Lord of the Flies is the first-ever television adaptation of William Golding's landmark 1954 novel, written by Jack Thorne and directed by Marc Munden. A co-production that aired first on the BBC before reaching Netflix, it brings fresh scale and psychological depth to a story that has haunted readers for generations.
After a plane crash strands a group of British schoolboys on a remote Pacific island in the early 1950s, the boys attempt to govern themselves. Ralph (Winston Sawyers) tries to hold the group together with the counsel of the clever, bullied Piggy (David McKenna), but the charismatic, power-hungry Jack (Lox Pratt) foments a rebellion that fractures their fragile society into fear, tribalism, and violence. The production cast a large ensemble of young newcomers, many making their professional debuts.
Released in 2026, the four-part series earned wide critical acclaim for its stunning direction and its unflinching portrait of how quickly civilization can unravel. Filmed on Malaysia's Langkawi archipelago, it stands as a definitive screen version of Golding's parable. It is streaming on Netflix.
Either the CIA is just not that cool and relevant anymore, or Seth Macfarlane and associates are still mining the mother lode of 1970s humour as they develop episodes of "American Dad!" for Sunday nights on Fox. Television historians claim animated series have replaced sit-coms as television's principal source of informed social commentary; and "The Simpsons" have replaced "All in the Family" as the nation's premier satire, the weekly litmus test of American values and expectations. "American Dad!" shows little sign of aspiring to that lofty standing. Most episodes set the standard simply at "amusing." CIA agent and uber-patriot Stan Smith, the "American Dad!" anchors a predictably diverse, dysfunctional just-beyond-the-beltway family. Francine, his wife, appears to atone for her wild youth by remaining vacant, mostly boring in contemporary life. Hayley, Stan's college-aged radical daughter, naturally acts-out all the standard forms of late adolescent rebellion and family insurgency. And Steve, not surprisingly, enters puberty eager to live-up to Dad's expectations but congenitally incapable of coming even close. Holding its own in Fox's Sunday night animated line-up, "American Dad!" has improved in its several seasons on the air. Translation: "American Dad!" has evolved from "mediocre" to "not bad" as it has outgrown its abject dependence on cliches and stereotypes, freshened its subject matter and treatment, and drawn sharper edges on its characters. Still, the premises for "American Dad!" showed promise in 1973; in the new millennium, they seem a little tired.
"The Chicago Code" has nothing to do with deep-dish pizzas or the cruelly cursed Cubbies. "The Chicago Code" openly, unabashedly, plain and simple, is all about good versus evil. The good guys following "The Chicago Code" are very very good, and the bad guys breaking the code are very very bad. The windy city itself, definitely a critical element in the drama's development, lives somewhere in-between. Chicago may be "the second city," but it stands out as America's number one oxymoron. "Hog-butcher to the world," Chicago also brought us Hemingway and Frank Lloyd Wright. Home to Picasso's breathtaking artistic monument, Chicago also has been home to some monumental con artists: Rod Blagojevich comes immediately to mind. "Blaggo" is to Chicago scams as the Picasso is to the city's art and architecture. More to the point of "The Chicago Code," in just over thirty years, thirty-one second city aldermen have been convicted of violent crimes or corruption. In Chicago, graft greases the wheels and gets your streets ploughed. Although corruption may be common as camel-hair coats on the Magnificent Mile, Chicago cops still want to collar the bad guys. "The Chicago Code" attempts to dramatize how and why they do it, and it packs a pretty good punch for a network production. Critics and home-grown Chicago viewers strongly suspect "The Chicago Code" would achieve its completely gritty potential on cable, but it's hard to complain about Jennifer Beals, still fit and fabulous all these years after Flashdance, going balls-to-the-wall against the bad guys in Monday night primetime.
With a controversial plot and an exceptionally talented cast of young actors, "SKINS" is a top quality television program to watch and be entertained by. Residing in Bristol in South West England we observe a group of teenagers as they explore modern issues including mental illness, dysfunctional family life, death, drugs, sexual identity crisis, and eating disorders. The amateur actors along with some youthful writers pull together a thoroughly enjoyable program that is often hard hitting and relevant to everyday life. Season one finds Nicholas Hoult (Tony Stonem) to be a popular, intelligent boy. An attractive young man, he finds it easy to manipulate those around him into doing what he wishes and this makes him entertaining just to see what he can get away with next. He has a best friend Mike Bailey (Sid Jenkins), who is entirely opposite him personality wise. Tony also has a girl friend that gets upset with him and his self centered ways but can't seem to stay angry with him. Another young girl has an eating disorder she hides and parents with a new baby that seems to take over her parent's attention completely. Thoroughly entertaining story and music make SKINS a winner.
Once upon a time MTV was all about music videos but ever since they began producing their own television series like The Hills they have evolved into a powerhouse in TV entertainment. The Hills is about the lives and ongoing happenings for several young women who reside in Los Angeles, California. Lauren, a young woman striving for her own independence, moves to LA with best friend Heidi and meet up with Audrina. Lauren interns with Teen Vogue, a teen magazine and becomes interested in the fashion industry. When her ex-boyfriend follows Lauren to LA they decide to get back together, which complicates her life. This show has the "reality TV" formula that is popular and gained The Hills some high accolades from the entertainment industry and spawned quite a few copy cat programs. While the young women have their romantic partners each is trying to make it and become successful, especially in the magazine and fashion industries that drew them to LA in the first place. As this is a show based on reality it's sometimes difficult to determine where reality leaves off and drama simply takes over. Still The Hills is fun to watch each week.
Stephen Spielberg and Tom Hanks already had saved Private Ryan and had shown the relatively tame exploits of a brotherly band in the Pacific Theater when they bravely took-on the challenge of recreating the bitter, brutal battles that made Pacific Islands household names in the darkest hours of World War II. Most Americans can trace the broad outlines of the Allies' liberation of Europe, but few can recall the highlights of American Marines' fierce struggles over "tiny specks of earth that we have never heard of." HBO's ten-part mini-series, "The Pacific," retrieves the war against Japan from the threshold of obscurity. Based on survivors' accounts of the battles, and rendered as vividly as the small screen will allow, "The Pacific" tracks three Marines' odysseys from Guadalcanal through Cape Gloucester to Peleliu and ultimately to the epic battle for Iwo Jima. Testifying to "The Pacific's" intense realism, the mini-series collected Emmy Awards for Art Direction, visual and sound effects. More amply testifying to "The Pacific's" overwhelming genius and power, however, the Television Academy awarded it the 2010 Emmy for Outstanding Mini-Series.
"Bored to Death" seems so completely and consummately the work of Larry David it ought to come with some kind of designer label. Its characters show the same seen-it-all New York brusqueness that distinguished the most memorable characters on "Seinfeld," and the characters sleep-walk through their lives with the same un-self-consciousness as their cousins on "Curb Your Enthusiasm." Not surprisingly, therefore, David scored a prestigious nomination for a 2010 Writers' Guild Award. Based on a delectably quirky premise, "Bored to Death" stars Jason Schwartzman as Jonathan, a writer in search of meaning, adventure, and consolation has he struggles through a pretty routine midlife crisis. When his long-time girlfriend dumps him, walking roughshod all over his delicate ego, Jonathan becomes a Craig's List private detective. The New York Times explains, "One of the charms of "Bored to Death" is that the hero, a pothead and screw-up, secretly moonlights as a man of action" at least as much action as missing skateboards and cheating boyfriends can trigger. Ted Danson co-stars as George, a profligate publisher and socialite, who encourages Jonathan's new endeavor. Not surprisingly, Danson shows a marked tendency to steal all the scenes in which he appears. Mid-life man's marginalization probably is the well-spring of Larry David's most exquisite ironies.
Fiercely reminiscent of Lord of the Rings and at least as complicated, HBO's "Game of Thrones'" chronicles the genuinely epic story of seven noble families' struggles over control of Westeros, their mythical homeland. Observing all the properly epic conventions, and developing truly epic heroes and villains, "The Game of Thrones" was adapted for television from George Martin's fantasy novel, Song of Ice and Fire. The ten-episode series weaves together seventeen major characters' political and sexual schemes, mixing-in plenty of knightly sword-play and lots of nightly trysts. Mark Addy, Peter Dinklage, Iain Glen, Jennifer Ehle, Lena Headey, and Sean Bean lead a powerful cast. Shot entirely on location in Ireland, "Game of the Thrones" is as beautiful as it is complex and treacherous, and the landscape lends itself to The Game's mystic and horrible undertones. While the Lannister and Stark families challenge the Baratheon family's rule, "an ancient evil awakes," and only a band of renegade knights errant stands between Westeros and "the horrors beyond the realms of men." Somehow, in "Game of Thrones'" far away medieval realm, civil war and imminent apocalypse look a lot more noble, sexy, and glamorous than they appear in the post-modern world.
Most of the lucky ones who live in the Beverly Hills 90210 zip code are part of the privileged elite and decidedly upper class in California. The younger generation has their social circles the same as their parents and the friendships and romances are entertaining to watch as they evolve. Just like every town and neighborhood around the world, there are social and topical issues to be dealt with. Dating, alcoholism, rape, gay rights, drug abuse, teenage pregnancy, bulimia, AIDS, and abortion are among the hot topics that affect the younger set of 90210 and they are dealt with on this television series quite effectively. Award winning writing and acting made this a series to be loyally followed each week. The series made stars of many young talented actors including Shannen Doherty, Luke Perry, Jennie Garth, and Jason Priestley. Join the cast as they move from one romance to another and confront the daily issues all youngsters do. The Walsh family moved from Minnesota to the 90210 zip code which comprises Beverly Hills 90210 in California and as they each mingle and make new friends will keep entertaining us as they grow into adults and learn to cope with reality.
Creator and writer of The Wire TV show, David Simon (Homicide: Life on the Streets) knows about crime dramas after spending twelve years as a reporter at the Baltimore Sun's City Desk. His writing is honest and penetrating as he searches out the dark and seamy side of life that is part of any old and large city lifestyle. The Wire ran for sixty episodes and spanned five seasons with top acting, writing, producing, and high ratings all the while. Episodes covered a wide variety of occurrences and facets of Baltimore including the city's illegal drug trade, corruption in city government, the system within a seaport town, news in print media, and school system issues. The Wire is a crime drama all about a typical large American city and how we each cope with events that make up our lives. Demonstrating how life can be complicated no matter if you are a cop, a lawyer, a judge, a politician, or a low life drug dealer, and how the many institutions involved in our livelihood affect each and every one of us. Cops get the bad guys and the lawyers and judges just turn around and set them free.
"Spartacus: Gods of the Arena" - different gladiator, same sex and violence. Starz' deliciously decadent"”salacious, violent, often flat-out brutal"”"Spartacus: Blood and Sand" recently went on extended hiatus, leaving its legions of loyal fans "jonesing" for their weekly doses of decapitation and bare breasts. The Spartacus team satisfied fans' craving with "Spartacus: Gods of the Arena," a six-episode prequel to the continuing saga of Batiatus and Associates. Starting with a flashback montage of "Blood and Sand's" greatest hits, more precisely Batiatus's life flashing before his eyes in the moment before his death, "Spartacus: Gods of the Arena" shows Batiatus's rise to prominence and power with the assistance and support of his all-pro gladiator Gannicus. Because these stories represent "a more ruthless time"¦where honor was just finding its way into the arena," the writers and producers feel free to elaborate and experiment with their already-established characters, and they feel similar artistic license with super-slow-motion gore and fun-fantasy sex. They clearly are perfecting their craft. One particularly insightful viewer concluded his review of "Spartacus: Gods of the Arena" with a sage observation: "I think that's one of the smart decisions putting it on a Friday night since it's an ideal end of the work week thing to watch."