Successfully debuted at The Dallas International Film Festival, Liberal Arts is an American romantic-drama film directed by talented Josh Radnor, who not only written a screenplay for the movie by performed the leading role of the Jesse, a lonesome mid-aged university admissions officer who visits his old college in order to honor his ex-mentor. At this pivotal moment of his live he meets a girl, a 19 years old Zibby (the role performed by lovely Elizabeth Olsen, whose sole presence in the film makes it worthy to watch). Zibby and Jesse relationships develop in the way typical for 36-years old mature man and romantic 19-tears old girl, who know nothing about what this world is like. The only thing that makes their relations seemingly not icky is the Jesse serious take of this moral dilemma, which sometimes crossing the border between serious and funny. Especially in the scene when he calculated the deeps of his lapse from virtue: "When I was 19, she was 3; when I was 16 she was 0….hmmm…when I'll be 86, she will be 70" the last equation makes him sort of more easy looking on this hefty age difference (but he, and everyone in the move; and even we understand the point well).

Interlocking worlds is the main advantage of The Lovely Bones movie. Peter Jackson has managed to build two universes, two micro-cosmoses. One is the real America of the 70th, a provincial town in which this thriller takes place. The second is a world of fantasies and illusions of Susie, the movie protagonist. It is the space of inexpressible beauty, with the number of perfect landscapes, oases of the dreams. It's so exciting, that will not immediately come to mind at least some analogues, this magical fantasy world in which dwells Susie, do not even comparable with something else. And Jackson so subtly approached the issue that has managed through unprecedented visual beauty and conveys the inner meaning of which he endowed with a beautiful image of the protagonist.

Being a father means accepting the responsibility involved with parenthood. Men take their job of fatherhood as seriously as women do (when entering motherhood), and they thrive on it. It's what we have been put on this earth for. But while being a great Dad is important, each man must decide how to go about accomplishing that very important virtue. Some do better than others, some fail and even drop out of the challenge. Those who are courageous enough to stick around are rewarded by seeing their child grow up to be a responsible adult, and become a parent themselves. ourageous involves four fathers who happen to be police officers. Each in a different stage of fatherhood, he must decide how best to be a parent and he learns what it means to be a great father. Presented by the Sherwood Baptist Church, and done on a tiny budget (just over one million dollars), this film is spiritual and realistic. Starring Alex Kendrick (associate pastor at Sherwood Baptist), Ken Bevel (Marine Corps officer), Ben Davies, and Kevin Downes.

Making it into somewhat of a Hatfields vs the McCoys story told Albanian style is The Forgiveness of Blood. Territorial rights along with family honor are long traditions of many nations and in this film we find that conflicts over land owned by families for generations never seem to become resolved, resulting in violence and a blood feud may be the result. Joshua Marston and Albanian Andamion Murataj weave a tale that is absorbing and honest, comparing old fashioned laws and rules against the younger generation's more modern approach to those age old traditions.ark, played by Refet Abazi (The Berlin Project) is a bread delivery man who uses a horse and cart on his daily route. When he is killed because he trespasses on land as he travels his daily route, the daughter Rudina, played by newcomer Sindi Lacej, must set aside her high school life and take over the route which is the family livelihood. An age old tale of property dispute and family traditions, The Forgiveness of Blood is an absorbing story of old verses new ways of life in Albania.

Disgrace is the movie based on the novel by John Coetzee, a Nobel Prize winner. It contains neither morals (what morality can be deduced from such a name?), nor appeals for tolerance, and something like a Hidden of Michael Haneke. There are gaps between blacks and whites which can be found in each episode. The movie does neither overwhelm by political correctness, nor features the newfound equal rights. The tragedy, as the philosopher said, not in collision of right and wrong sides. The tragedy is that both sides are right. Africa and Europe, black and white, villages and cities, children, and fathers: the conflict is known to be eternal, the only question is: does it stands at the level of mutual recriminations and petty mischief like a broken windshield, or grow into genocide or civil war.

Richard III is a film released in 1955 based on William Shakespeare's play of the same name. The film tells the story of Richard III, the Duke of Gloucester, who schemes and murders his way to become the King of England in the 15th century. Laurence Olivier directed and starred in the film, which also features a talented cast, including John Gielgud and Claire Bloom.