Inspired by California's Parent Trigger law in 2010, a Daniel Barnz's movie Won't Back Down is telling a story about two mothers, who are adamant in their decision to change things in downgrading school of their city. Their strong will and resoluteness to override the sequence of mediocre performance reports issued by the school year after year leads them to fierce battle with corruption and indolence prevailing behind the school officers and government officials. Two mothers, a bartender (Maggie Gyllenhaal) and a teacher Nona Alberts (Viola Davis) maybe belonging two different backgrounds, but they are very eager to fight the bureaucracy personalized in Principal Thompson and Teacher's Union President (portrayed by Holly Hunter, Grace Hanadarko from Saving Grace TV series). It seems like the mothers are going to lose everything in this unequal combat, however their good will to change things for better will bring them victory and safe education for their children, which deserve the best future.

"Slumdog Millionaire" is a 2008 British drama film directed by Danny Boyle, and tells the story of a young Indian boy named Jamal who grows up in the slums of Mumbai. The film follows his journey as he competes on the Indian version of "Who Wants to Be a Millionaire?", and reflects back on his life experiences that have helped him answer the show's questions.

Todd Robinson's Phantom is an action thriller about a fictional chain of extremely dangerous events supposedly taken place in the midst of Cold War. The movie's plot revolving around the haunted Captain of Soviet Submarine heading to the center of military exercises of US Army with the dangerous crew members and nuclear missiles on the board. Those dangerous crew members are the KGB agents with the secret mission to launch deadly missiles. The target is the US Navy ships and submarines concentrated in the center of training operation. This will destroy the major part of US Navy and provide an advantage for USSR Army. And, for sure, this will ignite the Third World War resulting with all the devastating nuclear consequences. The Captain of Soviet Submarine, Dmitri Zubov (Ed Harris) stands between an uneasy choice: to herd with hellish KGB Officer (David Duchovny) dreaming to unleash nuclear war, or to turn against his country and save the world.

The Rabbit Hole movie's pivotal event, the gut-wrenching and heart-numbing tragedy that sends Becca and Howie Cotbett down the rabbit hole, is over and done before the movie begins: Their four-year-old son has run out into the street, been hit by a teen-age driver, and died. Rabbit Hole movie deals with the more complicated, considerably more disturbing question, "Then what?" Adapted from a Pulitzer Prize winning play that enjoyed a long and distinguished run on Broadway, Rabbit Hole literally "speaks to" grown-up audiences willing to listen to the nuances in the dialogue—the language of psychotherapy laced with bitter sarcasm and fierce rage."Nicole Kidman does not merely star in Rabbit Hole movie; she makes it her personal tour de force, playing Becca with all the brittle delicacy of Wedgewood china and all the fevered intensity of a serial killer. The marquee proclaims Aaron Eckhart also stars, but he really is the fern and baby's breath to Kidman's flourishing rose bouquet. Howie cheats on his wife, and Becca stalks their baby's killer, and somehow they convince themselves and the audience that really they are just a couple of struggling suburbanites "trying to find their way back to a life that still holds the potential for beauty, laughter and happiness." Rabbit Hole movie director John Cameron Mitchell drains away the film's melodrama and pathos by rendering it in "drab, functional, TV-movie naturalism," making it beguiling and terrifying. Through Mitchell's lens, the horrific events and overwhelming emotions seem exceptionally familiar and perfectly ordinary. Rabbit Hole terrifies everyday Cineplex audiences, forcing them to recognize just how easily they might become Becca and Howie.

Mother and Child movie features some mystical idea that everything in our life is connected just too poorly compatible with the prosaic realities of our atomized society. Its more easy to explain the desire of screenplay writer to complete its puzzle plot that analyze the behavior of the characters as the normal human motivations. The presence of stars is only partially redeems shoals of unfinished script, but Watts, who got completely unemotional role of women who throw themselves on every man in sight, once again confirms her rare talent to play a strong blonde in distress. It is thanks to her play, the movie which strives to fly into space on the wings of its own pathos, continues to rely on the land… at least with the little finger of one leg.

An incredibly perfect adaptation of a cultish in 50' Jack Kerouac's novel which became a huge landmark in its time, On The Road immerses us into the atmosphere of that paranoidal decade where any discrepancies of "normal" behavior was a suspect. There were the times of Second Red Scare incepted by McCarthyism which led the nations of USA and USSR to Cold War. In these ambiguous times a just-married couple, a young ex-prisoner Dean Moriarty (Neal Cassady) and his beautiful wife Marylou (Kristen Stewart) travel across the America in pursuit of new sensations. In their voyage they meet young writer Sal Paradise (Sam Riley) , who recently buried his father and who decides to break with the past and heads into the new future where he hopes to find the inspiration for book he writes. This autobiographical storyline which is prominently implemented in the book runs through the movie too. The fact is that Jack Kerouac was really in the crisis when he started the book, and he actually was traveling across the USA with his friends to find an inspiration for the book he later named On The Road, which became a basis for Walter Salles movie of the same name in 2012.