"The Sex Lives of College Girls" is a television series that follows the lives of four female college students as they navigate relationships, sexual experiences, and other challenges during their time in college. The show explores the various social, cultural, and personal factors that shape their experiences, as well as the ups and downs that come with navigating young adulthood.

If you have missed a chance to be hooked up with Gilmore Gilrs, the new ABC's dramedy Bunheads is exactly what you need. The first episode of Bunheads has left such a feeling that if there were a little bit more of GG-like moments in Bunheads, the CW lawyers would inevitably file the suit against ABC. And that is not surprisingly taking into consideration the fact that the TV show was created by the same Amy Sherman-Palladino who created splendid Gilmore Gilrs. It is felt throughout the sharp dialogs, giddy repartees, deeply portrayed personalities and perfectly constructed dance scenes. The astonishing dancing ingredient of the Bunheads, is of course not only the personal merit of Sherman-Palladino, but Sutton Foster and Kelly Bishop. Both of them have quite serious dancing background. Another Sutton's and Kelly's merit is drollery atmosphere which these two awesome women create around themselves. Kelly plays Fanny Flowers, a small town dance studio owner, while Sutton portrays Michelle Simms, a cute dancer being caught in the lower point of the career, when series of questionable decisions had led her out of Las Vegas dancing scenes to small rural town Paradise, California where she met Fanny. There are more pry personalities in the series like talented and perfectly shaped Sasha (Julia Goldani Telles) and purposeful Bettina, aka Boo (Kaitlyn Jenkins). All the characters feature inexpressible chemistry between each other, and the spirit of the show is sweet, pleasurable and cuddlesome.

When the powers that be at NBC yanked the Tonight Show out from under long time host Jay Leno on May 29, 2009 it was considered to be a huge mistake and that fact soon became evident to everyone involved, particularly his loyal viewing audience. Conan O'Brien is talented and deserves his own show but there is no one quite like Leno except for perhaps Johnny Carson. Carson made the Tonight Show a national institution of late night television. Carson also wanted David Letterman to succeed him as host, even though he had called on Leno to guest host multiple times over the years. But when it came time to pass the gauntlet it went to stand up comedian Jay Leno. The Tonight Show with Jay Leno was reincarnated on March 1, 2010 and as they say, the rest is history. With a home base in Burbank, California the Tonight Show has access to virtually all of the showbiz elite as well as entertainment's movers and shakers so viewers can be assured of seeing their favorite stars and keeping up with most all the latest gossip and newsworthy events as they happen. Leno himself, through his opening dialogue will refresh our memory and keep us informed regarding what was said by or about the likes of Paris Hilton, Lindsay Lohan, or even Donald Trump. And who could ask for more?

If your family drama cannot be "Modern Family" or "Brothers and Sisters," then what can it be? It almost inevitably will be NBC's "Parenthood," a mid-season, post-Olympic experiment boldly launched in February, 2010. The "Parenthood" experiment tests the hypothesis that good writers and actors can find the middle ground between "Modern Family's" understated but outrageous satire and "Brothers and Sisters'" intensity. Producers Ron Howard and Brian Grazer are re-working the basic premise of Parenthood, the 1989 movie starring Steve Martin as a frazzled father trying with all his might to do the right thing for everyone he loves. The New York Times accurately observes, "'Parenthood,' with its polished scripts and beautifully shot exteriors, seems like a last gasp of television past," big-big production values and a cast of small-screen all-stars including Craig T. Nelson, Bonnie Bedelia, and Lauren Graham. "Parenthood's" plots and dialogue exploit the irony in everyday family life, winning empathetic laughs and wry smiles where other teams might push too hard for punchlines. Some of the dialogue has the same brilliant serrated edge that distinguished "Gilmore Girls," but, as Lauren Graham points out, "I do not have to talk so fast." Like all good comedy, the teasing and quirkiness are fundamentally good-natured, and every episode features at least one weep-worthy segment. Because "Parenthood" is not "Modern Family" or "Brothers and Sisters," it has become the rarest of rare productions at NBC"”a hit.

"Bored to Death" seems so completely and consummately the work of Larry David it ought to come with some kind of designer label. Its characters show the same seen-it-all New York brusqueness that distinguished the most memorable characters on "Seinfeld," and the characters sleep-walk through their lives with the same un-self-consciousness as their cousins on "Curb Your Enthusiasm." Not surprisingly, therefore, David scored a prestigious nomination for a 2010 Writers' Guild Award. Based on a delectably quirky premise, "Bored to Death" stars Jason Schwartzman as Jonathan, a writer in search of meaning, adventure, and consolation has he struggles through a pretty routine midlife crisis. When his long-time girlfriend dumps him, walking roughshod all over his delicate ego, Jonathan becomes a Craig's List private detective. The New York Times explains, "One of the charms of "Bored to Death" is that the hero, a pothead and screw-up, secretly moonlights as a man of action" at least as much action as missing skateboards and cheating boyfriends can trigger. Ted Danson co-stars as George, a profligate publisher and socialite, who encourages Jonathan's new endeavor. Not surprisingly, Danson shows a marked tendency to steal all the scenes in which he appears. Mid-life man's marginalization probably is the well-spring of Larry David's most exquisite ironies.

The Larry Sanders Show is an American television sitcom that aired on HBO from 1992 to 1998. The show was created by Garry Shandling and Dennis Klein and is a satirical take on late-night talk shows. It starred Garry Shandling as Larry Sanders, the host of a fictional late-night talk show.