The original fairy tale story titled Little Red Riding Hood was a cautionary tale filled with darkness and scary wolves but seemed mild compared to this up-dated version. Produced by Leonardo DiCaprio and with a stellar cast including: Amanda Seyfried (Big Love, Mama Mia), Gary Oldman (The Dark Knight, Planet 51), Julie Christie (Glorious 39, Finding Neverland) and Billy Burke (Twilight, Fringe). Valerie is our Red Riding Hood who lives in a medieval village where a werewolf stalks its prey. She falls in love with a woodcutter who is beneath her as far as her parents are concerned. They had planned on her marrying into wealth and comfort with Henry (Max Irons) but she defies them. "When Valerie's sister is killed by the werewolf the town asks a famous "werewolf hunter" (Oldman) in to destroy the monster they've feared for decades. How can this beast be found when it takes on human form in daylight and could be among them at any time? Now the death toll will rise with each passing full moon."

"Trumbo" is a 2015 biographical drama film that tells the story of screenwriter Dalton Trumbo and his struggles during the Hollywood blacklist era of the 1940s and 1950s. Trumbo was one of the Hollywood Ten, a group of writers and directors who were blacklisted by the film industry for their alleged communist sympathies. The film explores Trumbo's fight against the blacklist and his eventual triumph, as he wins two Academy Awards under pseudonyms.

"Wild" is a 2014 biographical adventure drama film that tells the story of Cheryl Strayed, a young woman who embarks on a solo hiking journey to heal from the emotional trauma of her past. The film explores themes of grief, self-discovery, and the power of nature. The film was directed by Jean-Marc Vallée and stars Reese Witherspoon in the lead role.

Disgrace is the movie based on the novel by John Coetzee, a Nobel Prize winner. It contains neither morals (what morality can be deduced from such a name?), nor appeals for tolerance, and something like a Hidden of Michael Haneke. There are gaps between blacks and whites which can be found in each episode. The movie does neither overwhelm by political correctness, nor features the newfound equal rights. The tragedy, as the philosopher said, not in collision of right and wrong sides. The tragedy is that both sides are right. Africa and Europe, black and white, villages and cities, children, and fathers: the conflict is known to be eternal, the only question is: does it stands at the level of mutual recriminations and petty mischief like a broken windshield, or grow into genocide or civil war.

The Rabbit Hole movie's pivotal event, the gut-wrenching and heart-numbing tragedy that sends Becca and Howie Cotbett down the rabbit hole, is over and done before the movie begins: Their four-year-old son has run out into the street, been hit by a teen-age driver, and died. Rabbit Hole movie deals with the more complicated, considerably more disturbing question, "Then what?" Adapted from a Pulitzer Prize winning play that enjoyed a long and distinguished run on Broadway, Rabbit Hole literally "speaks to" grown-up audiences willing to listen to the nuances in the dialogue—the language of psychotherapy laced with bitter sarcasm and fierce rage."Nicole Kidman does not merely star in Rabbit Hole movie; she makes it her personal tour de force, playing Becca with all the brittle delicacy of Wedgewood china and all the fevered intensity of a serial killer. The marquee proclaims Aaron Eckhart also stars, but he really is the fern and baby's breath to Kidman's flourishing rose bouquet. Howie cheats on his wife, and Becca stalks their baby's killer, and somehow they convince themselves and the audience that really they are just a couple of struggling suburbanites "trying to find their way back to a life that still holds the potential for beauty, laughter and happiness." Rabbit Hole movie director John Cameron Mitchell drains away the film's melodrama and pathos by rendering it in "drab, functional, TV-movie naturalism," making it beguiling and terrifying. Through Mitchell's lens, the horrific events and overwhelming emotions seem exceptionally familiar and perfectly ordinary. Rabbit Hole terrifies everyday Cineplex audiences, forcing them to recognize just how easily they might become Becca and Howie.

The Roommate's premise seems simple enough, and in light of Virginia Tech and elsewhere, maybe even plausible. The studio says The Roommate is, ""A psychological thriller about a deranged college freshman who becomes obsessed with her new roommate." If the girls take Psych 101, they may learn "deranged" is not appropriate clinical vocabulary for a girl who systematically and deliberately murders all of her roommate's friends and loved ones. To their credit, Leighton Meister who plays Rebecca, first-year serial killer, and Minka Kelly, who plays Sara, unwilling object of obsession, rise above primitive writing and production values that fall far short of the balance between sex and fear, redeeming the movie as much as any two gifted girls might. The Roommate may be more valuable as a promotional piece for Los Angeles Loyola Marymount University; and, over time, the film may be far notable as a showcase for 2011 college fashions than for its riveting representations of paranoid schizophrenia. Will those nasty blood stains wash out of that adorable Abercrombie skirt?