Robot Chicken

China, IL is an American adult animated television series created by Brad Neely for Cartoon Network's late-night programming block, Adult Swim. The series takes place in the fictional town of China, Illinois, and follows the lives of the faculty members of the University of China, Illinois, which is commonly referred to as "the worst college in America." The show is known for its absurd humor, pop culture references, and unique animation style.

We Bare Bears is a popular animated television series that airs on Cartoon Network. The show follows the adventures of three bear siblings, Grizzly, Panda, and Ice Bear, who try to integrate into human society in the San Francisco Bay Area. Each episode features the bears as they navigate various situations and interact with the human world.

Solar Opposites is an American animated science fiction sitcom created by Justin Roiland and Mike McMahan for Hulu. The show follows a family of aliens who escape their doomed home world and crash land on Earth, where they must navigate life in suburban America while also dealing with their own personal issues and conflicts. Each episode features various subplots and wacky adventures as the aliens try to adapt to their new surroundings and accomplish their mission of repairing their spaceship.

DreamWorks Dragons: The Nine Realms is a computer-animated television series based on the characters and world of the How to Train Your Dragon franchise. The show is produced by DreamWorks Animation Television and airs on Netflix. The series is set after the events of the third How to Train Your Dragon movie and follows the adventures of a new group of dragon riders as they explore different lands and encounter new dragons.

The Marvelous Misadventures of Flapjack is an American animated television series created by Thurop Van Orman. The show follows the adventures of Flapjack, a young boy with a love for adventure, and his best friend, Captain K'nuckles, a washed-up pirate with a taste for candy. Together, they explore the high seas and encounter strange and wacky creatures.

Either the CIA is just not that cool and relevant anymore, or Seth Macfarlane and associates are still mining the mother lode of 1970s humour as they develop episodes of "American Dad!" for Sunday nights on Fox. Television historians claim animated series have replaced sit-coms as television's principal source of informed social commentary; and "The Simpsons" have replaced "All in the Family" as the nation's premier satire, the weekly litmus test of American values and expectations. "American Dad!" shows little sign of aspiring to that lofty standing. Most episodes set the standard simply at "amusing." CIA agent and uber-patriot Stan Smith, the "American Dad!" anchors a predictably diverse, dysfunctional just-beyond-the-beltway family. Francine, his wife, appears to atone for her wild youth by remaining vacant, mostly boring in contemporary life. Hayley, Stan's college-aged radical daughter, naturally acts-out all the standard forms of late adolescent rebellion and family insurgency. And Steve, not surprisingly, enters puberty eager to live-up to Dad's expectations but congenitally incapable of coming even close. Holding its own in Fox's Sunday night animated line-up, "American Dad!" has improved in its several seasons on the air. Translation: "American Dad!" has evolved from "mediocre" to "not bad" as it has outgrown its abject dependence on cliches and stereotypes, freshened its subject matter and treatment, and drawn sharper edges on its characters. Still, the premises for "American Dad!" showed promise in 1973; in the new millennium, they seem a little tired.