"Oliver Twist" is a British drama movie released in 1948, directed by David Lean. The movie is based on the classic novel by Charles Dickens and tells the story of a young orphan named Oliver Twist who falls in with a group of thieves and criminals in 19th century London. The movie explores themes of poverty, social injustice, and the struggle for survival in a harsh and unforgiving world.

Successfully debuted at The Dallas International Film Festival, Liberal Arts is an American romantic-drama film directed by talented Josh Radnor, who not only written a screenplay for the movie by performed the leading role of the Jesse, a lonesome mid-aged university admissions officer who visits his old college in order to honor his ex-mentor. At this pivotal moment of his live he meets a girl, a 19 years old Zibby (the role performed by lovely Elizabeth Olsen, whose sole presence in the film makes it worthy to watch). Zibby and Jesse relationships develop in the way typical for 36-years old mature man and romantic 19-tears old girl, who know nothing about what this world is like. The only thing that makes their relations seemingly not icky is the Jesse serious take of this moral dilemma, which sometimes crossing the border between serious and funny. Especially in the scene when he calculated the deeps of his lapse from virtue: "When I was 19, she was 3; when I was 16 she was 0….hmmm…when I'll be 86, she will be 70" the last equation makes him sort of more easy looking on this hefty age difference (but he, and everyone in the move; and even we understand the point well).

Back when World War I was about to begin so was an odd friendship between Psychiatrist Sigmund Freud and a young fledgling shrink, Carl Jung. There is also a beautiful woman that creates conflicts between the two men and also the fact that psychoanalysis is in its formative years. This combination makes for some rather dangerous methods of treating mental patients and those who can't quite cope with society. Canadian director David Cronenberg (The Brood, Scanners) may be somewhat out of his element with this story because it's more talky than his usual action packed films. Starring Viggo Mortensen (The Lord of the Rings series) as Freud, Michael Fassbender (Inglorious Basterds, Fish Tank) as Jung, and Keira Knightley (Atonement, Pirates of the Caribbean series) as the beautiful Sabina Spielrein, the woman who comes between Jung and Freud. She eventually became a successful therapist in her own right. Considered a historical film, A Dangerous Method deals with what happened back when psychotherapy was in its infancy and how psychiatrists learned how to best help those with mental problems.

Emma Morley portrayed by award winner Anne Hathaway (Love and Other Drugs, Valentine's Day) and Dexter Mayhew (British actor Jim Sturgess from Heartless, The Way Back) meet and become close friends who will find their lives intertwined for the rest of their lives. Dexter is wealthy and quite the charmer who is certain the world is his playground and Emma is the typical working class gal who is more reality bound but dreams of making the world around her a better place in which to live.ver the decades they find their lives have much in common and relationships each are involved in result in many missed opportunities. July the 15th is an important time for both and they compare notes regarding their private lives but eventually realize that what they need is right there in front of them. Love and life take some unexpected twists and turns for each of us and this movie exemplifies that what we want in life may be easy to attain if we only look in the right places.

The idea of The Master, which was filmed and released in 2012, could be traced back in 2000, when, as it was reported that Paul Thomas Anderson had the plans to create the movie about The Church of Scientology. However, the issues with the financing have blocked the implementation of conception until The Weinstein Company alongside with Megan Ellison, daughter of billionaire Larry Ellison (co-owner of Oracle Corporation), secured the financing of The Master in full. Likewise it has been some rumors that the movie was stalled because of too much of truth about The Church of Scientology has been revealed by Paul Thomas Anderson when he showcased The Cause sect (which was definitely prototyped from The Church of Scientology) in his movie. And because Hollywood has lots of influential and high-powered scientologists in his womb they have, allegedly, throw sand in the wheels of The Master filming and financing. In spite of the fact that The Church of Scientology Officials have rejected these rumors to be true and repeatedly insisted on their indifference concerning this movie, we have lots of doubts about it. The movie rather colorfully describes the sect and its leader Lancaster Dodd, whose personality was clearly copied from Scientology founder L. Ron Hubbard and very plausible displayed by talented performance of Philip Seymour Hoffman. You may be familiar with him by the roles in Moneyball, where he played Art Howe and in The Ides of March (Paul Zara). Dodd's apprentice, Freddie Sutton, who has climbed to the top of "The Cause" hierarchy suddenly starts to doubt about his teacher's belief, more and more being convinced the all he has to believe to is nothing more than fruits of his teacher's sick fantasies.

The Roommate's premise seems simple enough, and in light of Virginia Tech and elsewhere, maybe even plausible. The studio says The Roommate is, ""A psychological thriller about a deranged college freshman who becomes obsessed with her new roommate." If the girls take Psych 101, they may learn "deranged" is not appropriate clinical vocabulary for a girl who systematically and deliberately murders all of her roommate's friends and loved ones. To their credit, Leighton Meister who plays Rebecca, first-year serial killer, and Minka Kelly, who plays Sara, unwilling object of obsession, rise above primitive writing and production values that fall far short of the balance between sex and fear, redeeming the movie as much as any two gifted girls might. The Roommate may be more valuable as a promotional piece for Los Angeles Loyola Marymount University; and, over time, the film may be far notable as a showcase for 2011 college fashions than for its riveting representations of paranoid schizophrenia. Will those nasty blood stains wash out of that adorable Abercrombie skirt?