Atom Egoyan, the director of Chloe is well aware that the strength of any such stories is in the nuances at first hand and "Chloe" is all built on them. It is not important what exactly happens, but how it is reflected on the people. Egoyan clearly shows how the complexes, fears, worries and speculations destroy subjective reality. Main power "Chloe" is in this reticence not even in focus on the main character: the movie switches from one character to another for several times. That is not an accident that the film has a woman's name - the final impression of it is about the same as that from a meeting with a pretty mysterious stranger. Perhaps, as a result it is not turned into something much bigger and important than the conversation of exquisite sexually charged flirtation - but that's a little dangerous feeling of rocking intoxication, mild viciousness and willingness to lose all control is stored, perhaps are even the better things.
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Anna Miko enjoys writing more than reading books. But most of all she likes to write movie and series reviews. Being fond of classic cinema, she nevertheless is the author of many research works on contemporary visual arts. She also writes short essays on new movies and series helping others to navigate the world of modern cinema.
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