Guy Ritchie has made of Sherlock Holmes's character in style of Tony Stark (Iron Man). The film looks fascinating, especially as for part of mystery stories, capable of grasping the whole 128 minutes, and at the same time funny, not devoid of jokes and humor, defusing a tense situation of the investigation. But in the end not only the integrity covers the entire film, gathering in one large mosaics of events, but also anxiously expectation for the sequel, because like the Joker card in the first Nolan's "Batman", the ending is virtually guaranteed that the movie is just a kind of "Sherlock Holmes: The Beginning" and the masterpiece "The London Knight" awaits us in the near future.

In Legion movie Scott Stewart started with the Terminator's intro to put action in classic place, a roadside cafe, surrounded with hordes of vile creatures, and finished with the battle of clubs and iron wings. This could be invented only by a person for whom the entertainment is a major part of any movie. Scott Stewart, who created the visual effects for "Pirates of the Caribbean", "Iron Man" and dozens of famous films, has performed the task perfectly well. The only question arise, is it normal when a movie where most of humanity dies, and survivals are continuously referring to the Bible?

A genuinely suspenseful thriller featuring accomplished actresses in uncharacteristic roles, Hanna combines the considerable talents of Saoirse Roana, notable for her compelling performance in The Lovely Bones, and Academy Award winner Cate Blanchett. No longer a long-suffering ingénue, Ms. Roana plays Hanna herself, "the perfect killing machine," and Ms. Blanchett plays a ruthless intelligence agent with clear family ties to Cruella DeVille, Ma Barker, Catherine Tramell, and other stellar sociopaths. "Please suspend disbelief for Hanna's fundamental premise: Hanna's father, formerly CIA and now resident of Finland's rugged frontier, has trained his daughter to become the consummate assassin. Whether or not you find it plausible, you must admit it's not a bad idea: Who ever would suspect the innocent abroad would be hell-bent on killing? Well, okay, who but Blanchett's character? As Hanna evades capture and approaches her ultimate target, she discovers a character attribute which feels and acts surprisingly like a conscience. Remember the time-honoured themes in modern literature—good versus evil, and character versus his or her own human nature? Hanna updates and intensifies those themes in a well-paced, white-knuckle post-modern, girl-power package.

Ninja Assassin stands in the same discipline as the "300" and does not exclude the possibility that even gets to windward it by part of naturalistic massacre. The blood and meat, at least is not worse, than at the best slaughterhouses, and a number of overly dark scenes fully offset by a crazy drive in all other battles with the stabbing. The plot about love, revenge, betrayal is not limit of perfection, of course, but looks as a necessary evil. However, there are no too overextended pauses between the massacre, massacre and massacre again…

Stupid, fun and very cool - that's all you can say about the "Expendables" of the 2010 on the merits. Sylvester Stallone made a perfect action movie of 80's. More precisely, it is just another perfect fighting film stuffed with all the things: dictatorship, the drug business, a beauty, a lot of bad guys, some cool guys, kick ass. The trick is how to kick… Stallone, of course, chooses the good old style 80's. Very vigorously after endless ballet pas with slaps those exchanging modern world virtual subtle characters of the newest generation of flying across the screen in the manner of grasshoppers. "The Expendables" movie stands firmly on its feet…

Captain America: The First Avenger will not be just another one of those "ripped from the comics" movies that have become a 2011 Hollywood staple. No way. "Captain America himself looks remarkably fit for a super-hero who celebrated his seventieth birthday in 2011, and his box office prospects are remarkably sanguine, too. For all those years, Captain America consistently has ranked well-up the list of popular comic characters. Maybe not the sexiest man alive, but a perpetual contender, and always the consummate patriot. Therefore, producers, writers, directors, actors, cinematographers, all the grips, and even the craft services crew understand they have their hands full as they make Captain America: The First Avenger. Their main character is, after all, revered as the United States' bravest, noblest, most-selfless, and greatest hundred-and-one percent hero…ever. "Captain America: The First Avenger tells the story from the beginning. Our hero, Steve Rogers, is rejected for service in World War II—very highly motivated but sadly unfit physically. Determined to serve, Rogers volunteers for "Project: Rebirth," a super-secret project that gives him the ultimate make-over, making him a super-soldier. The brass dub him "Captain America" upon his completion of training. Teaming-up with intrepid sidekick Bucky Barnes, "The First Avenger" kicks some serious Nazi butt as he fights "Red Skull," director of advanced weaponry for the Reich. Well-funded, well cast, well-scripted, Captain America: The First Avenger promises to kick some serious box office butt in the summer of 2011, putting all those other comic movies to shame.