The Night Agent Season 3

If the medical profession has the television drama series, Grey's Anatomy, the police force now has Rookie Blue. Formerly named Copper, Rookie Blue TV Show is a police drama that's set in Toronto, Canada. It gives a raw insight on the action-packed exploits of the five fresh graduates from the Police Academy. The five rookie cops are ambitious and out to get the bad guys in the big, bad city. But it does not take them long to realize that real-life policing is not just about chasing the suspects. Rookie Blue TV Show portrays police reports as they are"”these involve a lot of politics and more make-or-break stakes at the cost of others' lives.

The Division is a secret organization and is the center for a new television series called Nikita. With story ideas taken from a French film titled Nikita and a TV series that ran back in 1997, La Femme Nikita, this time around we find thaqt assassins, spies, and troublemakers abound and it's the job of those who train as recruits at the Division who will fight to win. But it appears that the organization has gone rogue and many of the young recruits have troubled pasts. Nikita escapes and vows to get to the root of problems within the Division. Characters who were on the 1997 version, La Femme Nikita, are back in this version including Nikita who is played by Maggie Q otherwise known as Margaret Quigley (Balls of Fury, Deception), Michael played by Shane West (ER, Echelon Conspiracy), and Alex Udinov (Lyndsy Fonseca from How I Met Your Mother, Desperate Housewives) all young fresh faces with great futures ahead. Nikita is the central protagonist and herself an assassin and former spy familiar with dealing with corruption. She needs a top notch crew to back her up and finds a family atmosphere in the Division.

Bear Grylls is host and also the one who gets unceremoniously dropped off into various situations each week and has to survive by using his wits and bare hands for the most part. He will actually do a "fly over" and check out the terrain he will be faces with and a crew spends about a week checking over the situation to determine what he has to expect. As with any "reality" program there is at least one each camera person and sound engineer or we (the viewing audience) would see and hear nothing. The situations may include attacks by alligators or falling into quick sand. He may parachute from a helicopter, run through forest fires, drink fecal liquids, even eat deer drippings, whatever it takes to simply survive! Bear may even need to construct a raft to ford rivers and must know the basics of survival without a restaurant nearby. Special guest stars pop in occasionally, including Will Ferrell (Blades of Glory, Land of the Lost) and Jake Gyllendhaal (Brothers, Love and Other Drugs).

Stephen Spielberg and Tom Hanks already had saved Private Ryan and had shown the relatively tame exploits of a brotherly band in the Pacific Theater when they bravely took-on the challenge of recreating the bitter, brutal battles that made Pacific Islands household names in the darkest hours of World War II. Most Americans can trace the broad outlines of the Allies' liberation of Europe, but few can recall the highlights of American Marines' fierce struggles over "tiny specks of earth that we have never heard of." HBO's ten-part mini-series, "The Pacific," retrieves the war against Japan from the threshold of obscurity. Based on survivors' accounts of the battles, and rendered as vividly as the small screen will allow, "The Pacific" tracks three Marines' odysseys from Guadalcanal through Cape Gloucester to Peleliu and ultimately to the epic battle for Iwo Jima. Testifying to "The Pacific's" intense realism, the mini-series collected Emmy Awards for Art Direction, visual and sound effects. More amply testifying to "The Pacific's" overwhelming genius and power, however, the Television Academy awarded it the 2010 Emmy for Outstanding Mini-Series.

Any officer involved shooting results in plenty of paperwork and some serious investigation before they may decide it was a Justified event. US Marshal Raylan Givens character is based on an intriguing and somewhat old fashioned lawman appearing in some Elmore Leonard stories. The writing is especially good as is the acting and each character in this show is someone to explored further. Timothy Olyphant (Deadwood) is a soft spoken southerner who happens to carry a Marshal's badge and has his own special style of law enforcement. Harlan Kentucky is the setting (although mostly filmed in California) and redneck style justice prevails in this back woods community. Raylan Givens must contend with relatives, ex-wife (Winona played by Natalie Zea from HBO series Hung), and crooked politicians in order to keep the streets of Harlan clean and safe. Even his own father is part of the criminal element found in this small Kentucky town. Seems like Raylan can trust no one but himself. A love interest and some multi-dimensional "bad guy" characters make this program always entertaining and intriguing.

"Trauma" survived almost a whole season in NBC's primetime line-up, but it ultimately became a victim of the Jay Leno scheduling brouhaha and its own penchant for taking itself much too seriously. The promotional materials for "Trauma" declared, "Executive producer Peter Berg delivers"¦the first high-octane medical drama series to live exclusively in the field where the real action is." The promo went on to describe "Trauma" as "an adrenaline shot to the heart," but viewers tended to characterize it as a sedative shot to higher consciousness, complaining that characters were stereotypic and plots were contrived. For all of its melodrama, "Trauma" did set valuable precedents for other, better-written medical dramas: The plots promoted paramedics and nurses over physicians as the true wonderworkers of emergency medicine, and the paramedic team included an openly gay character whom the writers treated with considerable insight and sensitivity. Held against TLC's "Life in the ER," "Trauma" betrayed its promise of realism, but it occasionally showed the promise of medical dramas focused on real caregivers instead of over-educated biochemists.