A film by Robert Schwentke is not even trying to step into the territory of melodrama: the protagonist played by Rachel McAdams is so in love with that there are no other characteristics can be found in her person. Her partner, Eric Bana plays just a handsome man, imbued with positive as with chloroform, next to whom dreamy lonely woman wished to be. Of course, Bana is not shining, as Patrick Swayze, while parting with Demi Moore, but it crumbles in the arms McAdams, like sand in the sandglass tears. Confrontation and the unity of love and time was already fully embodied on the screen by Darren Aronofsky (The Fountain), and for this pathos it was actually destroyed by the critics in Venice and the audience at the box office. Schwentke choked with the same feelings, but he also significantly reduced the degree of expressiveness.

Lee Holloway returns in her native town returns as an attractive girl. She suffered minor behavioral problems, but these oddities do not interfere with Lee to get a job a secretary to a local eccentric lawyer to Mr. Gray. To get started, everything seemed quite normal: to print, to process documents, to bring coffee, etc., until Mr. Gray had not noticed that the grammar of the girl is not so good as we would like. Here is where the door opens in the same world that you usually imagine, and all the fun begins!"

The Twilight Saga: New Moon, the second part of the "Twilight" appeared to be more exciting, vibrant and interesting. There are new secrets, new characters, igniting incredible passion. The action moves from gloomy Forks to sunny Italy, where a clan of vampires Volturi sitting in the marble interior of the temples of the Renaissance. Probably because the Cullens are aesthetic vampires the film strikes with the elegance. David Brisbin, the production designer of the movie worked on color in the film, based on a rich color palette of pre-Raphaelite artists. Forks lush greenery, red hair vampire, red cloak and eyes of vampires are creating an incredible fairy-tale atmosphere.

In case of tremendous success of the book, it's only a question of time when the movie based on it will be released. As for The Perks of Being a Wallflower this statement seems to be a very true one. All we have is to wonder, if Stephen Chbosky, has the intention to film the book at the times he wrote it. However he surely has to do it. And the movie turned out to be great. As great as the book. Although you may have probably encountered not so many good movies based on the good books. Nevertheless , we have ensure you: in that case The Perks of Being a Wallflower is the awesome film directed by Stephen Chbosky and based on inimitable novel of Stephen Chbosky. In the unlikely event "you haven't read the Chbosky's young adult novel", here some tips out from the film's plot. The story is revolving around the letters of high-school freshmen "Charlie" (Logan Lerman) who narrates some parts of the movie. He is a bit of autistic lonesome boy who could by precisely described as "Wallflower", a person who is never being noticed by the opposite sex and who seems to be happy about it. Charlie is exactly that kind of a person, but his life as "Wallflower" is being suddenly interrupted by two senior graduates who decide to take care of the newbie. This twist of fate turns out in Charlie's first drug experience, his first falling in love (with a girl named Sam, portrayed by Emma Watson, by the way), his first sex and first depression.

"Casablanca" is a romantic drama movie released in 1942, directed by Michael Curtiz. The movie tells the story of Rick Blaine, an American expatriate who runs a nightclub in Casablanca during World War II. When Rick's former lover, Ilsa Lund, shows up with her husband, a Czech Resistance leader, Rick must choose between his love for Ilsa and his commitment to helping the resistance effort.

Sitting on the 15th place in The Greatest Directors of All Time list, Woody Allen is a talented writer, who has got more Oscars than fingers on both of your hands. And his next masterpiece To Rome with Love is likely to bring him another one (an Oscar, of course, not a finger). The events of the movie, that seem to be unconnected at the first blush, are masterfully intertwined with each other, mostly not physically, but spiritually, which is an Allen's bonanza anyway. The first story follows a famous NY architect, Jack (Jesse Eisenberg: 30 Minutes or Less, The Social Network) who is nothing more than a younger "reflection" of John (Alec Baldwin: The Good Shepherd, The Departed), who is trying to go back in the past to his youth. Another story is Antonio (Alessandro Tiberi) and Milly's (Alessandra Mastronardi) amorous drama which they are going through separately. This story also involves an Italian prostitute Anna (Penélope Cruz: Broken Embraces, Vicky Cristina Barcelona), and Italian cinema celebrity Luca Salta (Antonio Albanese). There are two other stories (or vignettes) that seem to be separated and unconnected but all of them are nothing more than beads on a curved string of life. By the way, Woody Allen has refuted the assumption of vignette intersection, leaving the audience an opportunity to decide what unites the stories.