It doesn't even matter if you've ever read the novel written by the greatest Russian novelist Leo Tolstoy, or, maybe, you doesn't even heard about Anna Karenina (what is unlikely.) Anyway, this awesome story deserves to be laid on film tape more and more times. And for those, who plans to get an Oscar in this year there are no better way to do it than to make a movie using the unparalleled Tolstoy's masterpiece. The whole plot of the novel has been left intact: the action unfolds in the 19th century Russia, where the social elite have its own rules and traditions, and where adultery is counting as the worst sin ever. In those classy times, the story follows a young woman Anna (Keira Knightley), who is happily married to top-echelon officer Alexei Karenin (Jude Law). She unexpectedly meets the man of her dreams, Count Vronsky (Aaron Johnson) and falls in love with him. Their mutual romantic relationship leads the cinematic adaptation's plot to the predictable dramatic end, where a train plays a crucial and a final role.

The Call (2013) is scheduled to hit the theatres in March 15, and this movie will be the eighth in row for Brad Anderson a moderate productive film director, just after his Vanishing on 7th Street, Transsiberian, The Machinist, Session 9, Happy Accidents, Next Stop Wonderland and The Darien Gap – those makes 7 films in 17 years. Nevertheless, it's a first time when Brad Anderson manages to gather such a brilliant cast in his movie. The lead role was secured by Halle Berry – and this only actress is able to "make the film" as she repeatedly did in Cloud Atlas, Dark Tide and Catwoman. Her character, Jordan, a 911 operator is trying to help troubled young girl and save her from murderer. Things got worse when teenagers real troubles reveals Jordan's old fears and psychological traumas. The influence of these revived fears have causes ambiguous effect on their dialog and consequences it leads to. Troubled teenager girl, Casey is played by Abigail Breslin,who may be familiar to you by her prominent roles in Little Miss Sunshine, where she were nominated in 10 prestigious awards, My Sister's Keeper (as Anna Fitzgerald) and Definitely, Maybe (Maya Hayes).

Enter the Void movie features an awesome special cinematographic experiment. From the start of the film we are looking at the world through the eyes of its protagonist Oscar (Nathaniel Brown). When he blinks, the picture disappears. His thoughts, we hear his voice-overs. The story begins in a small, cramped Tokyo apartment. The balcony shows us a view at the busy street. A bright sign «ENTER» is on the other side of the road. Oscar calls Linda (his sister) and pointing to a flying airplane in the sky, said that he would like to see Tokyo from a height. She replied that she would be scared. He asks her: "What are you afraid?". She says: "Death, I suppose. Falling into the void. " Then the hero picks up a book and we see the Tibetan Book of the Dead closeup. He says he gave it to honor his friend Alex. His sister is skeptical, calling him "upright". Then she says goodbye and leaves. Left alone, Oscar takes a dose of DMT. The next five minutes we are enjoying special effects, revealing the visions of the hero. Of the trip he takes a phone call. His friend Victor calls. He wants Oscar to bring him his stuff and says that awaits him at the Void title bar. Oscar hardly wakes up and there suddenly comes Alex. The meantime, he asked about the Book of the Dead, to which Oscar replied that he reads it and likes. Alex in the conversation makes it clear that he likes the sister of Oscar. They leave the apartment and sent into the Void. On the way Alex tells Oscar his own version of the Tibetan Book of the Dead story. Then he advises Oscar to stop selling drugs and get a job. When they are reached the Void title sign, Alex refuses to enter there and promises to wait for an Oscar in the street. The attempt to sell the drugs to Victor ends with Oscar's death, but we are still looking thru his eyes… and there movie begins.

Making it into somewhat of a Hatfields vs the McCoys story told Albanian style is The Forgiveness of Blood. Territorial rights along with family honor are long traditions of many nations and in this film we find that conflicts over land owned by families for generations never seem to become resolved, resulting in violence and a blood feud may be the result. Joshua Marston and Albanian Andamion Murataj weave a tale that is absorbing and honest, comparing old fashioned laws and rules against the younger generation's more modern approach to those age old traditions.ark, played by Refet Abazi (The Berlin Project) is a bread delivery man who uses a horse and cart on his daily route. When he is killed because he trespasses on land as he travels his daily route, the daughter Rudina, played by newcomer Sindi Lacej, must set aside her high school life and take over the route which is the family livelihood. An age old tale of property dispute and family traditions, The Forgiveness of Blood is an absorbing story of old verses new ways of life in Albania.

"Einstein and Eddington" is a historical drama movie released in 2008, directed by Philip Martin. The movie tells the story of the friendship between Albert Einstein and Arthur Eddington, two of the greatest scientists of the 20th century. The movie explores their collaboration and the impact of their work on the scientific community during World War I.

Eat, Pray, Love movie is obviously made with the claim that the method of Gilbert will be the panacea for all forms of women's existential crisis. The formula is simple: please the body, harden the spirit and everything flashy will reunite with the spiritual. Well, as any guide to practical psychology, this film is interesting only to those who need to stop worrying and start living. Remaining one hundred thirty-three minutes of screen time will be given easy. Hooked on the book, the filmmakers did not bother to spice up your creation more apparent irony, rather than one that reduces to a truly remarkable scene of the first conversation with God, Liz, and questionable character jokes about overweight, gained in Rome. There is some lack of a lightness of romantic comedies or the depths of serious cinema in this drama with elements of road movie…