The Last Song centers around young rebellious girl Ronnie Miller (played by Miley Cyrus) who is sent to live for his father for the summer along with her younger brother. Ronnie is angry at his father for what he had then left the family and often rude to him without provocation. One fine day at the beach she encounters with Will Blakeley (Liam Hemsworth), in which later it begins to fall in love. And what happened to our young heroine on, you will know watching this film.

If the words "…from the creator of "Pretty Woman" and "Runaway Bride" is most precious to you, you should watch the movie till the credits, in which Julia Roberts tells a joke. By the way, funny one. But if you are going to watch a romantic comedy about Valentine's Day then it wouldn't be a difficult task for you. You're definitely a person who knows what Garry Marshall wants - the director who knows what you need, and the whole bed with the cute celebrities is ready to bloom with all its might - just for your eyes. And everything would have been quite simply disastrously cute, if it were not Julia Roberts. For the most part she was silent, sometimes smiling, laughing once. And all this salad from the stars, from which a little bit more and you got the diathesis, somehow fades into the background and the movie appears a single note, very quiet and gentle, an almost inaudible reminder that romantic comedy is the most likely humane genre.

Written by Vanessa Taylor and directed by David Frankel (Devil Wears Prada), sweet and relaxing Hope Springs depicts the middle-aged couple trying to reignite their descending relationships. The wife, Kay is played by still beautiful and unparalleled Meryl Streep (just remember her remarkable leading role in The Iron Lady). Along with her husband, Arnold, portrayed by Tommy Lee Jones, she is attending the intense counseling courses specially designated to help "a long-time-ago" married couples to find some warm feelings to each other. The guru of sessions which are organized in the gorgeous seaside town of Great Hope Springs, Dr. Bernie Feld, undertaking his best efforts to persuade Kay and Arnold Soames to revise their relationships both in everyday life and in sex; to rise the libido; to find the resources in each other to delight and love. In this search of happy live, the couple make some fateful decision, that casts the doubt on how is really in need this courses were to revive the love which never disappeared.

There is no science fiction in "TiMER"; besides the signs of the new era there is only one ill-fated unit on the wrist of heroes… and it is junky. The debut of Jacques Schaeffer, suffers from a strong gender-roll to the left. From the very first minute of every frame of this romantic sci-fi movie it yells: I was filmed by a progressive woman! That, of course, belongs to some resonance with the main message of the picture that advocates quite traditional values like a happy and long marriage.

An old tradition, Jumping the Broom refers to a couple who jump over a broomstick at the end of their wedding ceremony to complete their "togetherness". It's a UK and African tradition that was brought back and popularized after airing of the miniseries Roots. But when two totally different socioeconomic families get together for a wedding on Martha's Vineyard the sparks will fly because one side wishes to hang on to traditional values while the other want a more modern ceremony.Starring Angela Bassett (What's Love Got To Do With It?) as mother of the bride, Paula Patton (Precious) is the bride, Laz Alonzo (Avatar, Fast & Furious) is the groom, and Loretta Devine (Grey's Anatomy, Waiting to Exhale) portraying the groom's mother this comedy is well casted and extremely funny. The social differences in the two families brought together by love and marriage cause sparks to fly while seeking to find common ground for the sake of the kids. A great movie that shows blacks can be educated, smart, and classy. A welcome change from the stereotypical type casting of blacks we usually see."

A film by Robert Schwentke is not even trying to step into the territory of melodrama: the protagonist played by Rachel McAdams is so in love with that there are no other characteristics can be found in her person. Her partner, Eric Bana plays just a handsome man, imbued with positive as with chloroform, next to whom dreamy lonely woman wished to be. Of course, Bana is not shining, as Patrick Swayze, while parting with Demi Moore, but it crumbles in the arms McAdams, like sand in the sandglass tears. Confrontation and the unity of love and time was already fully embodied on the screen by Darren Aronofsky (The Fountain), and for this pathos it was actually destroyed by the critics in Venice and the audience at the box office. Schwentke choked with the same feelings, but he also significantly reduced the degree of expressiveness.