Emma Morley portrayed by award winner Anne Hathaway (Love and Other Drugs, Valentine's Day) and Dexter Mayhew (British actor Jim Sturgess from Heartless, The Way Back) meet and become close friends who will find their lives intertwined for the rest of their lives. Dexter is wealthy and quite the charmer who is certain the world is his playground and Emma is the typical working class gal who is more reality bound but dreams of making the world around her a better place in which to live.ver the decades they find their lives have much in common and relationships each are involved in result in many missed opportunities. July the 15th is an important time for both and they compare notes regarding their private lives but eventually realize that what they need is right there in front of them. Love and life take some unexpected twists and turns for each of us and this movie exemplifies that what we want in life may be easy to attain if we only look in the right places.

Niels Arden Oplev, who may be familiar to you by his movie The Girl With The Dragon Tattoo comes with his next keep-on-toes drama Dead Man Down. It's not a surprise, that his favorite Swedish actress Noomi Rapace, who played the leading role in The Girl With The Dragon Tattoo, as Lisbeth Salander took the same level role in Dead Man Down. In this movie she plays Beatrice, a desperate, yet prudent and coldblooded woman on the warpath to accomplish the revenge by killing Alphonse Hoyt (Terrence Howard), a mob boss of the New York. On her way she meets Alphonse's guard, Victor (Colin Farrell), who seems to share her thoughts about the boss. She tries to blackmail and use him, but later, the truth reveals, Victor claims that Alphonse is responsible for the death of his wife and daughter. The engrossing desire for revenge unites Beatrice and Victor. Meanwhile, it becomes clear that there are other strong feelings between them, the feelings that have grown in the shadow of vengeance.

Hachi: A Dog's Story looks very respectable thanks to beautifully grown old Richard Gere. But all this is the perfect atmosphere generates the feeling that all this neat, distilled and smoothed microcosm of the American province was specially built just for the beautiful story design. Something here is not real in the movie. However, when your eyes filled with tears, you will not be able to consider.

Mexican gardener Carlos Riquelme doesn't ask much from life, just to keep on taking care of the yards of Los Angeles wealthy property owners and to see that his son Luis is able to realize the American Dream which will be much better than he has had himself. Demián Bichir portrays Carlos the gardener as a 40 year old Mexican national who attempts to capture the better life through a business deal that turns sour as the opportunity is stolen from him, turning his calm life into chaos. He works hard to keep his son away from the influence of gangs and out of the clutches of immigration officials as he tries to eke a living out of his trade in a town expensive to live in.emián Bichir (Weeds, The Runway) as the gardener Carlos has talent to spare and well suited for this role as a determined and caring father who tries to keep his son from the evil found on the streets of LA. José Julián is Luis Riquelme, the young and impressionable son of Carlos who is torn between love for his father and the need to follow his friends. Fine casting and writing make this one to see.

Ballet 422 is a 2015 documentary by cinematographer and documentarian Jody Lee Lipes, and offers viewers a rare look behind the curtain of the professional world of ballet. The film follows Justin Peck, the 25-year-old choreographer of the New York City Ballet as he strives to create the ballet company's 422nd original piece while also balancing other professional commitments in the ballet world. This film offers an intimate look at Peck's creative process, and has been well received by critics. Not only does the movie provide startling insight into the process that brings an idea from its inception into realization as a ballet show, but it also highlights the commonplace workaday atmosphere that pervades life behind-the-scenes in an industry which is usually enshrouded in glamour. This piece is a must-see for anyone who is thinking of becoming a professional in the ballet world, or for any passionate ballet enthusiast who wants to learn more about what goes on behind the curtain.

The idea of The Master, which was filmed and released in 2012, could be traced back in 2000, when, as it was reported that Paul Thomas Anderson had the plans to create the movie about The Church of Scientology. However, the issues with the financing have blocked the implementation of conception until The Weinstein Company alongside with Megan Ellison, daughter of billionaire Larry Ellison (co-owner of Oracle Corporation), secured the financing of The Master in full. Likewise it has been some rumors that the movie was stalled because of too much of truth about The Church of Scientology has been revealed by Paul Thomas Anderson when he showcased The Cause sect (which was definitely prototyped from The Church of Scientology) in his movie. And because Hollywood has lots of influential and high-powered scientologists in his womb they have, allegedly, throw sand in the wheels of The Master filming and financing. In spite of the fact that The Church of Scientology Officials have rejected these rumors to be true and repeatedly insisted on their indifference concerning this movie, we have lots of doubts about it. The movie rather colorfully describes the sect and its leader Lancaster Dodd, whose personality was clearly copied from Scientology founder L. Ron Hubbard and very plausible displayed by talented performance of Philip Seymour Hoffman. You may be familiar with him by the roles in Moneyball, where he played Art Howe and in The Ides of March (Paul Zara). Dodd's apprentice, Freddie Sutton, who has climbed to the top of "The Cause" hierarchy suddenly starts to doubt about his teacher's belief, more and more being convinced the all he has to believe to is nothing more than fruits of his teacher's sick fantasies.