Captain America: The First Avenger will not be just another one of those "ripped from the comics" movies that have become a 2011 Hollywood staple. No way. "Captain America himself looks remarkably fit for a super-hero who celebrated his seventieth birthday in 2011, and his box office prospects are remarkably sanguine, too. For all those years, Captain America consistently has ranked well-up the list of popular comic characters. Maybe not the sexiest man alive, but a perpetual contender, and always the consummate patriot. Therefore, producers, writers, directors, actors, cinematographers, all the grips, and even the craft services crew understand they have their hands full as they make Captain America: The First Avenger. Their main character is, after all, revered as the United States' bravest, noblest, most-selfless, and greatest hundred-and-one percent hero…ever. "Captain America: The First Avenger tells the story from the beginning. Our hero, Steve Rogers, is rejected for service in World War II—very highly motivated but sadly unfit physically. Determined to serve, Rogers volunteers for "Project: Rebirth," a super-secret project that gives him the ultimate make-over, making him a super-soldier. The brass dub him "Captain America" upon his completion of training. Teaming-up with intrepid sidekick Bucky Barnes, "The First Avenger" kicks some serious Nazi butt as he fights "Red Skull," director of advanced weaponry for the Reich. Well-funded, well cast, well-scripted, Captain America: The First Avenger promises to kick some serious box office butt in the summer of 2011, putting all those other comic movies to shame.

Boondock Saints II: All Saints Day which has got a negligible box office cash, and undergone severe criticism from the media and representatives of the Church, accused of promoting violence and immorality, a few years later acquired a cult status and enjoys the growing number of their fans. Troy Duffy, doomed the audience to agonizingly long waiting, in ten years, gives the world a worthy sequel.

Hughes brothers exploit a very specific niche of "commercial cinema for nerds" filmed The Book of Eli, a western about the Second Coming. You haven't even know that Eli is the God in Aramaic, and generally have at least a minimal understanding of sacred texts. Simplicity and clarity of massage of the movie makes us expecting some more complex content. Especially because the atmosphere and style of the film is beyond any praises. They succeeded to create really juicy and truthful post-apocalyptic world, which filled with the atmosphere of despair, echoing, resonating basses and shot with the cold spectrum filters. A character of Washington is so cool in his calm relaxed state that somehow you really begin to believe that good actually has fists.

A genuinely suspenseful thriller featuring accomplished actresses in uncharacteristic roles, Hanna combines the considerable talents of Saoirse Roana, notable for her compelling performance in The Lovely Bones, and Academy Award winner Cate Blanchett. No longer a long-suffering ingénue, Ms. Roana plays Hanna herself, "the perfect killing machine," and Ms. Blanchett plays a ruthless intelligence agent with clear family ties to Cruella DeVille, Ma Barker, Catherine Tramell, and other stellar sociopaths. "Please suspend disbelief for Hanna's fundamental premise: Hanna's father, formerly CIA and now resident of Finland's rugged frontier, has trained his daughter to become the consummate assassin. Whether or not you find it plausible, you must admit it's not a bad idea: Who ever would suspect the innocent abroad would be hell-bent on killing? Well, okay, who but Blanchett's character? As Hanna evades capture and approaches her ultimate target, she discovers a character attribute which feels and acts surprisingly like a conscience. Remember the time-honoured themes in modern literature—good versus evil, and character versus his or her own human nature? Hanna updates and intensifies those themes in a well-paced, white-knuckle post-modern, girl-power package.

Contraband's lead character Chris Farraday and the actor who portrays him have a lot in common. Mark Wahlberg was also a troubled man who wound up in jail for crimes he committed before turning himself around and travelling the straight and narrow. The movie Contraband tells a tale of drugs and how they can ruin lives. When Farraday's brother Andy botches the drug deal he's involved with for his boss Tim Briggs (played by Giovanni Ribisi (Saving Private Ryan, Public Enemies) he becomes a marked man. Andy Farraday (played by Caleb Landry Jones of Superbad, The Social Network), now deeply in debt to his boss, seeks help from his brother to save his skin! Mark Wahlberg (Boogie Nights, We Own The Night) must get back into shape so he can outwit the drug lords, hit men, and cops to save his brother and his wife Kate and kids. Kate Farraday is played by Kate Beckinsale (The Aviator, Click) only wants her husband back alive! Baltasar Kormakur (A Little Trip to Heaven) directed this action packed film.

James "Jim" (Patrick) Caviezel, Jr. adequately coped with the important mission, proving that may look quite organically in the struggles and, most importantly, clearly demonstrate the seasoned, indomitable will, indeed befitting the leader of the inhabitants of northern lands. In practice the Outlander turn to be Alien or Foreigner, arranging a highly desirable and even necessary earthquake for the creators of action packed movies who amicably believed in their inability to create something original, to surpass the existing standards of entertainment. Just as Old Norse language sounded firstly, adventure of the film was enriched by the fresh, young and hot blooded action. Howard McCain does not destroy the traditions he even fills it with vivifying force.