Captain America: The First Avenger will not be just another one of those "ripped from the comics" movies that have become a 2011 Hollywood staple. No way. "Captain America himself looks remarkably fit for a super-hero who celebrated his seventieth birthday in 2011, and his box office prospects are remarkably sanguine, too. For all those years, Captain America consistently has ranked well-up the list of popular comic characters. Maybe not the sexiest man alive, but a perpetual contender, and always the consummate patriot. Therefore, producers, writers, directors, actors, cinematographers, all the grips, and even the craft services crew understand they have their hands full as they make Captain America: The First Avenger. Their main character is, after all, revered as the United States' bravest, noblest, most-selfless, and greatest hundred-and-one percent hero…ever. "Captain America: The First Avenger tells the story from the beginning. Our hero, Steve Rogers, is rejected for service in World War II—very highly motivated but sadly unfit physically. Determined to serve, Rogers volunteers for "Project: Rebirth," a super-secret project that gives him the ultimate make-over, making him a super-soldier. The brass dub him "Captain America" upon his completion of training. Teaming-up with intrepid sidekick Bucky Barnes, "The First Avenger" kicks some serious Nazi butt as he fights "Red Skull," director of advanced weaponry for the Reich. Well-funded, well cast, well-scripted, Captain America: The First Avenger promises to kick some serious box office butt in the summer of 2011, putting all those other comic movies to shame.

Revival of predation franchise, announced by Robert Rodriguez, featuring in The Losers as a writer and producer, became not so spectacular as it was waiting for. For the movie directed by Nimrod Antal we are expecting something more than running through the woods in the style of "Rambo: First Blood" and in a spirit of divination "who will die next." The maximum that allowed himself to Rodriguez is sadly growing number of corpses, a little red and green blood and uncertain statement that predators are the people themselves, supported by a quote from Hemingway. Statement by the way, in this case, is little bit controversial, since a good half of the time most of the earthlings saves and covers each other: like in the best tradition of some honest and not always exciting team play.

Starting defiantly with an amateur stamp from the scene of creative clutter in the apartment of the protagonist, "Repo Men", however, are firmly stitched comic fighter, and quite wild, to become a cult movie. Miguel Sapochnik, plays the fool with all his might, but lively intelligence is difficult to conceal. Very soon, pulsating on the screen cyberpunk shows us a director, who with the same warmth loves "RoboCop," Tarkovsky and Pak Chan Wook. Climactic confrontation between good and evil is almost literally copied from the famous scene with the hammer of the "Oldboy"; with the only difference Sapochnik has money for various other small tools, but apparently lacks the skill neither to film it with one big plan nor to cut massacre of hundreds of different plans. It's disappointing, but not disastrous: in the end, the "Repo Men" has lots of other goods.

The new comic book adaptation titled "Jonah Hex" has a chance to become a new subspecies of a Hollywood blockbuster movie. Which, unlike similar to it, "Van Helsing" and "League of Extraordinary Gentlemen", boasts at least that there is no monstrous budget spent only on the CGI and still do not understand that. All are attached to ordinary story about an unusual hero against the forces of evil money not spent in vain - despite the feeble mind of local writers, the picture and dynamics in this are pretty good. But the lack of a coherent plot and its quality does not allow "Jonah Hex" to become something more than fantasy gunman at a time. "Professional and extremely steep mercenary in the best tradition of Western fighters dealt with the bad guys, that everything else resorted to the resurrection of the dead. Well, just as some representatives of the genre on occult themes. Unlike "John Hex" is that the hero was a little maimed and disfigured on one side of the face attached to the character of Josh Brolin sort of grim fascination. Besides, he enjoys exotic weapons such as crossbows and slaughter that was particularly funny - two miniguns pinned to ride a horse! On the part of any claims, action games - very bright and juicy, while gunfire and explosions in no way spoiled special effects, just the opposite. "For the rest, "Jonah Hex" just a collection of beautiful pictures without any good sense. Again, good vs. evil, it's pretty primitive, but effective. In true, everybody will be very pleased with the lack of oak dialogues and unnecessary pathos. Fortunately, the creators focused on the rigidity of action scenes and even the history of the protagonist, which is interesting main story. In addition, there is John Malkovich and even Megan Fox, which, apparently, after her disagreement with Michael Bay, is now doomed to get stuck in the semi-thrash movies for a long time. Generally "Jonah Hex" is worth watching, but only because of pretty pictures and good overall performances.

Scott Pilgrim vs. the World is a 2010 movie directed by Edgar Wright, who showcases not only a picture of the heroes in action, but also the sounds with which these actions are carried out, all the "bang" and "boom", and countless "ah-ah-ah!". Needles to say, that he manages to put everything together in the true style of real Englishman. He divides the frame into two, three, four, and so on often as much parts as he wants. He stuffs each episode with jokes and paints it all the colors, playfully borrowed this trick from "Speed Racer" the Wachowski brothers. It seems that Wright has decided to participate in this game seriously. Therefore, the scoring or the level of vital force, occurring on the screen for each victory, looks completely natural, and the "Scott Pilgrim" is perfectly-designed pattern. Despite the fabulously idiotic plot about "the seven former and the absence of Simon Pegg…

Considered to be a "loose cannon" in his field, agent Snow is convicted of conspiracy to commit the crime of espionage even though he did not do the crime, and is offered the opportunity to be freed. This is a man who knows about breaking the rules and now the President's daughter is imprisoned in space, he is the best chance to find her and free her. Seems the prison, which is located deep in space, has been taken over by prisoners and there is a Lock-Out in progress.iolent inmates seem to have the upper edge but Snow is determined to free the young woman and gain his freedom at the same time. Snow is portrayed by Guy Pearce from Rules of Engagement and The Hurt Locker is one mean "good guy" who knows all about breaking the rules. He goes after Emillie Warnock (Maggie Grace from Malice in Wonderland and TV series Lost) who is the captured daughter of the U.S. President. What happens next is violence and mayhem at its best and film maker Luc Besson seems to have successfully graduated from "epic" films to action packed adventure.