"Trauma" survived almost a whole season in NBC's primetime line-up, but it ultimately became a victim of the Jay Leno scheduling brouhaha and its own penchant for taking itself much too seriously. The promotional materials for "Trauma" declared, "Executive producer Peter Berg delivers"¦the first high-octane medical drama series to live exclusively in the field where the real action is." The promo went on to describe "Trauma" as "an adrenaline shot to the heart," but viewers tended to characterize it as a sedative shot to higher consciousness, complaining that characters were stereotypic and plots were contrived. For all of its melodrama, "Trauma" did set valuable precedents for other, better-written medical dramas: The plots promoted paramedics and nurses over physicians as the true wonderworkers of emergency medicine, and the paramedic team included an openly gay character whom the writers treated with considerable insight and sensitivity. Held against TLC's "Life in the ER," "Trauma" betrayed its promise of realism, but it occasionally showed the promise of medical dramas focused on real caregivers instead of over-educated biochemists.
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Undoubtfully, cinematography has been my passion since a very young age. Even now, watching a new movie or series always prompts me to ask a lot of questions to the author. Thus, every little essay about a title is definitely not a spoiler, but rather an attempt to explore the idea.
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