It has been scary enough to hear of UFO sightings around the globe. Places like China, Germany, France, and even Buenos Aires have all reported evidence that some form of unidentified objects have been seen flying about. In Battle: Los Angeles we find some of these sightings have been documented by trustworthy and qualified people while others are merely random visions offered by "questionable" sources. However now they are beginning to be reported in the U.S. and particularly in the Los Angeles area. This becomes terrifying when the Earth is attacked by forces that are unknown and often unseen. In 2011 the fictional fantasy plays against reality and when LA becomes mankind's last chance to take a stand against alien forces we see a Marine sergeant (played by Aaron Eckhart) leading a platoon and taking on an enemy more powerful and threatening than they have ever been forced to encounter. As large cities fall to the enemy around the world how can a small band of U.S. Marines prevail? Battle: Los Angeles the movie gives UFO sightings an entirely new slant.

Riddick (2013), which previously was titled as The Chronicles of Riddick: Dead Man Stalking is the third movie of the Riddick franchise. The first one was low budget Pitch Black, which was filmed in 2000. This film gave a start both for The Chronicles of Riddick franchise and Vin Diesel career. The movie was a "sleeper hit" grossing over US$53 million in theaters with budget less than US$23 million. The second film in the franchise, The Chronicles of Riddick was less successful in profits: it generated over US$115 million with budget around US$100 million, but met mostly positive audience feedback, although critics met it with tepid reviews. Nevertheless, the third movie is aimed to repeat the success of the first film: it has relatively low budget grossing around US$38 million. The story of the Riddick (2013) revolves around the antihero, Richard B. Riddick. He is left on the scorched planet inhabited by alien predators. When he manages to activate an alarm beacon, it attracts the attention of two spaceships. The first one carries the hordes of thugs hired to kill Riddick, while the second one is captained by the man well known to him. Uncommon intelligence and inhuman strength help Riddick to use these guests to get away from the planet, commit an act of retaliation and rescue the people of his homeworld planet Furya from mass destruction.

The Chronicles of Narnia: The Voyage of the Dawn Treader movie was released in 2010, the year of "Ironman 2," "Harry Potter 7", and "Tron: Legacy". So, the producers and director of "Chronicles of Narnia: Voyage of the Dawn Treader" clearly felt the pressure to deliver a visual masterpiece. Capitalizing on the special alchemy of 3D, they succeeded. "A painting engulfs Lucy and Edmund Pevensie and their cousin Eustace, taking them back to Narnia and stowing them away on sailing ship The Dawn Treader. The brave and somewhat precocious warriors battle a fierce collection of monsters and villains, resisting their own powerful temptations, as they join forces with Reepicheep, a warrior mouse, to save Narnia. The computer animators do so well with the Lion, the Mouse, and the fairy princess, viewers willingly suspend disbelief. Of course, a mouse can out-maneuver a chimera."The producers and director paid proper respect to C.S. Lewis, early twentieth century author and scholar, who penned the novel The Voyage of the Dawn Treader as one among his Chronicles of Narnia. Lewis, a leading authority on medieval quest romance, crafted his story according to the traditions and conventions of the hero's quest, and the movie wisely recreates his craftsmanship. The film-makers achieve an unlikely hybrid of medieval story and twenty-first century imagery. They left open the question, however: Would audiences overdosed on 3D graphics and epic adventures fill the seats for another one?

One of the major delights of the 2012 movie is an epic picture of the destruction of the solid earth, when thousands of people scattered in panic from the falling down of skyscrapers, where the oceans come from the coast, and lava avalanches sweep out the cities and countries. In 2012, the apocalypse comes at its best; Emmerich tried hard to give a picture of the destruction of the giant swing, and the fact he succeeded. The visual side of the movie is flawless. But the dramatic side sometimes fails in the illogic, strained and unnecessary confusion. Too complicated scenario building only distract from the excellent graphic component that unfolds in the 2012.

Burton's "Alice in Wonderland" preserved all the characters, elements of the plot and central themes of the books by Lewis Carroll, but a showcased the completely new story. Burton's "Alice in Wonderland" successfully did what Tim always loved to do: he created a wonderful world, a magical country on the verge of dream and reality. This is what the movie is valuable for. All those heroes, whom we know from Carroll's book, found in Burton's film an incredible realization. And of course, there is delicious Johnny Depp. Despite the fact that he played something alike in "Charlie and the Chocolate Factory", this work cannot nothing but outstanding.

Written and filmed from the Russians perspective, The Darkest Hour is about aliens invading Russia instead of the U.S. as we usually see. And when aliens attack nowadays they hit the electronics first thing because they seem to realize that is our weakest link and the most vital element of life here on earth. liens conquer earth swiftly and totally by frying the electronic grid, then hunting down the pathetic and disorganized survivors who scurry like rats from the destruction and mayhem. Russians and five young American tourists band together in hopes of finding a way to overpower the alien forces and survive. cooperative effort, The Darkest Hour's director Chris Gorak (Right at your Door) and combined cast including Joel Kinnaman (TV series The Killing, Easy Money), Emile Hirsch (Taking Woodstock, Speed Racer), and Rachael Taylor (TV series Grey's Anatomy, Summer Coda). Producer Timur Bekmambetov was determined to make this sci-fi horror film centered in Russia rather than an international incident or one that was, as usual, occurring in the U.S. only. It works well with the 3D aspect.