"The Young Pope" is a television series that premiered on HBO in 2016. The show follows the life of Lenny Belardo, a young and controversial American pontiff who becomes the first American pope in history. The series explores the political intrigue and power struggles within the Vatican, as well as Lenny's personal struggles with faith and identity.

Mad Men, Magic City and The Playboy have landmarked the "fashion" for television series depicting midst of the 20th century in some romanticized and embellished way which is not surprising (it's hard to believe that series showcasing the real 50-60th life could gain some success). Vegas looks exactly like next one in row of abovementioned TV shows, telling a story about a very typical Sheriff, Ralph Lamb, confronting the evil personalized in a typical Italian mobster Vincent Savino. The character of Sheriff Ralph Lamb was copied from real life person, a Sheriff of Clark County whose name was Ralph Lamb, and who served in 1961"“1979. Vincent Savino impersonate crime boss Marcello Giuseppe Caifano, a real-life mobster too, a high-ranking member of the Chicago Outfit criminal organization, who moved to the city of inspiring opportunities (Las Vegas). He was made overseer of mob-controlled casinos in Las Vegas and has got a "Don" chair of Las Vegas by trading off his wife, a " supersexy blonde hottie" Darlene, to the Godfather of the Chicago Mafia. As the price was paid, Vincent Savino / Marcello Caifano was faced the necessity to take total control over the city, and Ralph Lamb was the last standing on his way.

Oh Hell is a TV series that follows the story of Helene, a 24-year-old woman who is going through a quarter-life crisis. Helene, who is also known as "Hell," is struggling to figure out who she is and what she wants in life.

Very self absorbed, as are many surgeons, Dr. Michael Holt begins to question just what his purpose in life actually is when he starts "seeing" his wife again. The problem is that she is deceased. The degree of self confidence found in Holt and many other surgeons is a necessary part of the talent they must possess but the good doctor now doubts his sanity when the spirit of his ex-wife, who recently died in a car accident, begins appearing to him. Anna returns to convince Dr. Holt to keep a free clinic running. She had been the director of that clinic and was involved with many poverty level patients. Michael Holt however, is not so sure he can deal with the poorer patients as he's not used to that type of people. But there is no room for snobbishness in the medical field and the spirit of his diseased wife is there to see he learns that. Anna's sister Christina is a believer in supernatural events and is happy that her sister is back in Holt's life because she feels the doctor was a better person when his dead was with him. Patrick Wilson (The A-Team, Insidious) plays Dr. Michael Holt, Jennifer Ehle (Contagion, The King's Speech) is Anna Holt, and Christina is played by Julie Benz (Saw V, Punisher: War Zone).

Describing "Harry's Law," one summary says flatly, "A former patent lawyer brings together a group of misfit associates to form an unconventional law practice." How did the producers ever pitch that concept to the network? Oh, wait. It was NBC. Still, a patent lawyer? Misfit associates? Real exciting, right? Do not judge too quickly, because Kathy Bates applies her quirky charisma to her portrayal of Harriet "Harry" Korn, and she works some small screen magic. A mid-season replacement for one of NBC's cavalcade of epic failures, "Harry's Law" actually looks a lot like a real television drama"”real characters, real actors, real plots, and dialogue peppered with genuinely witty repartee. The premise and some of the best writing come from David E. Kelley, television's answer to John Grisham"”prolific and provocative. As The New York Times observes, "A hallmark of Mr. Kelley's shows is often the thinnest application of logic or reason in depictions of a world dedicated to logic and reason." The settings and courtroom dramas seldom resemble anything in real life, but they tend to recreate the audience's imagination of the legal system and "crusading" criminal attorneys. Close enough. In eight episodes, "Harry's Law" has established a loyal following in a timeslot long dominated by ABC's "Castle." Vegas betting parlours probably will give you odds on "Harry's Law" returning in the fall, and it might be worth risking a dollar or so.

It's a long-long way from flying nun to matriarch of a powerhouse television family. Sally Field has landed in a very good place, anchoring a powerful cast on ABC's award-winning "Brothers and Sisters." The "Brothers and Sisters" plot undoubtedly fits together for viewers who have remained faithful from the very first episode, in which William Walker, pater familiae and founder of Ojai Foods, drops dead. Kitty, his wife, mourns properly and just as properly takes charge as her grown children and their families gather around her. Mourning grows complicated as William Walker's deep-dark secrets come to life, and family life heats up as different family members cope with different secrets in different ways. From five family members come forty possible combinations and recombinations, and from those possibilities spring infinite plots"”even before writers and producers add significant others and children. "Brothers and Sisters" can hold its exalted Sunday night place indefinitely. Unlike some riveting family dramas, "Brothers and Sisters" does not show bitter, fierce, destructive sibling rivalry. For the most part, these big kids like one another, and their mother loves them all. Of course, one is an Afghan war veteran with a drug problem, and another is a gay lawyer, the favourite son and heir has both financial and marital difficulties, but the real odd-ball is the daughter who breaks the family's liberal tradition and takes-up with the likes of Ann Coulter and Mike Huckabee. Did we mention that "Brothers and Sisters" has the stuff to go on indefinitely?