Hughes brothers exploit a very specific niche of "commercial cinema for nerds" filmed The Book of Eli, a western about the Second Coming. You haven't even know that Eli is the God in Aramaic, and generally have at least a minimal understanding of sacred texts. Simplicity and clarity of massage of the movie makes us expecting some more complex content. Especially because the atmosphere and style of the film is beyond any praises. They succeeded to create really juicy and truthful post-apocalyptic world, which filled with the atmosphere of despair, echoing, resonating basses and shot with the cold spectrum filters. A character of Washington is so cool in his calm relaxed state that somehow you really begin to believe that good actually has fists.

Irish author Jonathan Swift first published Gulliver's Travels in 1726, and it became an immediate sensation. Since then, Gulliver's Travels never has gone out-of-print, and its twenty-first century sales remain nearly as robust as they were in the sixteenth. Universally acknowledged as a classic of British literature, Swift's wonderwork scathingly satirizes human nature and parodies "travellers' tales." Not surprising, then, Hollywood has attempted to bring Gulliver's story to life on film in every decade since the medium was invented. Typically, the special effects have failed to keep pace with Swift's imagination. In the story's latest reprise, a slightly modernized version, the special effects are up to the challenge, but the question emerges, "Is Jack Black up to it?" Black has disappointed fans with his last couple of ventures, but critics say he looks "at ease" as he goes for "big" laughs in the land of the Lilliputians. The producers and director have built-in a few features to give Black a healthy bounce: Updating the story, they show Gulliver as a contemporary mailroom guy who finally catches a break, winning a travel-writing assignment in the Bermuda Triangle. 3D has gotta help the contrast between big Gulliver and little Lilliputians, and an all-star supporting cast is expected to bring out the best of Black's comic gifts.

The fact that appeals to the classic Disney animated film "Fantasia", The Sorcerer's Apprentice" movie was a success, making it hardly unexpected blockbuster the 2010 summer. The decisive factor is probably worth to consider the appointment of a director's chair, Jon Turteltaub. This school friend of Nicolas Cage commemorates in connection with "National Treasure", and in the new movie he has done almost all the same, minus the injections a few stupid conspiracy patriotism doses. In "The Sorcerer's Apprentice" he not only made the reliability of the tale, but also led to believe in the magical origins of Nicolas Cage, in recent years the losses, on the contrary, the tragic mediocrity. And finally, we believe, neon signs have never seemed so magical thing, like after watching this, probably the best children's film of the 2010 year.

The Fugitive is a movie that was released in 1993 and is based on the television series of the same name. The movie follows Dr. Richard Kimble, a prominent surgeon who is wrongfully convicted of his wife's murder and sentenced to death. After a bus accident allows him to escape, he becomes a fugitive and must clear his name while being pursued by a U.S. Marshal named Samuel Gerard.

Revival of predation franchise, announced by Robert Rodriguez, featuring in The Losers as a writer and producer, became not so spectacular as it was waiting for. For the movie directed by Nimrod Antal we are expecting something more than running through the woods in the style of "Rambo: First Blood" and in a spirit of divination "who will die next." The maximum that allowed himself to Rodriguez is sadly growing number of corpses, a little red and green blood and uncertain statement that predators are the people themselves, supported by a quote from Hemingway. Statement by the way, in this case, is little bit controversial, since a good half of the time most of the earthlings saves and covers each other: like in the best tradition of some honest and not always exciting team play.

The Batman is a 2022 American superhero film based on the DC Comics character Batman. The film is a reboot of the Batman film franchise, directed by Matt Reeves, who wrote the screenplay with Peter Craig. Robert Pattinson stars as Bruce Wayne / Batman. The film also stars Zoë Kravitz, Paul Dano, Jeffrey Wright, John Turturro, Peter Sarsgaard, Andy Serkis, and Colin Farrell. The film follows Batman, who has been fighting crime in Gotham City for two years, uncovering corruption while pursuing the Riddler, a serial killer who targets Gotham's elite. The film development began after Ben Affleck was cast as Batman in the DC Extended Universe in 2013. But Affleck dropped out and Reeves took over. Filming began in the United Kingdom in January 2020, but was halted by the COVID-19 pandemic and it resumed later in the year and concluded in Chicago in March 2021. The film was a commercial success, grossing over $770 million against a $185–200 million budget, received positive reviews from critics and it's intended to launch a Batman shared universe, with two sequels planned and two spin-off television series in development for HBO Max. In August 2013, Ben Affleck was cast as Bruce Wayne / Batman for multiple films in the DC Extended Universe. He made his debut in Batman v Superman: Dawn of Justice (2016), Suicide Squad (2016) and Justice League (2017). In October 2014, Warner Bros announced plans for a standalone Batman film starring Affleck, he was in negotiations to direct and co-write the screenplay with Geoff Johns by July 2015. But Affleck had reservations about directing the film and announced in January 2017 that he was stepping down as the director but still planned to star and produce. The film was put on hold due to the re-evaluation of Warner Bros approach to superhero films after the release of Batman v Superman. The film highlights that Batman's wealth does not alleviate his suffering and explores the idea that he should be more philanthropic. It also explores grief, trauma and the "horror" of living with post-traumatic stress disorder through Batman's character. The film also shows a different relationship between Batman and the police, with them viewing him as a criminal and a level of oversight they're not used to dealing with. This aspect of the film is considered "timely" given the contemporary American sociopolitical context including increased awareness of police brutality.