It doesn't even matter if you've ever read the novel written by the greatest Russian novelist Leo Tolstoy, or, maybe, you doesn't even heard about Anna Karenina (what is unlikely.) Anyway, this awesome story deserves to be laid on film tape more and more times. And for those, who plans to get an Oscar in this year there are no better way to do it than to make a movie using the unparalleled Tolstoy's masterpiece. The whole plot of the novel has been left intact: the action unfolds in the 19th century Russia, where the social elite have its own rules and traditions, and where adultery is counting as the worst sin ever. In those classy times, the story follows a young woman Anna (Keira Knightley), who is happily married to top-echelon officer Alexei Karenin (Jude Law). She unexpectedly meets the man of her dreams, Count Vronsky (Aaron Johnson) and falls in love with him. Their mutual romantic relationship leads the cinematic adaptation's plot to the predictable dramatic end, where a train plays a crucial and a final role.

The story begins back in 1997 when the shocking news gets the attention of now retired secret agents of Mossad, informing them of the fate of their colleague David. The stellar cast includes Helen Mirren (The Queen, State of Play), an Academy Award winner as secret agent, Rachel. Directed by John Madden (Shakespeare in Love, Proof) The Debt is suspense filled and one of those films that keep audiences on the edge of their seats throughout. am Worthington (Clash of the Titans, Avatar) is the younger David from 1997 and the same character in 2011 is portrayed by Ciarán Hinds (Race to Witch Mountain, Miss Pettigrew Lives for a Day) who, along with his team members are a successful Nazi hunting unit.he Debt is a remake of a successful Israeli drama thriller from 2007 with the same name and directed by Assaf Bernstein. This time around it has the benefit of having a well known cast and far bigger budget.

In the Mood for Love is a 2000 film directed by Wong Kar-wai, set in Hong Kong in the 1960s. It tells the story of two neighbors, Mr. Chow and Mrs. Chan, who form a close bond when they realize their spouses are having an affair. The film explores their relationship as they navigate their feelings of loneliness and longing, but ultimately choose not to act on their own romantic feelings.

Brothers is a film of halftones, notes on the margins, where the beauty is in the Details. But, like many other such intricate work, the film seemed not over: cut off in mid-sentence. The brothers conflict ends with the simple phrase. Sam's internal conflict, the break of conscience after capture in Afghanistan is just honesty. From this point of view Brothers are perceived only a demonstration of acting, the spectacular, of course, but still remaining essentially "the casting". Psychological observations, the reliability of the details and fine texture of the characters are the wonderful elements of the movie, but really outstanding masterpieces are crowned with the point, not the dots.

"Million Dollar Baby" is a 2004 sports drama film directed by Clint Eastwood. The movie tells the story of Maggie Fitzgerald, a determined young woman who aspires to become a professional boxer. She seeks the guidance of hardened boxing trainer Frankie Dunn, who initially dismisses her, but eventually agrees to train her.

Caroline and Jackie, directed by Adam Christian Clark showcases us a horrific scenario of one-evening dinner with unexpected quests. The movie centers on two sisters, Caroline and Jackie who seems to be the lovely siblings, but from the very first minute we are to understand that something is wrong with their relationships. First of all, Caroline unexpectedly visits Jackie at her home and invites sister and her friends to the restaurant party despite the fact that Jackie was cooking al the day to have a great dinner with her friends. As Jackie agrees to accept Caroline's invitation she learns that this improvised surprise party was arranged by Caroline to celebrate Jackie's birthday, which passed two months ago. A ridiculous dinner turns to totally boring nightmare as quests gradually immerse into sisters uneasy relations hearing Caroline jibes addressed to Jackie As everybody feels that dinner is broken they finish the dishes hastily and moves to Jackie's house. However, if you suppose that Caroline is the "bad guy" in among the siblings, it means that you dramatically underestimate Jackie's nature. And this is not the end, as the action unfolds it becomes absolutely clear that their friends, both Caroline's and Jackie's are complete ass-holes as well. It's hard to say why Adam Christian Clark so carefully and accurately filmed such a bunch of deranged characters, but nevertheless he made it masterfully.