Does "Californication" have an audience outside Los Angeles? "X-Files" hero and heart-throb David Duchovny plays a novelist who's addicted to both sex and drugs but takes a shot at raising his teenage daughter on his own. For the real Hollywood housewives, this Showtime staple may seem at least as ripped-from-everyday-life as their own weekly melodrama, but how does it play Omaha and Schenectady? If blocked writers really were seductive, a million part-time bloggers would feel empowered to rewrite Lady Chatterley's Lover. Two salient features keep premier cable viewers tuning in for their weekly dose of SoCal self-pity: First, son of a playwright and alumnus of Princeton, Duchovny has enough empathy for his ostensibly tortured character that he can invest "Californication's" uninspired screenwriting with a little angst, a lot of sex appeal, and a soupcon of roguish charm. Second, whatever "Californication" lacks in substance and depth, it more than makes-up in graphic sex. Wasn't there supposed to be some sort of relevant family drama woven-in there somewhere?

At the time "Rules of Engagement" premiered on CBS, the network's average viewer was fifty-three years old and more devoted to "60 Minutes" than sexy badinage. Although committed to The Eye's Monday night youth movement, a few programming executives worried that David Spade's first-episode proclamation, "I do what I want. I date who I want. And I sleep with whoever will let me," would tank the new sit-com before it found its legs and voice. Instead, "Rules of Engagement" became a Monday night mainstay, a natural complement to "Two-and-a-Half Men" and "How I Met Your Mother." According to one pundit, "Rules of Engagement" shows "the three stages of sit-com love," comparing and contrasting a scoundrelly, scamming bachelor with both a love-struck, starry-eyed newly engaged couple and a jaded, open-eyed, realistic couple married to one another approximately forever. Although plots generally center on the fiancees, Jeff and Audrey, veterans of marriage, often save the show from life-threatening boredom. Patrick Warburton, poker-faced and intoning his lines in a deliciously monotone bass, makes the perfect foil to Russell, the bachelor's manic sex machine and Adam's ingenuousness.

When it comes to work Travis and Wes are the best cops you've ever seen in the real life. But their relationship with each other looks like a nightmare. No, they don't hate each other and if it would be necessary they likely took a bullet for one another. The problem is, they just can't get along. That's why Captain Sutton their boss sends them to couple therapy to Dr. Ryan with whom he had positive experience in some similar case. At the same time Wes and Travis are attempting to solve the murder mystery that somehow connected with all the stuff revolving around their group therapy making the series's plot more twisted and complicated. The chemistry between two actors adds more spiciness to overall TV show's performance. Travis Marks is portrayed by Michael Ealy who played in Think Like a Man as Dominic and Detective Sebastian in vampire-themed movie Underworld: Awakening. You've probably noticed him in Californication series as Ben. Another cop, Wes Mitchell, is Warren Kole, a quite demanded actor in Hollywood television series industry. His portfolio includes: The Chicago Code, Rizzoli & Isles, Mental (as Rylan Moore) and 24 (Brian Gedge). He also has been seen as Carrier BridgeTechs in action-packed movie The Avengers. Another noticeable person in Common Law is Captain Mike Sutton played by Jack McGee who was acting in Ruben Fleischer's Gangster Squad which was filmed at the same time. Before Common Law, Jack McGee also remarkably played in numerous TV shows and movies like Rescue Me, Brotherhood, Criminal Minds, Players, New Year's Eve, etc. Dr. Elise Ryan (who is trying to help Travis and Wes find a peace with each other) is portrayed by Sonya Walger, cute Hollywood TV series superstar with a long listed filmography: FlashForward, In Treatment, Lost and Terminator: The Sarah Connor Chronicles.

With a controversial plot and an exceptionally talented cast of young actors, "SKINS" is a top quality television program to watch and be entertained by. Residing in Bristol in South West England we observe a group of teenagers as they explore modern issues including mental illness, dysfunctional family life, death, drugs, sexual identity crisis, and eating disorders. The amateur actors along with some youthful writers pull together a thoroughly enjoyable program that is often hard hitting and relevant to everyday life. Season one finds Nicholas Hoult (Tony Stonem) to be a popular, intelligent boy. An attractive young man, he finds it easy to manipulate those around him into doing what he wishes and this makes him entertaining just to see what he can get away with next. He has a best friend Mike Bailey (Sid Jenkins), who is entirely opposite him personality wise. Tony also has a girl friend that gets upset with him and his self centered ways but can't seem to stay angry with him. Another young girl has an eating disorder she hides and parents with a new baby that seems to take over her parent's attention completely. Thoroughly entertaining story and music make SKINS a winner.

The Bernie Mac Show was an American television sitcom that aired from 2001 to 2006. It followed the story of Bernie Mac, a comedian, and actor, who takes in his sister's three children after she enters rehab. The show was based on Bernie Mac's stand-up comedy and personal experiences with his own family.

If your family drama cannot be "Modern Family" or "Brothers and Sisters," then what can it be? It almost inevitably will be NBC's "Parenthood," a mid-season, post-Olympic experiment boldly launched in February, 2010. The "Parenthood" experiment tests the hypothesis that good writers and actors can find the middle ground between "Modern Family's" understated but outrageous satire and "Brothers and Sisters'" intensity. Producers Ron Howard and Brian Grazer are re-working the basic premise of Parenthood, the 1989 movie starring Steve Martin as a frazzled father trying with all his might to do the right thing for everyone he loves. The New York Times accurately observes, "'Parenthood,' with its polished scripts and beautifully shot exteriors, seems like a last gasp of television past," big-big production values and a cast of small-screen all-stars including Craig T. Nelson, Bonnie Bedelia, and Lauren Graham. "Parenthood's" plots and dialogue exploit the irony in everyday family life, winning empathetic laughs and wry smiles where other teams might push too hard for punchlines. Some of the dialogue has the same brilliant serrated edge that distinguished "Gilmore Girls," but, as Lauren Graham points out, "I do not have to talk so fast." Like all good comedy, the teasing and quirkiness are fundamentally good-natured, and every episode features at least one weep-worthy segment. Because "Parenthood" is not "Modern Family" or "Brothers and Sisters," it has become the rarest of rare productions at NBC"”a hit.