"Doom Patrol" is a TV series that premiered on DC Universe in February 2019. It was later picked up by HBO Max for its second and third seasons. The show is based on the DC Comics superhero team of the same name and follows a group of misfits who have been transformed by tragic events and given unique abilities.

DreamWorks TV and producer Steven Spielberg are hoping their latest entry into prime time television lives up to its name. Smash is about the making of a Broadway musical play which involves the life of Marilyn Monroe. But personal conflicts among the cast members prove to be difficult to work with as they deal with the everyday demands of theater life and this musical in particular. Debra Messing stars as Julia Houston who is the co-writer as well as lyrist and song writer on Smash. Messing, formerly seen on Will & Grace, is an award winner with a musical background. Angelica Huston (Prizzi's Honor, The Adams Family) plays Eileen Rand the musical's producer who has to juggle handling a messy divorce along with the difficulty that goes with producing a Broadway musical. Frank Huston, Julia's husband is played by Brian d'Arcy James (Broadway's Dirty Rotten Scoundrels) is jealous of Tom Levett (Christian Borle from Broadway's Jesus Christ Superstar), Julia's partner and co-writer of Smash. The actress who finally gets the role of Marilyn is Ivy Lynn played by Megan Hilty from the Broadway production of 9 to 5: The Musical. Plenty of behind the scenes back biting helps keep this production on a bumpy road.

Abbott Elementary is a public elementary school in San Diego, California, which was established in 1913. The school is named after James Burnett Abbott, a prominent attorney who was instrumental in the establishment of the San Diego Public Library System. The school is located in the neighborhood of Normal Heights and serves students from kindergarten to fifth grade.

Former Daily Show with Jon Stewart correspondent Stephen Colbert is a political humorist and that means he has a license to poke fun at politicians and just about anybody else that gets in his creative path. It's a stretch but Stephen Colbert plays fictional anchorman Stephen Colbert, or in other words, he portrays himself in a spoof and political pundit filled show that has earned a slew of award nominations. If it's a serious news event you can bet it will show up on the Colbert Report, often with a unique twist. Some stories don't need to be embellished upon because they play out humorous no matter what and that's life. Some times the show has cultural influence as in the case of a bridge being named after Colbert by the Hungarian Ambassador, who presented Colbert with a declaration certificate when a vote declared him the winner. As it turned out Hungary does not name their bridges after living people so it never happened but he did win the vote. It just goes to prove how powerful having a television show with your own name on it can be in the U.S.

Just as we all began to wonder whether or not William H. Macy ever would land a role as juicy and delicious as playing Felicity Huffman's real-life husband, he scored arguably the greatest part of his entire career, starring as Frank Gallagher on Showtime's gritty new "Shameless." Frank drinks. Frank drinks shamelessly, intrepidly, relentlessly, recklessly and irretrievably while his six motherless children learn to fend for themselves on Chicago's unforgiving south side, "back of the stockyards," as they say, although the cattle have long-since gone. In the first episode, a properly burly Chicago police officer deposits Frank on his entryway floor, noting his incontinence and suggesting, "I wouldn't put him anywhere near a carpet until his pants dry." This ain't no Wisteria Lane. Adapted from its British companion, the American version of "Shameless" fulfils producer John Wells's long-standing desire "to make a television show where familial love, juicy cursing, casual sex and drug use, bluntly put humor, mega-alcohol bingeing and total chaos reign." The subject matter and setting naturally lend themselves to that treatment, and the entire casts rises to the occasion. "Shameless" depicts abject poverty, incurable alcoholism, and hopeless co-dependence as grimly and accurately as they deserve, yet it still persuades slightly spellbound viewers the Gallaghers genuinely love one another.

As he championed "the new journalism" in the late sixties, Tom Wolfe suggested no one ever would write anything truly compelling"”fact or fiction"”about the suburbs; he asserted, "There is no life there." During the New Depression, however, the suburbs have gone ghetto, suddenly teeming with life and depravity; and television writers are producing all kinds of compelling stuff about what they have discovered beyond the white picket fences. Witness Showtime's smash-hit "Weeds," the life and times of a "proper" suburban widow keeping-up appearances while she deals more dope than a six-pack of Mexican cartels. As in "The Office," the basic premise for "Weeds" is an import from Great Britain, adapted from the British film Saving Grace which showed a widow and her gardener conspiring to maintain the widow's lifestyle by supplying the locals with their favorite herbal refreshment. Critics frequently compare "Weeds" with American Beauty for its exploitation of the idea "Normal is the face we wear to cover how f***ed-up we are." By contrast with "Desperate Housewives," Nancy Botwin, our entrepreneurial heroine, has far more good reason for desperation than her difficulty achieving orgasm; she has a house, a mortgage, two sons, and a reputation. Since Bonfire of the Vanities tanked and "Weeds" flourished, Tom Wolfe may have to consider the distinct possibility that there is no life in Manhattan.