Adventure Time is a cartoon series that follows the adventures of a boy named Finn and his best friend, a shape-shifting dog named Jake, in the post-apocalyptic Land of Ooo. The show is known for its offbeat humor, surreal imagery, and creative storytelling. Each episode features Finn and Jake exploring different parts of their fantastical world and facing various challenges and obstacles.

DreamWorks Dragons: The Nine Realms is a computer-animated television series based on the characters and world of the How to Train Your Dragon franchise. The show is produced by DreamWorks Animation Television and airs on Netflix. The series is set after the events of the third How to Train Your Dragon movie and follows the adventures of a new group of dragon riders as they explore different lands and encounter new dragons.

Rick and Morty is an American animated television series created by Justin Roiland and Dan Harmon. It premiered on Adult Swim, a late-night programming block on Cartoon Network, in 2013. The show follows the adventures of an eccentric and alcoholic scientist, Rick Sanchez, and his good-hearted but easily influenced grandson, Morty Smith, as they travel to other dimensions and encounter various strange creatures.

"The Flintstones" is an American animated sitcom that aired on ABC from 1960 to 1966. The show is set in the prehistoric town of Bedrock and follows the lives of the Flintstone family, consisting of Fred, Wilma, and their daughter Pebbles, as well as their neighbors, the Rubbles.

"The Smurfs" is an American animated television series that premiered in 1981. The show follows the adventures of a group of small blue creatures called Smurfs, who live in a magical forest hidden away from humans. The show was based on a popular comic series created by Belgian cartoonist Peyo.

Either the CIA is just not that cool and relevant anymore, or Seth Macfarlane and associates are still mining the mother lode of 1970s humour as they develop episodes of "American Dad!" for Sunday nights on Fox. Television historians claim animated series have replaced sit-coms as television's principal source of informed social commentary; and "The Simpsons" have replaced "All in the Family" as the nation's premier satire, the weekly litmus test of American values and expectations. "American Dad!" shows little sign of aspiring to that lofty standing. Most episodes set the standard simply at "amusing." CIA agent and uber-patriot Stan Smith, the "American Dad!" anchors a predictably diverse, dysfunctional just-beyond-the-beltway family. Francine, his wife, appears to atone for her wild youth by remaining vacant, mostly boring in contemporary life. Hayley, Stan's college-aged radical daughter, naturally acts-out all the standard forms of late adolescent rebellion and family insurgency. And Steve, not surprisingly, enters puberty eager to live-up to Dad's expectations but congenitally incapable of coming even close. Holding its own in Fox's Sunday night animated line-up, "American Dad!" has improved in its several seasons on the air. Translation: "American Dad!" has evolved from "mediocre" to "not bad" as it has outgrown its abject dependence on cliches and stereotypes, freshened its subject matter and treatment, and drawn sharper edges on its characters. Still, the premises for "American Dad!" showed promise in 1973; in the new millennium, they seem a little tired.