairy-tale atmosphere.

You can threat Zombieland as the horror movie in the relative manner only. With all its hordes of walking dead, with frenzied Woody Harrelson's shears at the ready, gallons of blood and rolls of intestines, horror can only be relative. This is a great, ingenious, cruel comedy, where, however, shifted all the genre framework, where the twelve year old girl is playing with firearm and harsh zombie fighter sweetly bathe children and puppies in the bath; where the main comic is stupid and ridiculous to die. And if the comedian was killed - hence, in general, everything is permitted.

Interlocking worlds is the main advantage of The Lovely Bones movie. Peter Jackson has managed to build two universes, two micro-cosmoses. One is the real America of the 70th, a provincial town in which this thriller takes place. The second is a world of fantasies and illusions of Susie, the movie protagonist. It is the space of inexpressible beauty, with the number of perfect landscapes, oases of the dreams. It's so exciting, that will not immediately come to mind at least some analogues, this magical fantasy world in which dwells Susie, do not even comparable with something else. And Jackson so subtly approached the issue that has managed through unprecedented visual beauty and conveys the inner meaning of which he endowed with a beautiful image of the protagonist.

Couples Retreat is a funny comedy with great actors and with pretty nice plot. It starts with lots of pictures of couples of all ages. The first part of the film simply tells about families and their lives and gives us to understand, what are their issues. From the island of Bora Bora, the fun begins…he story is as follows: four married couples, some of which are on the verge of divorce and dream to improve relations, some go just to have fun and to warm his back on the beach, agree to participate in the Pelican bonus program! Upon arrival in Eden, these eight hampered by a long list of rules, starting with the lack of free time and ending with the strictest ban on entertainment. From morning till dawn, they will have couching sessions, which aim to bring together tired of each other people, but its only alienate them more and more, revealing previously unknown fractures of marriages.

One of the major delights of the 2012 movie is an epic picture of the destruction of the solid earth, when thousands of people scattered in panic from the falling down of skyscrapers, where the oceans come from the coast, and lava avalanches sweep out the cities and countries. In 2012, the apocalypse comes at its best; Emmerich tried hard to give a picture of the destruction of the giant swing, and the fact he succeeded. The visual side of the movie is flawless. But the dramatic side sometimes fails in the illogic, strained and unnecessary confusion. Too complicated scenario building only distract from the excellent graphic component that unfolds in the 2012.

Avatar is the best of what came in the cinema since The Lord of the Rings, and here's why. The scale of production and technical excellence of visuals are really amazing. There are no special effects in the movie which are familiar to modern audience . The entire film is one big special effect. Avatar is great not only technically. The film demonstrates the hitherto unprecedented details thru everything. As for the storyline, it is much uncomplicated and reminds a lot of good Hollywood movies. However, the simplicity of the basic idea does not affect the general perception of the painting. James Cameron managed to create new fairy tales, which impact the development of cinema and for more than two hours throws the audience from the gray ordinary reality, to the wonderful world of harmony and beauty.

Scott Cooper's movie Crazy Heart got two Oscar in 2009, It's a movie with the soul, no pathos, no ostentatious patriotism, just as it is. Jeff Bridges plays such a collective role of the classics of the Nashville Sound. Forty years ago, while still a boy, he went into the army in the end "The Last Picture Show," now he's back with the "Oscar". There are, of course, the obvious parallels with his main "pop-role" of Big Lebowski, but it looks like he selects the role and playing style and maintains this line till the final credits.

Seriously speaking, Jason Reitman, has enough tugged nerve gender theme in "Juno", this time surpassed himself by directing really perfect movie. Scene gears, rocker motivations, the plot of the finest springs driven home so accurately that the viewer does not need anything over the puzzle: put the golden key - and it works. Satyrs dance in a circle and the toy Boeings fluttering at the Stars and Stripes canopy and even death with a scythe appears in precisely metered time with leaves of a leaf. There is nothing do not subtract or add. The archetypal theme of catching genders by the gravity forces ingeniously rhymed with the theme of aviation and the notion of travel. In turn, the ancient problem deftly woven into the realities of today's America, living beyond their means and are losing their jobs - also return from heaven to earth, relevant to the rest of the world too.