The idea of The Master, which was filmed and released in 2012, could be traced back in 2000, when, as it was reported that Paul Thomas Anderson had the plans to create the movie about The Church of Scientology. However, the issues with the financing have blocked the implementation of conception until The Weinstein Company alongside with Megan Ellison, daughter of billionaire Larry Ellison (co-owner of Oracle Corporation), secured the financing of The Master in full. Likewise it has been some rumors that the movie was stalled because of too much of truth about The Church of Scientology has been revealed by Paul Thomas Anderson when he showcased The Cause sect (which was definitely prototyped from The Church of Scientology) in his movie. And because Hollywood has lots of influential and high-powered scientologists in his womb they have, allegedly, throw sand in the wheels of The Master filming and financing. In spite of the fact that The Church of Scientology Officials have rejected these rumors to be true and repeatedly insisted on their indifference concerning this movie, we have lots of doubts about it. The movie rather colorfully describes the sect and its leader Lancaster Dodd, whose personality was clearly copied from Scientology founder L. Ron Hubbard and very plausible displayed by talented performance of Philip Seymour Hoffman. You may be familiar with him by the roles in Moneyball, where he played Art Howe and in The Ides of March (Paul Zara). Dodd's apprentice, Freddie Sutton, who has climbed to the top of "The Cause" hierarchy suddenly starts to doubt about his teacher's belief, more and more being convinced the all he has to believe to is nothing more than fruits of his teacher's sick fantasies.

There are many psychological ailments that humans find themselves having difficulty with. Gambling, alcohol, drugs, and even sex can be problems for those who find them to be too much to overcome when they get out of hand and beyond their control. Shame is about sexual addiction and the problems that ensue when the lack of control makes it difficult to control how and when. Called sexually raw, Shame depicts a character named Brandon as a man who has problems. Seems he masturbates compulsively and stalks victims he chooses in the subway system of New York. This 30 something otherwise normal young man has a social problem that he claims to have no control over but it will ruin him and his life if he can't get help. irector Steve McQueen (no not that McQueen) put together a brilliant story that is far more common than believed. Michael Fassbender (Inglorious Basterds, Murphy's Law) is Brandon, Carey Mulligan (The Amazing Mrs. Pritchard, Dr. Who) is Sissy who is actually Brandon's sister who reappears in his life uninvited, and David is played by James Badge Dale formerly seen on The Black Donnellys and the TV mini series The Pacific.

Based on factual events this film pits a pair of young enthusiastic attorneys against the established big money of the pharmaceutical industry. When an ER nurse is accidently pricked when handling a contaminated needle, the law firm which handles personal injury claims becomes involved. Mike Weiss, who is played by Chris Evans (Street Kings, Push), is young and dedicated even though he also happens to be a drug addict works for a Houston law firm that's main specialty is handling personal injury claims. His partner Paul Danziger (Mark Kassen of Bernard and Doris, The Sasquatch Gang) who also directs Puncture also works what could be their case of a lifetime. They take on the case involving a hospital ER nurse named Vicky (Vinessa Shaw from Two Lovers, Stag Night) who accidently stuck herself with a syringe. Seems the big drug companies prevent the use of safer syringes to ward off such accidents happening. They seem willing to risk permanent and sometimes fatal results without consideration for others.ach year millions risk infection and contamination by such diseases as Hepatitis C and even HIV when accidental pricks occur. This time around there are two young lawyers who care enough to pursue it to a settlement even though it stretches their law firms business to near collapse. This even takes on international proportions because of the millions who die each year in Africa due to faulty syringes.

Caroline and Jackie, directed by Adam Christian Clark showcases us a horrific scenario of one-evening dinner with unexpected quests. The movie centers on two sisters, Caroline and Jackie who seems to be the lovely siblings, but from the very first minute we are to understand that something is wrong with their relationships. First of all, Caroline unexpectedly visits Jackie at her home and invites sister and her friends to the restaurant party despite the fact that Jackie was cooking al the day to have a great dinner with her friends. As Jackie agrees to accept Caroline's invitation she learns that this improvised surprise party was arranged by Caroline to celebrate Jackie's birthday, which passed two months ago. A ridiculous dinner turns to totally boring nightmare as quests gradually immerse into sisters uneasy relations hearing Caroline jibes addressed to Jackie As everybody feels that dinner is broken they finish the dishes hastily and moves to Jackie's house. However, if you suppose that Caroline is the "bad guy" in among the siblings, it means that you dramatically underestimate Jackie's nature. And this is not the end, as the action unfolds it becomes absolutely clear that their friends, both Caroline's and Jackie's are complete ass-holes as well. It's hard to say why Adam Christian Clark so carefully and accurately filmed such a bunch of deranged characters, but nevertheless he made it masterfully.

When Jimmy, a 45 year old "roadie" who has been with the Blue Oyster Cult, an 80's hair band is cast off by the band, he returns to his home town and to see his mother. Jimmy has not seen his mother since he was back to attend his father's funeral. Now he hopes to live with his mother in the very house and neighborhood he grew up in. But much has changed while he's been away, especially the neighborhood (Forest Hills, Queens in New York) which is now considered somewhat of a slum. It's difficult and sometimes even impossible to go back home again and Jimmy finds his old stomping grounds have gone to seed while he was away for all those years when old buddies take him on a tour.immy testagross is played by Ron Eldard (House of Sand and Fog, ER), Bobby Cannavale (Paul Blart: Mall Cop, Fast Food Nation) is Bobby, Nikki Stevens is played by Jill Hennessey (Crossing Jordan, Wild Hogs), Jimmy's Mom is played by Lois Smith (True Blood, Desperate Housewives), and Don Miller is portrayed by David Margulies (The Sopranos, Canterbury's Law).

Making it into somewhat of a Hatfields vs the McCoys story told Albanian style is The Forgiveness of Blood. Territorial rights along with family honor are long traditions of many nations and in this film we find that conflicts over land owned by families for generations never seem to become resolved, resulting in violence and a blood feud may be the result. Joshua Marston and Albanian Andamion Murataj weave a tale that is absorbing and honest, comparing old fashioned laws and rules against the younger generation's more modern approach to those age old traditions.ark, played by Refet Abazi (The Berlin Project) is a bread delivery man who uses a horse and cart on his daily route. When he is killed because he trespasses on land as he travels his daily route, the daughter Rudina, played by newcomer Sindi Lacej, must set aside her high school life and take over the route which is the family livelihood. An age old tale of property dispute and family traditions, The Forgiveness of Blood is an absorbing story of old verses new ways of life in Albania.