Regular viewers of ABC's Wednesday night comedy hit "Cougar Town" will feel their lips curl into wry smiles when they read pre-premiere summaries of the show: The producers and writers originally conceived "Cougar Town" as the life and times of a forty-something divorcee intrepidly devoted to seducing younger men in a small Florida town. The early promos stress the small town's obsession with its high school football team, ironically The Cougars. The football theme arrived still-born, and the entire show might have hit the airwaves DOA except that Courteney Cox and "Scrubs"-creator Bill Lawrence had vision and courage to work a few miracle revisions. The whole "Cougar Town" crew rapidly realized, like Jules surveying a bar-full of mini-skirted matrons, "I know I'm one of them. I just don't feel like one of them." They wisely helped Jules morph into her authentic self. The younger boyfriend disappeared from "Cougar Town" after just a few episodes, and stories coalesced around Cox's character Jules, her teen-aged son Travis, and Jules's extended family"”her neighbours on the cul-de-sac, her co-workers in her real estate office, and her profligate ex-husband. While "Cougar Town" struggled to resolve its identity crisis, Lawrence's innuendo-rich dialogue and Cox's increasingly sophisticated delivery sustained the show. By the end of "Cougar Town's" first season, ratings alone offered ample testimony to "Cougar Town's" radical improvement as it held audiences in the half-hour after "Modern Family"; but the Hollywood Foreign Press sealed the deal, nominating Cox for a 2010 Golden Globe as Best Actress in a Comedy.

"The Goldbergs" is a popular American sitcom that premiered in 2013 and has been on the air for nine seasons. It is set in the 1980s and follows the Goldberg family, who live in Jenkintown, Pennsylvania. The show is loosely based on the real-life experiences of the show's creator, Adam F. Goldberg, who grew up in a similar family during the same time period.

Starring Edie Falco, Showtime's "Nurse Jackie" stands out as arguably the best medical drama on television, because the premium cable network allows writers and producers plenty of latitude for developing all of Jackie's passions"”the quality of her patients' care, the unbearable arrogance of vaguely sociopathic physicians, and the delicious relief of good orgasms and Oxycontin. "Nurse Jackie," both the character and the show, have some issues: The character suffers excruciating pain from a bad back and therefore has developed an addiction to painkillers. Yes, you have seen this dangerous dilemma recently on both "House" and "Southland," where the admirable characters continue doing their wonderworks despite their addictions. "Nurse Jackie," the show, suffers a subtle but unmistakable identity crisis, suggesting opportunities for some of the most brilliant black humor known to American medical drama; but, like a pensive and pretentious nineteen-year-old, it insists on taking itself much too seriously. One critic aptly observes, "'Nurse Jackie' doesn't look like the average network medical drama, but it does follow the formula of many premium cable shows, taking a knowing and at times dark, sardonic look at the classic themes of love, life and work." The critic, however, forgets to mention that nowhere does "sardonic" appear as a synonym for either "funny" or "engaging."

Scheduled as a mid-season replacement for "The Defenders" on CBS, "Chaos" is scheduled to premier on April 1, 2011"”just in time for spring sweepstakes. The producers describe "Chaos" with the oxymoron "comedic drama," which can translate to brilliant satire and much wry laughter, or which can degenerate into serious genre-confusion and disaster. A veteran small-screen cast and an eight o'clock time-slot give hope to producers and CBS programming execs. In "Chaos," a group of CIA renegades combat serious threats to national security under the auspices of "Clandestine Administration and Oversight Services," a hint the writers coined the acronym before filling-in the words. The group includes a young, ingenuous-looking super-sleuth, a psychologist turned spy with a gift for tactics and motivation from severe paranoia. "CAOS" also includes a disgruntled former employee of the British Secret Service, and a seasoned CIA veteran with the capacity to morph into a human weapon. The collection sounds like a sure-fire formula for chaos, and the "Chaos" ensemble has potential to wring big laughs from total incompetence, but they remain vulnerable to looking like the farm team for TNT's "Leverage."

The next big thing in ABC family repertoire, a parenting comedy Baby Daddy, from the very first episode looks like Rising Hope and Three men and a Baby, mixed and stirred. If you are 18-34 years old women your chances to find this comedy entertaining are very high. Otherwise, if you are not belong to this target audience, we recommend you to not waste your time. Although the baby-girl (Emma) in Baby Daddy is very cute, this doubtfully compensates the flatness of acting and primitiveness of hijinks, all of them are revolving about unexpected pregnancy and baby's bodily functions. The background of the story is getting us from the very first episode. An aimless dude, Ben with his friend Tucker finds an infant at doorsteps of their small apartment which they share with Tucker's hockey-player brother Danny. The baby comes with the short note form Ben's former one-night-stand girlfriend. Ben decides to take a care of the child, hoping that his friends, Tucker and Danny alongside with his overbearing mother Bonnie (Melissa Peterman) and his school-friend Riley (Chelsea Kane) will help him with parenting functions. The main storyline is shadowed in some funny way by undercover intrigues taking a place between friends: Riley has a crush on Ben since the school-times, and Danny seems to be on the opposite apex of this love triangle.

What is an athletic coach who has lost much of his life's treasures to do? He is divorced and financially strapped, and living in suburban Detroit, Michigan. When his childhood home (in which he still resides) burns down he has little to keep him motivated until a friend helps create a successful business. The business is about making money and the way he determines best to do that is by exploiting his own "sex organ". Having been endowed with a unusually large penis, Ray Drecker puts it to good use by becoming a male prostitute, not exactly the choice of many men but he sees it as a way to make piles of cash, quickly. There are so many ways this can go wrong, especially with children of his own to consider! But the Happiness Consultants is determined to become a legitimate business of sorts and they go about learning the tools of the trade (so to speak). Ray Drecker is played by Thomas Jane (The Mist, The Punisher), partner Tanya Skagle is played by Jane Adams (In Plain Sight, Restless), and Ann Heche (Six Days Seven Nights, Donnie Brasco) is Ray's ex-wife Jessica Haxon. A popular HBO television series.