Watch TV Shows Online: Full Episodes

The Girlfriend is a slippery, dual-perspective psychological thriller on Prime Video, adapted from Michelle Frances's 2017 bestselling novel. Robin Wright, who also directs several episodes and executive produces, stars as Laura, a successful gallery owner and fiercely protective mother whose comfortable life tilts off its axis when her adored son Daniel brings home a new girlfriend. Olivia Cooke plays Cherry, the ambitious young woman who may be a devoted partner or a calculating opportunist, depending entirely on whose version of events you believe.

The series' central formal trick is to refuse to take a side. As the relationship between the two women curdles from wary politeness into open psychological warfare, the show replays key events from each woman's point of view, subtly altering a glance, a line of dialogue, or a gesture so that the same scene reads as either menacing or perfectly innocent. The effect keeps the audience permanently off balance, unsure whether Laura is a mother rightly sensing danger or a snob poisoning her son's happiness, and whether Cherry is a victim or a predator.

Wright and Cooke are both excellent, circling each other with icy precision, and critics praised the series as a tense, morally ambiguous adult thriller elevated by its two committed leads. Stylish and coolly unnerving, The Girlfriend is streaming on Prime Video.

All Her Fault is a twisty, propulsive Peacock thriller adapted by creator Megan Gallagher from Andrea Mara's 2021 bestselling novel. It opens on a parent's worst nightmare: Marissa Irvine, played by Sarah Snook, arrives to pick up her young son Milo from his first playdate, only to knock on the door and discover that the woman who answers has no idea who she is, the address is wrong, and her little boy is simply gone. From that chilling premise the series spins outward into an eight-episode mystery about motherhood, class, and buried secrets.

As the frantic search consumes Marissa and her husband Peter, played by Jake Lacy, suspicion ripples through their affluent community and the seemingly perfect facades of everyone involved begin to crack. Dakota Fanning co-stars as Jenny, another mother pulled into the crisis, and the ensemble keeps the audience guessing as alliances shift and long-hidden truths surface. The show is structured to weaponize the assumptions viewers instinctively make, repeatedly upending expectations about who is a victim and who is culpable.

Snook, fresh off her Emmy-winning turn in Succession, headlines and executive produces, and critics praised the emotionally grounded performances at the center of the pulpy, page-turning plot. A slick domestic mystery built for bingeing, All Her Fault is streaming on Peacock.

The Beast in Me is a taut, character-driven Netflix psychological thriller created by veteran showrunner Howard Gordon, the writer-producer behind Homeland and 24. It pairs two of prestige television's most formidable performers: Claire Danes plays Aggie Wiggs, a Pulitzer Prize-winning novelist who has retreated from the world, paralyzed by grief and writer's block in the aftermath of her young son's death. Her fragile isolation is disrupted when a new neighbor moves in next door.

That neighbor is Nile Jarvis, a swaggering, larger-than-life real-estate developer played by Matthew Rhys, a man who years earlier was the prime suspect in the disappearance of his first wife, though he was never charged. Rather than fear him, Aggie finds herself magnetically drawn to him, and her dormant instincts as a writer reawaken as she begins to investigate whether the charming man next door is a killer. What follows is an intimate, unnerving cat-and-mouse game in which it is never clear who is studying whom, or who is truly the more dangerous of the two.

Anchored by the crackling, adversarial chemistry between its two Emmy-winning leads, the series drew strong reviews as a slow-burn adult thriller of a kind streaming rarely delivers. Brittany Snow co-stars as Nile's wife, and the show keeps its psychological screws turning to the final episode. All eight episodes of The Beast in Me are streaming on Netflix.

The Terminal List: Dark Wolf is a Prime Video action-thriller that serves as a prequel to the 2022 hit The Terminal List, shifting the spotlight from Chris Pratt's James Reece to his enigmatic friend and fellow warrior Ben Edwards. Taylor Kitsch, who introduced the character in the original series, headlines here in an origin story that charts Edwards' fateful transition from decorated Navy SEAL to morally compromised CIA operative. Adapted from author Jack Carr's best-selling novel, the series was developed by Carr and showrunner David DiGilio, who also guided the first show.

The story follows Ben as he is recruited into the shadowy world of the CIA's Ground Branch, taking on off-the-books missions across Europe and the Middle East that steadily erode the line between duty and self-preservation. Chris Pratt returns as Reece and Tom Hopper co-stars as Raife Hastings, grounding the prequel in the loyalties and betrayals that will echo through the wider saga. The series leans hard into gritty, grounded action and the psychological toll of covert warfare, trading some of the original's revenge-thriller propulsion for a darker character study.

Critics responded well, with many arguing that the prequel actually improved on its predecessor thanks to Kitsch's brooding, magnetic lead performance and a tighter sense of moral consequence. Muscular and bleak, The Terminal List: Dark Wolf is streaming on Prime Video.

Black Rabbit is a tense, sweaty Netflix limited series created by Zach Baylin and Kate Susman, set in the high-pressure world of New York City fine dining. Jude Law stars as Jake Friedken, the charismatic owner of a buzzy, of-the-moment Manhattan restaurant and lounge who has finally clawed his way to success and respectability. Jason Bateman, cast sharply against type, plays his volatile, self-destructive brother Vince, whose return drags a lifetime of debts, addictions, and bad decisions back into Jake's carefully managed world.

As Vince's mounting problems with loan sharks and his own worst impulses metastasize, the two brothers are pulled into an escalating spiral of danger that threatens the restaurant, their family, and their lives. The series builds its dread patiently, using the glamorous, cutthroat restaurant setting as a pressure cooker in which loyalty and resentment become indistinguishable. Bateman, who also directs, and Law give committed, live-wire performances, and the supporting cast, including Troy Kotsur, Cleopatra Coleman, and Sope Dirisu, deepens a portrait of a world where every relationship carries a hidden invoice.

Reviewers were divided on the show's unrelenting bleakness but broadly agreed on the strength of its two leads, and it quickly became one of Netflix's most-discussed dramas of the fall. Both a fraternal tragedy and a white-knuckle crime thriller, Black Rabbit is streaming on Netflix.

Long Bright River is a somber, deeply humane Peacock limited series adapted from Liz Moore's acclaimed 2020 novel, created for television by Nikki Toscano and Moore herself. Amanda Seyfried stars as Mickey Fitzpatrick, a veteran patrol officer working the streets of Kensington, a Philadelphia neighborhood ravaged by the opioid epidemic. When a string of women are found murdered along her beat at the same time that her estranged, addicted sister Kacey goes missing, Mickey's professional investigation and her most painful personal fear collapse into a single desperate search.

The series uses the framework of a murder mystery to tell a far more intimate story about family, addiction, and the ties that survive even after they have frayed almost to nothing. Told across two timelines, it traces the sisters' shared childhood and the slow fractures that pulled them apart, while in the present Mickey races to find Kacey before the killer does. Seyfried anchors the show with a restrained, wounded performance as a woman who has walled herself off from almost everyone, and the supporting cast, including Nicholas Pinnock and Ashleigh Cummings, fills out a community shaped by poverty and loss without ever reducing it to misery.

Praised by critics for its atmosphere, its refusal of easy answers, and Seyfried's award-nominated lead turn, Long Bright River stands as one of the more thoughtful entries in the recent wave of literary crime dramas. All eight episodes are streaming on Peacock.

Overcompensating is a semi-autobiographical coming-of-age comedy created by and starring Benito Skinner, the comedian and internet personality known for his viral character sketches. Produced by A24 for Prime Video, the series follows Benny, a former high-school football star and homecoming king who arrives at college harboring a secret he has spent his life burying: he is gay. To keep up appearances, Benny throws himself into an exhausting performance of heterosexual masculinity, even as he forms an intense, complicated friendship with a fellow student who is hiding insecurities of her own.

Skinner mines his own experiences for a story that is at once raucously funny and unexpectedly tender, capturing the specific anxiety of a young person terrified that the elaborate identity they have constructed might collapse. Wally Baram co-stars as Carmen, the friend whose bond with Benny anchors the series, alongside Mary Beth Barone and Adam DiMarco. The show is threaded with pop-culture references and a scene-stealing cameo from Charli XCX, giving it a hyper-current, extremely-online sensibility.

Debuting on Prime Video in 2025, Overcompensating earned warm reviews for its blend of broad comedy and genuine emotional honesty, marking a confident scripted breakout for Skinner beyond his short-form internet fame. Funny, heartfelt, and sharply observed, it streams on Prime Video.

Ballard is a Prime Video crime procedural that expands Michael Connelly's popular Bosch television universe, spinning off the character of Detective Renee Ballard into her own series. Maggie Q stars as Ballard, a tenacious LAPD detective who is placed in charge of the department's under-resourced and understaffed cold case unit, tasked with reopening old murders that the rest of the force has forgotten. The series continues the grounded, procedural realism that made Bosch and its successor Bosch: Legacy long-running favorites.

Working out of a cramped basement with a team of volunteers and reserve officers, Ballard pursues a sprawling web of cold cases even as she navigates institutional resistance and a dangerous conspiracy inside the department itself. Maggie Q brings physical credibility and steely determination to the role, and the series folds in a connection to the wider Bosch world, including an appearance by Titus Welliver's Harry Bosch, rewarding longtime fans while standing on its own.

Premiering on Prime Video in July 2025, Ballard drew a strong audience and was quickly renewed for a second season, extending one of streaming's most durable crime franchises. Anchored by Maggie Q's commanding lead performance and Connelly's meticulous plotting, it streams on Prime Video.

Running Point is a breezy, joke-packed Netflix sports comedy created by Mindy Kaling, Ike Barinholtz, and David Stassen, loosely inspired by the life of Los Angeles Lakers executive Jeanie Buss. Kate Hudson stars as Isla Gordon, the overlooked sister in a basketball dynasty who is unexpectedly named president of the fictional Los Angeles Waves after her brother steps down, forcing a woman long dismissed as the family's party girl to prove she can run a struggling professional franchise.

Surrounded by skeptical brothers, a demanding roster, and a league that never quite takes her seriously, Isla sets out to turn the team around while wrangling her chaotic family. Hudson, in her first major television lead, brings her signature warmth and comic timing to a role that lets her be both glamorous and self-deprecating. The ensemble, including Brenda Song, Drew Tarver, Scott MacArthur, and Chet Hanks, gives the show a rapid-fire, workplace-comedy rhythm familiar from Kaling's other series.

Premiering in February 2025, Running Point became an immediate streaming hit and was renewed by Netflix for a second season within weeks, buoyed by Hudson's star turn and the reliable appeal of an underdog sports comedy. Light on its feet and unabashedly crowd-pleasing, it streams on Netflix.

Win or Lose holds a landmark place in Pixar's history as the studio's first-ever original long-form series, an animated comedy that brings Pixar's feature-quality craft and emotional depth to episodic television. Created by Carrie Hobson and Michael Yates, the eight-episode series follows a co-ed middle-school softball team, the Pickles, over the course of the week leading up to their big championship game, examining the anxieties, hopes, and inner lives of the kids, coaches, and parents in their orbit.

The show's clever structural conceit is that each episode retells the same week from a different character's point of view, revealing how the same events look wildly different depending on whose eyes you see them through. A nervous young pitcher, an overwhelmed coach, a kid navigating family stress, each perspective is rendered with its own visual flourishes that externalize that character's emotional state, a technique that lets the series explore empathy and subjectivity in a way tailor-made for Pixar's storytelling strengths.

Debuting on Disney+ in early 2025, Win or Lose drew attention both for its inventive format and for a pre-release controversy when Disney removed a storyline involving a transgender character, a decision that generated significant discussion. Reviews praised the animation and the show's tender understanding of adolescent anxiety. It streams on Disney+.