When a commercial airline pilot, Whip (Denzel Washington) saves hundreds of lives it seems like his future looks bright and glorious. He managed to land an airplane with both engines damaged. Although the landing was very hard, Whip has showed a virtuoso level of superior flight skills and have saved 98 out of 106 lives on board. After preventing this catastrophe Whip may feel himself like a hero as well as all the Americans treat him; but following investigation set a long row of inconvenient questions that are making Whip's perspectives looking not so bright. To tell the truth, his future seems like he has to be a prisoner who is serving the very long term in a jail rather than an American hero who is resting on its laurels. Furthermore, everything points on the fact that he knows why. Step by step, dialogue by dialogue, as we watch Flight, we learn more about this unfortunate flight and the night before it.

Darren Aronofsky took an almost perfect movie about art, madness and how it is sometimes difficult to distinguish from one another. The most stupid thing you can do with this film - is to try to accuse him of vulgarity or secondary. Black Swan is a movie that with equal success can be compared with the classic Red Shoes of 1948 and Red Shoe Diaries in Saturday's TV - and both will be true. Aronofsky, who after all the applauses has nothing to proof, managed to do something very important in the Black Swan: to return the immediacy for the art-cinema. You can watch Black Swan as an exciting thriller about madness and as a melodrama about hot dancers.

There are many psychological ailments that humans find themselves having difficulty with. Gambling, alcohol, drugs, and even sex can be problems for those who find them to be too much to overcome when they get out of hand and beyond their control. Shame is about sexual addiction and the problems that ensue when the lack of control makes it difficult to control how and when. Called sexually raw, Shame depicts a character named Brandon as a man who has problems. Seems he masturbates compulsively and stalks victims he chooses in the subway system of New York. This 30 something otherwise normal young man has a social problem that he claims to have no control over but it will ruin him and his life if he can't get help. irector Steve McQueen (no not that McQueen) put together a brilliant story that is far more common than believed. Michael Fassbender (Inglorious Basterds, Murphy's Law) is Brandon, Carey Mulligan (The Amazing Mrs. Pritchard, Dr. Who) is Sissy who is actually Brandon's sister who reappears in his life uninvited, and David is played by James Badge Dale formerly seen on The Black Donnellys and the TV mini series The Pacific.

Young Tyler Doherty writes Letters to God every day. The boy is seriously ill and only faith gives him the courage to fight a terrible disease. Dazed postman Brady McDaniels does not deliver letter to the addressee, of course. But after reading them, be inspired by the courage of the child and be able to find the strength to deal with his alcohol addiction.

It doesn't even matter if you've ever read the novel written by the greatest Russian novelist Leo Tolstoy, or, maybe, you doesn't even heard about Anna Karenina (what is unlikely.) Anyway, this awesome story deserves to be laid on film tape more and more times. And for those, who plans to get an Oscar in this year there are no better way to do it than to make a movie using the unparalleled Tolstoy's masterpiece. The whole plot of the novel has been left intact: the action unfolds in the 19th century Russia, where the social elite have its own rules and traditions, and where adultery is counting as the worst sin ever. In those classy times, the story follows a young woman Anna (Keira Knightley), who is happily married to top-echelon officer Alexei Karenin (Jude Law). She unexpectedly meets the man of her dreams, Count Vronsky (Aaron Johnson) and falls in love with him. Their mutual romantic relationship leads the cinematic adaptation's plot to the predictable dramatic end, where a train plays a crucial and a final role.

The idea of The Master, which was filmed and released in 2012, could be traced back in 2000, when, as it was reported that Paul Thomas Anderson had the plans to create the movie about The Church of Scientology. However, the issues with the financing have blocked the implementation of conception until The Weinstein Company alongside with Megan Ellison, daughter of billionaire Larry Ellison (co-owner of Oracle Corporation), secured the financing of The Master in full. Likewise it has been some rumors that the movie was stalled because of too much of truth about The Church of Scientology has been revealed by Paul Thomas Anderson when he showcased The Cause sect (which was definitely prototyped from The Church of Scientology) in his movie. And because Hollywood has lots of influential and high-powered scientologists in his womb they have, allegedly, throw sand in the wheels of The Master filming and financing. In spite of the fact that The Church of Scientology Officials have rejected these rumors to be true and repeatedly insisted on their indifference concerning this movie, we have lots of doubts about it. The movie rather colorfully describes the sect and its leader Lancaster Dodd, whose personality was clearly copied from Scientology founder L. Ron Hubbard and very plausible displayed by talented performance of Philip Seymour Hoffman. You may be familiar with him by the roles in Moneyball, where he played Art Howe and in The Ides of March (Paul Zara). Dodd's apprentice, Freddie Sutton, who has climbed to the top of "The Cause" hierarchy suddenly starts to doubt about his teacher's belief, more and more being convinced the all he has to believe to is nothing more than fruits of his teacher's sick fantasies.