Letters to Juliet is an unbeatable summer melodrama about the simple fact: love is not a sausage – it has not expiry date. It is a kind of conceptual sequel to "From 13 to 30" of the same Gary Winick. In the film, 13-year-old girl trapped in the body of the Thirty Years' coquette, but here in "Letters to Juliet" it seems, there has been movement in the opposite direction - from 70 to 13. Mature sagacity lady returned to the age of the great dreams of stainless love, which has no expiration date and is happy to wait at least half a century, only to flare up with a new, triple the force. On the other hand, it is nice that the boundaries are shifted. Previously, it was necessary to have the certain courage to say: in 40 years, life has just begun. "Letters to Juliet" cheerfully join it: even in 70 it not ends there… neither directly nor figuratively.

Empire of Light is a romantic drama movie set in a British coastal town in the early 1980s. The film, directed, written, and co-produced by Sam Mendes, focuses on the power of human connection during difficult times. The ensemble cast includes Olivia Colman, Micheal Ward, Monica Dolan, Tom Brooke, Tanya Moodie, Hannah Onslow, Crystal Clarke, Toby Jones, and Colin Firth.

Sex and the City 2 is the door from "Being John Malkovich" straight into the female brain. Heroines' trip to the UAE may be seen in the wildest hallucinogenic ravings only, because half the movie has no relation to reality. Everything you can see, just the cinematic incarnation of women's dreams, not repressed neither the budget (compared to the previous film, he rose half as much), or by considerations of propriety… there is no common sense. Before you bare the mechanism: how and what every woman secretly dreams. "Sex and the City 2" took the old cynical tone, and began to dissect the theme, surrounded by silence or enthusiastic piety, while main characters defend personal, non-conventional happiness again.

There is no science fiction in "TiMER"; besides the signs of the new era there is only one ill-fated unit on the wrist of heroes… and it is junky. The debut of Jacques Schaeffer, suffers from a strong gender-roll to the left. From the very first minute of every frame of this romantic sci-fi movie it yells: I was filmed by a progressive woman! That, of course, belongs to some resonance with the main message of the picture that advocates quite traditional values like a happy and long marriage.

You can forget second part of "Twilight" saga which was entirely built on the antics of Bella without paternal care of the Cullen family. "The Twilight Saga: Eclipse" was directed by David Slade, who shot one of the most horrible and nasty vampire films of recent years "30 Days of Night" and memorably nauseating "Candy", captured the essence of what is happening in the minds of young viewers, and especially the spectators. And he did not balk at the battle scenes, shot them, nevertheless, clearly, briefly, with proper amount "meat" details. In his " "The Twilight Saga: Eclipse", the third part of "Saga" written by Stephenie Meyer, he laid everything in equal proportions: animal magnetism emanating from Taylor Lautner *squeals in the audience*, and cool eroticism, which is responsible for Robert Pattinson *squeals in the audience again*. And what is most valuable, he has not forgotten and all sorts of comic situations, the source and the perpetual motion which is Kristen Stewart. Measure observed throughout the balance of power is not broken, just over two hours fly by unnoticed. You may left the fight scenes for "Another World", because in the third "Twilight" we are kissing with vampires and scratching wolves' ears. Long live diversity!

Unmarried careerists Kate Holbrook life put the work in the first place. In 37 years, she finally decides to have a baby, but it turns out that her chances of getting pregnant are minimal. In desperation, Kate decides to find a surrogate mother, but her ordered world turns upside when she begin to live with a frivolous Angie and comic battle of the characters strats.