Impractical Jokers: Inside Jokes is a TV show that reveals behind-the-scenes secrets and extra facts about the popular hidden camera prank show, Impractical Jokers. The show is hosted by Joey Fatone, who guides viewers through each episode of Impractical Jokers and provides fun facts and trivia about the pranks, challenges, and the show's production. The show features interviews with the four members of the Impractical Jokers team, as well as behind-the-scenes footage and deleted scenes that fans won't find anywhere else.

"Kourtney and Kim Take New York" chronicles the continuing adventures of the unmarried Kardashian sisters as they work their strange magic on adoring fans in the Big Apple. Like magnets among loose nails, the girls draw a crowd wherever they go, cameras stalking every step. Viewers enjoy more of the intense Kardashian programming they apparently craved and demanded. On any given day, E! empowers you to keep up with some kind of Kardashian in at least three ways during approximately twelve hours of non-stop first-letter-"K" programming. If it weren't for the success of Chelsea Handler, E! News, renegade women fleeing the Playboy mansion, and "Fashion Police," the Kardashians would fill entire programming days. Apropos of "reality" programming, "Kourtney and Kim Take New York" has neither plot nor script, but it has plenty of "situations." Kim, more or less determined to remain single for an entire year, nevertheless has no qualms about exciting hook-ups with assorted styles and flavours of eligible New York bachelors. Kourtney, ostensibly the more level-headed and businesslike of the two, apparently lives vicariously through Kim. Together, they allegedly run a business in-between pictorials, promotions, parties, and "Patron"-powered club appearances. Moralists might worry, as "Kourtney and Kim Take New York," they corrupt an entire generation of impressionable "˜tween girls, but studies show thirteen-year-old boys are the Kardashian sisters' biggest demographic.

"Beyond Scared Straight" is a reality television show that was broadcasted on A&E Network. The show features teenagers who are taken to prisons and jails to meet with inmates and to experience the harsh reality of life behind bars. The aim of the show is to deter young people from committing crimes by showing them the consequences of their actions.

"Big Brother" numbers among those long-running (unreal) reality shows that keep rolling along on their own momentum long after the thrills have gone. Originally adapted from a popular Dutch series, "Big Brother" puts thirteen carefully chosen strangers in a house heavily wired with cameras and microphones, capturing every word, gesture, and nuance. The producers challenge their "guests" to complete a series of physical and mental "stunts," periodically polling their feelings about who among them should go home. The one guest who stays longest goes home with half-a-million American dollars. Although "Big Brother's" novelty has faded, even the most stony-hearted and cynical critics must accord the superannuated series its props: When an online streaming service attempted a similarly contrived "residential situation," capitalizing on the industry's newest, most sophisticated audio and video technology, it faded to black in less than a month. At the other end of the scale, when MTV adapted "Big Brother's" premise for use along the New Jersey coastline, it became a cultural phenomenon, and "Snooki" became a household word. Clearly, it's not the premise but the chemistry that determines the show's fate. Therefore, credit "Big Brother" with good chemistry and agree to roll along with the momentum.

Fear and loathing, friendship and love, jealousy and betrayal are reigning in the world of professional ballet. Those petite girls only seems to be tender and sweet, but deep inside their souls look more like alligators ready to eat each other in order to get a best role. However, even in this harsh world of pure competition is the place for glimpse of love. This is a story of dance-themed reality docu-drama Breaking Pointe, a new CW series featuring seven ballet stars in their everyday life and job. Christiana Bennett, is the probably oldest main character in Breaking Pointe, she is 32 and now she is at the top of her ballet career, but strong competition not allowing her to bask in the rays of glory. She is very aware of young and hungry ballerinas starving for her place. Beckanne Sisk is right that kind of young and hungry ballerina, she is extremely talented, and in her 19 she's made the brilliant dance career, most of twentysomething dancers only have to dream of. Beckanne has a friend Katie Martin, less talented by awesome girl who admires Beckanne, though in some weird way. Another character is Ronald Tilton, with whom Katie is dating. He is a dancer too, and it's hard to say what Katie and Ronald hold in the first place: ballet or relationships. Another dancing couple is Rex Tilton and Allison DeBona. It seems like Rex is totally in love with Allison, but it's clear that Allison prefers her ballet career instead of their relationships. Such a stratagem of relationships dramatically showcased in Breaking Pointe makes these TV show somewhat like The Hills, but more concerned about real problems of really talented, not only pretty, people.

Long before the advent of The Glass House on TV screens CBS has warned ABC not to air this reality show, which was too similar to Big Brother, in their point of view. Notwithstanding this fact, ABC has released The Glass House on primetime and CBS filed the long-promised lawsuit against them. Fortunately, while the monsters of big TV are fighting, we have a chance to compare these TV shows and make our own mind on whether they are similar or not. At the first glance they are: same cameras-wired houses, same teams of contestants performing very stupid and not so much tasks, sometimes squabbling, wrangling bullying and sparring with each other to the audience sweetest delight. However, when you take a closer look on this so-called Big Brother rip-off you will probably notice some differences. First of all, all the contestants going to be eliminated from the show go to Limbo, where they wait for America's decision whether they will stay or abandon the game. The second difference is more significant and literally determinative: almost all the things contestants do in the show is determines by voting of the audience. To underline this, all means all: audience decides what the participants have to eat and wear today, what they have to do and how they should act to win the viewers' gratitude. The third difference is, there are no players deciding whether to eliminate somebody or no, everything depends of audience decision. It's a weird thing but the absence of need to eliminate your "fiends" does not have any positive impact on contestants' virtues. We see the same "douchbaggery" and painful "obnoxiousty" of the people are blooming, and maybe this is the most principal similarity between The Glass House and Big Brother. Evidently the CBS lawyers could use this fact to file their suit.