Needing to get a job recently divorced Danielle Santino decided to become a therapist and work with a pro football team in Long Island. In reality it was Dr. Donna Dannenfelser and she worked initially with the New York Jets, starting a new trend in therapy involving her "tough love" approach to caring for those asking for her help. Soon she found that besides athletes, politicians, musicians, and other celebrity types began requesting her style of therapy for its effectiveness and benefits. It also gave the doctor problems when she needed to balance her job as parent with the new career of therapist. Originally titled Dr. Donna, Necessary Roughness became reality and is proving to be valuable for the many who have tried it. Callie Thorne (Rescue Me, Homicide: Life on the Streets) is Dr. Dani Santino, Marc Blucas (Knight & Day, Inglorious Bastards) is Matthew Donnally romantic interest of Dr. Santino and athletic trainer, Scott Cohen (Jacob's Ladder, The 10th Kingdom) is Nico Careles, former Navy SEAL who works closely with Dr. Santino as her "fixer". Crisp writing and quality casting make this an endearing program to watch.

"The Newsroom" is an American television series created by Aaron Sorkin. It aired on HBO from 2012 to 2014 and follows the behind-the-scenes workings of a fictional cable news network, ACN.

Brothers & Sisters was an American television drama series that aired on ABC from 2006 to 2011. The show followed the lives of the Walker family, who run a successful business in Los Angeles. The main characters were the five adult Walker siblings and their parents. The show explored their relationships, careers, and personal struggles.

"There are eight million stories in the city that never sleeps," Gary Sinise's unmistakable tenor voices-over the opening skyline shots for "CSI: New York." Apparently, New York's dedicated crime scene investigators also suffer sleep-deprivation, working tirelessly"”some would say obsessively"”to demystify eight million different ways to die in the Big Apple. Sinise plays Detective Mac Taylor, suitably intense CSI:NY unit leader, complemented well by workaholic assistant Stella Bonasera, expertly portrayed by Melina Kankaredes. Together, the lead detectives manage an appropriately colorful team of streetwise geeks and nerds determined always to make their cases well beyond reasonable doubts. Like the others in Jerry Bruckheimer's crime-drama franchise, "CSI: New York" devotes more attention to sophisticated computer work and uber-cool lab procedures than to the old-fashioned business of talking to people. Mac Taylor quickly reminds, though, "We follow the evidence, because the evidence never lies."

Describing "Harry's Law," one summary says flatly, "A former patent lawyer brings together a group of misfit associates to form an unconventional law practice." How did the producers ever pitch that concept to the network? Oh, wait. It was NBC. Still, a patent lawyer? Misfit associates? Real exciting, right? Do not judge too quickly, because Kathy Bates applies her quirky charisma to her portrayal of Harriet "Harry" Korn, and she works some small screen magic. A mid-season replacement for one of NBC's cavalcade of epic failures, "Harry's Law" actually looks a lot like a real television drama"”real characters, real actors, real plots, and dialogue peppered with genuinely witty repartee. The premise and some of the best writing come from David E. Kelley, television's answer to John Grisham"”prolific and provocative. As The New York Times observes, "A hallmark of Mr. Kelley's shows is often the thinnest application of logic or reason in depictions of a world dedicated to logic and reason." The settings and courtroom dramas seldom resemble anything in real life, but they tend to recreate the audience's imagination of the legal system and "crusading" criminal attorneys. Close enough. In eight episodes, "Harry's Law" has established a loyal following in a timeslot long dominated by ABC's "Castle." Vegas betting parlours probably will give you odds on "Harry's Law" returning in the fall, and it might be worth risking a dollar or so.

Another reality television show that actually has merit is School Pride. The show is based on an actual restoration on Carver Elementary, a school in Compton, California seven years ago. The schools chosen on this program will receive around two million dollars worth of upgrades and repairs that were sorely needed plus plenty of exposure via the television program. Additionally the student participation helped with School Pride as they were a part of renovations and it is their family, volunteers, and neighbors that help organize the production. The premise is that schools in need of costly repairs can receive help when they showcase how much need there is for improvements and students participate by showing how much pride they have for their school. Somewhat based on the television program "Extreme Makeover: Home Edition" the cameras follow students, teachers, and community members performing the renovations badly needed by a particular school. In seven days it's amazing how much can be done and camera crews will return a few months later to see just how much improvement has been made and how it affects the surrounding community.