W.E.

The Tourist movie is a thriller starring Johnny Depp as Frank Taylor, an American tourist and Angelina Jolie as Elise Ward, an English woman with a colourful past. Frank meets Elise while on vacation in Italy trying to mend his wounded heart and quickly tries to pursue a relationship with her. Only Elise has other motives for her supposed accidental meeting with Frank, but will Frank learn the truth before he gets in too deep or will it be too late. The Tourist movie will give you insight into how people responded when they learn they are being played like pieces on a game board.

Ballet 422 is a 2015 documentary by cinematographer and documentarian Jody Lee Lipes, and offers viewers a rare look behind the curtain of the professional world of ballet. The film follows Justin Peck, the 25-year-old choreographer of the New York City Ballet as he strives to create the ballet company's 422nd original piece while also balancing other professional commitments in the ballet world. This film offers an intimate look at Peck's creative process, and has been well received by critics. Not only does the movie provide startling insight into the process that brings an idea from its inception into realization as a ballet show, but it also highlights the commonplace workaday atmosphere that pervades life behind-the-scenes in an industry which is usually enshrouded in glamour. This piece is a must-see for anyone who is thinking of becoming a professional in the ballet world, or for any passionate ballet enthusiast who wants to learn more about what goes on behind the curtain.

The idea of The Master, which was filmed and released in 2012, could be traced back in 2000, when, as it was reported that Paul Thomas Anderson had the plans to create the movie about The Church of Scientology. However, the issues with the financing have blocked the implementation of conception until The Weinstein Company alongside with Megan Ellison, daughter of billionaire Larry Ellison (co-owner of Oracle Corporation), secured the financing of The Master in full. Likewise it has been some rumors that the movie was stalled because of too much of truth about The Church of Scientology has been revealed by Paul Thomas Anderson when he showcased The Cause sect (which was definitely prototyped from The Church of Scientology) in his movie. And because Hollywood has lots of influential and high-powered scientologists in his womb they have, allegedly, throw sand in the wheels of The Master filming and financing. In spite of the fact that The Church of Scientology Officials have rejected these rumors to be true and repeatedly insisted on their indifference concerning this movie, we have lots of doubts about it. The movie rather colorfully describes the sect and its leader Lancaster Dodd, whose personality was clearly copied from Scientology founder L. Ron Hubbard and very plausible displayed by talented performance of Philip Seymour Hoffman. You may be familiar with him by the roles in Moneyball, where he played Art Howe and in The Ides of March (Paul Zara). Dodd's apprentice, Freddie Sutton, who has climbed to the top of "The Cause" hierarchy suddenly starts to doubt about his teacher's belief, more and more being convinced the all he has to believe to is nothing more than fruits of his teacher's sick fantasies.

"Parasite" is a critically acclaimed movie that has received widespread praise from film critics. The film has been praised for its sharp social commentary, compelling storytelling, and strong performances from the cast.

Successfully debuted at The Dallas International Film Festival, Liberal Arts is an American romantic-drama film directed by talented Josh Radnor, who not only written a screenplay for the movie by performed the leading role of the Jesse, a lonesome mid-aged university admissions officer who visits his old college in order to honor his ex-mentor. At this pivotal moment of his live he meets a girl, a 19 years old Zibby (the role performed by lovely Elizabeth Olsen, whose sole presence in the film makes it worthy to watch). Zibby and Jesse relationships develop in the way typical for 36-years old mature man and romantic 19-tears old girl, who know nothing about what this world is like. The only thing that makes their relations seemingly not icky is the Jesse serious take of this moral dilemma, which sometimes crossing the border between serious and funny. Especially in the scene when he calculated the deeps of his lapse from virtue: "When I was 19, she was 3; when I was 16 she was 0….hmmm…when I'll be 86, she will be 70" the last equation makes him sort of more easy looking on this hefty age difference (but he, and everyone in the move; and even we understand the point well).

Society of the Snow is J.A. Bayona's extraordinary retelling of the 1972 Andes flight disaster, a survival story that grapples honestly with community, endurance, and impossible moral choices.