Vincenzo Natali's "Splice" is a kind of clever scientific horror about two geneticists who created the monster mix of girl, reptile and the ostrich. "Splice" is not rolled into something too much nerdy and viewers remain involved to a movie plot that makes them cling to the arm of the chair, putting thoughts on lofty matters before leaving the theater. Natali rushed to the scene Chimera in the days of "Cuba", but 90s he had neither the money nor the technical means. Now, there is an opportunity to implement any plan, and with them came to realize: and it is not in favor of CGI industry - just look at what happened to Gilliam and Burton. Natalie is not concerned with: he has bright enough ideas without a CGI. "Splice" justifies tons of meaningless computer graphics that have been poured on us for the last dozen years.
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Undoubtfully, cinematography has been my passion since a very young age. Even now, watching a new movie or series always prompts me to ask a lot of questions to the author. Thus, every little essay about a title is definitely not a spoiler, but rather an attempt to explore the idea.
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