Disgrace is the movie based on the novel by John Coetzee, a Nobel Prize winner. It contains neither morals (what morality can be deduced from such a name?), nor appeals for tolerance, and something like a Hidden of Michael Haneke. There are gaps between blacks and whites which can be found in each episode. The movie does neither overwhelm by political correctness, nor features the newfound equal rights. The tragedy, as the philosopher said, not in collision of right and wrong sides. The tragedy is that both sides are right. Africa and Europe, black and white, villages and cities, children, and fathers: the conflict is known to be eternal, the only question is: does it stands at the level of mutual recriminations and petty mischief like a broken windshield, or grow into genocide or civil war.
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Undoubtfully, cinematography has been my passion since a very young age. Even now, watching a new movie or series always prompts me to ask a lot of questions to the author. Thus, every little essay about a title is definitely not a spoiler, but rather an attempt to explore the idea.
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