Marvel Zombies is an adult animated horror series from Marvel Studios Animation, created by Bryan Andrews and Zeb Wells for Disney+. Expanding the fan-favorite "What If…? Zombies?!" episode into its own story, it drops a roster of familiar heroes into an alternate timeline overrun by a superpowered undead plague.
A band of survivors — including Kamala Khan / Ms. Marvel (Iman Vellani), Kate Bishop (Hailee Steinfeld), and Riri Williams / Ironheart (Dominique Thorne) — fights across a ruined landscape in search of a way to end the outbreak, all while battling zombified versions of the Marvel Cinematic Universe's most powerful figures. The voice cast also features Elizabeth Olsen, Simu Liu, Florence Pugh, Paul Rudd, and Tessa Thompson.
Premiering in September 2025, the four-episode series became Marvel Studios Animation's first project to carry a TV-MA rating, leaning into gore and body horror that its live-action counterparts avoid. Critics gave it a 66% Rotten Tomatoes score, calling it a gleefully cruel treat for both MCU fans and horror lovers.
The three main characters involved in "Traffic Light" apparently represent the three colors involved on a light that directs traffic. Mike (David Denman), Adam (Nelson Franklin), and Ethan (Kris Marshall) have been best friends ever since their days in college and even though they've chosen different paths in life, still remain close now that they are in their thirties. Mike might be compared to a red light because he is married, has a small son, and settled in comfortably with his life and lifestyle. Adam is then the yellow or caution light. He recently moved in with a girlfriend and is cautiously optimistic about their relationship. Ethan, a British bachelor, has no plans for future commitments and hopes to remain "footloose and fancy free" with his life. This highly entertaining sit-com is popular in part due to good writing, interesting characters, and the fact it has no irritating "laugh track" does not hurt. This show is to be appreciated for its candor between friends as they each deal with life and balancing romance and relationships.
It is a television program that is always entertaining and dramatic but never boring. Cops is a long running documentary style television series that follows the activities of law enforcement personnel from marshals, constables, sheriffs, and beat cops as they go about their daily duties. Their job is making the world a better place for the rest of us by cleaning up criminals and making our streets safer. A typical episode of Cops is a half hour broken up into three segments which can be thought provoking or filled with action. We see the "seedy" side of life and those who find out that crime does not pay when they head off to jail. There is no narrator and no music to entertain, just the cold hard facts of life on the streets of big cities everywhere. Episodes have been shot in many foreign countries and they all have the good versus evil theme no matter where they are. Each episode begins with the "Bad Boys" theme and ends with a police voice stating "I've got them at gunpoint!" It is reality programming at its best.
"The Secret Diary of a Call Girl" probably reveals a lot more secrets of men's pet call-girl fantasies than it discloses about the private lives and lusts of the working girls in your neighbourhood. In Belle's journal, for example, human trafficking, violence, exploitation, sexually transmitted diseases, and drug abuse are conveniently air-brushed out, so that Belle can focus on her favourite theme: "Why do I do it?" she asks ingenuously at the beginning, "Well, I love sex, and I love money." "The Secret Diary of a Call Girl" persists in the naive notion that it might be just that simple. As one loyal viewer suggests, "Imagine Carrie Bradshaw enjoying sex in her city for money." Naive or not, the notion sells. "The Secret Diary of a Call Girl" debuted with the highest ratings in recent Showtime history, scoring nearly a million viewers and holding more than 70% of its so-called "lead-in" viewers, the folks who had tuned-in for the season premier of "Weeds." Credit Billie Piper with playing Belle so alluringly and convincingly that "The Secret Diary of a Call Girl" inspires more-than-willing suspension of disbelief.
"Bob's Burgers" re-opened on Main Street in its imaginary town just in time to fill a gap and restore the life in Fox Network's Sunday-night "Animation Domination" line-up. For at least three seasons, the animation had remained, but the domination drained away. "Bob's Burgers" brought back the disaffected viewers, immediately scoring excellent ratings and even better reviews. Of course, local restaurateur Bob has a troubled family; who doesn't? Unlike the Simpsons, your favourite family guy, and the folks in Cleveland's neighbourhood, however, Bob's family doesn't even put-up a pretence to reconciliation and love. Why would they? They are far funnier when they fight. Each character is as flat as the simple drawings that bring the people to life: Bob's wife Tina idealizes marriage. Daughters Louise and Linda are a trouble-maker and a freak respectively; and son Gene is the avatar of all things loud and obnoxious. The simple stuff works because the writers and animators have talent and skill to play it to the max. "Bob's Burgers" has the right ingredients in the right proportions"”spectacular writing combines with simple-but-engaging animation as expert comedians deliver the lines even better than the writers intended. One critic, pointing out the characters' "lovability," noted, "Two minutes into the second episode, countless winning jokes already have hit the mark." Wow, an animated series that actually delivers what the viewers crave? What a concept!
Fox's latest venture into the dysfunctional family sitcom is Raising Hope. It features young adult man, Jimmy Chance (Lucas Neff). The shiftless Jimmy works as a pool boy and commensurate with the stereotype, has a one-night stand with Lucy (Bijou Phillips). He finds out later she is a wanted felon and has had their baby while in jail. Jimmy is given custody of the baby and takes her home to his "˜family'. If grandmother, "Maw Maw" (Cloris Leachman) is an off-the-rocker type who lives with Jimmy, his mother Virginia (Martha Plimpton), father Burt (Garret Dillahunt), and his coz Mike (Skyler Stone). With a family that knows nothing about good parenting or how to take care of a baby the comic zaniness of caring for the baby, Hope, begins. As the family struggles thorough the difficulties of "Raising Hope", they learn about themselves and each other, with plenty of laughs thrown into the mix.
Brothers & Sisters was an American television drama series that aired on ABC from 2006 to 2011. The show followed the lives of the Walker family, who run a successful business in Los Angeles. The main characters were the five adult Walker siblings and their parents. The show explored their relationships, careers, and personal struggles.
The series dealt with a range of contemporary issues, including politics, marriage equality, addiction, and infidelity. The characters often faced difficult decisions and moral dilemmas, and the show was praised for its realistic portrayal of family dynamics. The cast included notable actors such as Sally Field, Calista Flockhart, and Rachel Griffiths.
Brothers & Sisters was generally well-received by critics and audiences, and it received numerous award nominations during its run. However, ratings declined towards the end of the series, and it was ultimately canceled after five seasons. Despite its relatively short run, the show remains a popular choice for fans of family drama and character-driven storytelling.
Either the CIA is just not that cool and relevant anymore, or Seth Macfarlane and associates are still mining the mother lode of 1970s humour as they develop episodes of "American Dad!" for Sunday nights on Fox. Television historians claim animated series have replaced sit-coms as television's principal source of informed social commentary; and "The Simpsons" have replaced "All in the Family" as the nation's premier satire, the weekly litmus test of American values and expectations. "American Dad!" shows little sign of aspiring to that lofty standing. Most episodes set the standard simply at "amusing." CIA agent and uber-patriot Stan Smith, the "American Dad!" anchors a predictably diverse, dysfunctional just-beyond-the-beltway family. Francine, his wife, appears to atone for her wild youth by remaining vacant, mostly boring in contemporary life. Hayley, Stan's college-aged radical daughter, naturally acts-out all the standard forms of late adolescent rebellion and family insurgency. And Steve, not surprisingly, enters puberty eager to live-up to Dad's expectations but congenitally incapable of coming even close. Holding its own in Fox's Sunday night animated line-up, "American Dad!" has improved in its several seasons on the air. Translation: "American Dad!" has evolved from "mediocre" to "not bad" as it has outgrown its abject dependence on cliches and stereotypes, freshened its subject matter and treatment, and drawn sharper edges on its characters. Still, the premises for "American Dad!" showed promise in 1973; in the new millennium, they seem a little tired.
"The Chicago Code" has nothing to do with deep-dish pizzas or the cruelly cursed Cubbies. "The Chicago Code" openly, unabashedly, plain and simple, is all about good versus evil. The good guys following "The Chicago Code" are very very good, and the bad guys breaking the code are very very bad. The windy city itself, definitely a critical element in the drama's development, lives somewhere in-between. Chicago may be "the second city," but it stands out as America's number one oxymoron. "Hog-butcher to the world," Chicago also brought us Hemingway and Frank Lloyd Wright. Home to Picasso's breathtaking artistic monument, Chicago also has been home to some monumental con artists: Rod Blagojevich comes immediately to mind. "Blaggo" is to Chicago scams as the Picasso is to the city's art and architecture. More to the point of "The Chicago Code," in just over thirty years, thirty-one second city aldermen have been convicted of violent crimes or corruption. In Chicago, graft greases the wheels and gets your streets ploughed. Although corruption may be common as camel-hair coats on the Magnificent Mile, Chicago cops still want to collar the bad guys. "The Chicago Code" attempts to dramatize how and why they do it, and it packs a pretty good punch for a network production. Critics and home-grown Chicago viewers strongly suspect "The Chicago Code" would achieve its completely gritty potential on cable, but it's hard to complain about Jennifer Beals, still fit and fabulous all these years after Flashdance, going balls-to-the-wall against the bad guys in Monday night primetime.
With a controversial plot and an exceptionally talented cast of young actors, "SKINS" is a top quality television program to watch and be entertained by. Residing in Bristol in South West England we observe a group of teenagers as they explore modern issues including mental illness, dysfunctional family life, death, drugs, sexual identity crisis, and eating disorders. The amateur actors along with some youthful writers pull together a thoroughly enjoyable program that is often hard hitting and relevant to everyday life. Season one finds Nicholas Hoult (Tony Stonem) to be a popular, intelligent boy. An attractive young man, he finds it easy to manipulate those around him into doing what he wishes and this makes him entertaining just to see what he can get away with next. He has a best friend Mike Bailey (Sid Jenkins), who is entirely opposite him personality wise. Tony also has a girl friend that gets upset with him and his self centered ways but can't seem to stay angry with him. Another young girl has an eating disorder she hides and parents with a new baby that seems to take over her parent's attention completely. Thoroughly entertaining story and music make SKINS a winner.
Once upon a time MTV was all about music videos but ever since they began producing their own television series like The Hills they have evolved into a powerhouse in TV entertainment. The Hills is about the lives and ongoing happenings for several young women who reside in Los Angeles, California. Lauren, a young woman striving for her own independence, moves to LA with best friend Heidi and meet up with Audrina. Lauren interns with Teen Vogue, a teen magazine and becomes interested in the fashion industry. When her ex-boyfriend follows Lauren to LA they decide to get back together, which complicates her life. This show has the "reality TV" formula that is popular and gained The Hills some high accolades from the entertainment industry and spawned quite a few copy cat programs. While the young women have their romantic partners each is trying to make it and become successful, especially in the magazine and fashion industries that drew them to LA in the first place. As this is a show based on reality it's sometimes difficult to determine where reality leaves off and drama simply takes over. Still The Hills is fun to watch each week.