Typical of the hugely popular TV series Survivor, we see men pitted against the women to see who can perform tasks better. But with Survivor: One World there is a new twist according to Jeff Probst, the shows host. While the competition will be men against women they will be allowed to cohabitate for the very first time. In other words, they can play together until the games begin, then it's every man "“ and women for themselves! Should prove to be interesting. The contestants can build a single camp, two camps, or not even have a designated camp, it's up to them to decide. And there will be even more reward challenges than before plus no Redemption Island. Some "Do it yourself challenges" as well as no judges and no Probst to interfere, they just need to figure things out for themselves. A new host steps up and proves to be equally as annoying as Jeff Probst ever was! Part of the challenges involves what to do with some of the props. Fun time in the jungle once again!

Superman & Lois is a TV show that premiered on The CW in February 2021. The show is based on the characters from DC Comics and focuses on the life of Clark Kent, also known as Superman, and his wife, Lois Lane, as they navigate their roles as parents and journalists in Smallville. The show's premise is centered on the challenges that the couple faces while raising their two teenage sons, who are discovering their own unique abilities.

As the story begins, Chuck is a twenty-something computer geek working at the Burbank, California, "Buy More" store. Chuck receives an e-mail from Bryce Larkin, his former Stanford roommate, who is now a CIA agent, allegedly a rogue. When Chuck opens and reads the e-mail, it embeds "The Intersect" a "neural super-computer" in his brain, making "Nerd Herd" guy the repository of all the CIA's intelligence information. The CIA dispatches Agent Sarah Walker, of course a beautiful blonde, to protect Chuck by posing as his girlfriend. Drama, action, and comedy ensue. The producers describe "Chuck" as an "action-comedy-drama" series. Originally NBC's lead-in to short-lived but monumentally popular "Heroes," "Chuck" has retained the look and feel of the warm-up act for the bigger talent; but the network has failed to deliver the headline act that would save poor "Chuck" from its life constantly on the threshold of cancellation. Critics complain that "Chuck," although clever and loaded with potential, never quite satisfies the requirements of action or comedy or drama, let alone hitting the trifecta. The series has survived largely on the strength of its cute-power and a core of exceptionally loyal fans who know how to use Twitter and Facebook.

Stephen Spielberg and Tom Hanks already had saved Private Ryan and had shown the relatively tame exploits of a brotherly band in the Pacific Theater when they bravely took-on the challenge of recreating the bitter, brutal battles that made Pacific Islands household names in the darkest hours of World War II. Most Americans can trace the broad outlines of the Allies' liberation of Europe, but few can recall the highlights of American Marines' fierce struggles over "tiny specks of earth that we have never heard of." HBO's ten-part mini-series, "The Pacific," retrieves the war against Japan from the threshold of obscurity. Based on survivors' accounts of the battles, and rendered as vividly as the small screen will allow, "The Pacific" tracks three Marines' odysseys from Guadalcanal through Cape Gloucester to Peleliu and ultimately to the epic battle for Iwo Jima. Testifying to "The Pacific's" intense realism, the mini-series collected Emmy Awards for Art Direction, visual and sound effects. More amply testifying to "The Pacific's" overwhelming genius and power, however, the Television Academy awarded it the 2010 Emmy for Outstanding Mini-Series.

"Trauma" survived almost a whole season in NBC's primetime line-up, but it ultimately became a victim of the Jay Leno scheduling brouhaha and its own penchant for taking itself much too seriously. The promotional materials for "Trauma" declared, "Executive producer Peter Berg delivers"¦the first high-octane medical drama series to live exclusively in the field where the real action is." The promo went on to describe "Trauma" as "an adrenaline shot to the heart," but viewers tended to characterize it as a sedative shot to higher consciousness, complaining that characters were stereotypic and plots were contrived. For all of its melodrama, "Trauma" did set valuable precedents for other, better-written medical dramas: The plots promoted paramedics and nurses over physicians as the true wonderworkers of emergency medicine, and the paramedic team included an openly gay character whom the writers treated with considerable insight and sensitivity. Held against TLC's "Life in the ER," "Trauma" betrayed its promise of realism, but it occasionally showed the promise of medical dramas focused on real caregivers instead of over-educated biochemists.

Starring stand up comedian Denis Leary, Rescue Me deals with real life trauma and the life of a fire fighter in the great city of New York. In a fictional fire house we follow along with the daily activities of the FDNY finest and bravest. Often their private lives call for more bravery than the job. Tommy Gavin (Denis Leary) has a dysfunctional family and after losing a close cousin on September 11, 2001 he has problems dealing with the fact that cousin keeps showing up in his dreams or visions. Tommy deals with his alcoholism, unsettling visions, and the stress that goes with being a fire fighter each week. We ride along on the fire trucks as he and his group of firemen go about the business of putting out fires, help injured civilians, and deal with some domestic issues. The recurring guest list is impressive including Gina Gershon, Susan Sarandon, Artie Lange, Maura Tierney, Jennifer Esposito, and Michael J. Fox. As you would expect, the firemen in New York City are kept quite busy and danger is a constant possibility. Denis Leary and Peter Tolan are co-creators of Rescue Me.