If your family drama cannot be "Modern Family" or "Brothers and Sisters," then what can it be? It almost inevitably will be NBC's "Parenthood," a mid-season, post-Olympic experiment boldly launched in February, 2010. The "Parenthood" experiment tests the hypothesis that good writers and actors can find the middle ground between "Modern Family's" understated but outrageous satire and "Brothers and Sisters'" intensity. Producers Ron Howard and Brian Grazer are re-working the basic premise of Parenthood, the 1989 movie starring Steve Martin as a frazzled father trying with all his might to do the right thing for everyone he loves. The New York Times accurately observes, "'Parenthood,' with its polished scripts and beautifully shot exteriors, seems like a last gasp of television past," big-big production values and a cast of small-screen all-stars including Craig T. Nelson, Bonnie Bedelia, and Lauren Graham. "Parenthood's" plots and dialogue exploit the irony in everyday family life, winning empathetic laughs and wry smiles where other teams might push too hard for punchlines. Some of the dialogue has the same brilliant serrated edge that distinguished "Gilmore Girls," but, as Lauren Graham points out, "I do not have to talk so fast." Like all good comedy, the teasing and quirkiness are fundamentally good-natured, and every episode features at least one weep-worthy segment. Because "Parenthood" is not "Modern Family" or "Brothers and Sisters," it has become the rarest of rare productions at NBC"”a hit.

Television snobs maintain the American version of "The Office" TV series pales by comparison with its British forerunner. Their sneers, however, have done nothing to diminish "The Office's" standing as America's premier sitcom. Audiences and critics wholeheartedly agree the Dunder Mufflin office follies restored NBC as network television's pre-eminent purveyor of great half-hour comedies. Filmed as a "mockumentary," the American "Office" TV show remains faithful to the British example of perfectly deadpan delivery, and the producers wisely add neither laugh-tracks nor musical cues. Of course, brilliant one-liners punctuate the show, but they are subtle and ironic rather than snappy. For example, in characteristically clueless style, Scranton office manager Michael Scott tells his staff, "As Abe Lincoln once said: If you are a racist, we will attack you from the North." Steve Carrell leads a well-chosen ensemble cast who portray a sales force the New York Times aptly characterized as "uniformly unattractive, wan and dull" characteristics which, of course, make them deliciously funny.

"Family Matters" is an American television show that aired from 1989 to 1998. It is a sitcom that centers around the Winslow family, an African-American family living in Chicago, and their neighbors. The show tackles various themes such as family values, friendship, love, and social issues such as racism, police brutality, and drug use.

The Mindy Project is centered on single gynecologist, Mindy Lahiri, portrayed by Mindy Kaling who has written the script for the TV show, based upon the real life story of her mother, a former OB/GYN physician. There are lots of interesting facts about The Mindy Project: it was first South Asian American leaded series in American TV history; and it features one person as a leading character, a script writer and a director. This person is Mindy Kaling, born as Vera Chokalingam, who has made a phenomenal career in television. She has started as writer in The Office being only woman in the staff. Besides the fact she has written at least 22 episodes she has got the role of Kelly Kapoor. By the eighth season she was awarded as the Executive Producer of the TV show which marked the pivotal point of her television career. It was crucial moment when NBC executives decided to give a green light for her TV show "“ The Mindy Project. In this single camera comedy Mindy depicts nice and cheerful young woman who is trying to find a man of her dreams, and in this endeavor she easily enters every new relationship that looks promising.

On HBO's critically acclaimed "Entourage," Jeremy Piven plays Ari Gold so convincingly that real Hollywood agents feel their skin crawl, experiencing the odd sensation the show is dramatizing their biographies. The sultans of Sunset Boulevard insist "Entourage" gives the most frighteningly real representation of high-powered talent agents since Tom Cruise revealed all the nooks and crannies in Jerry McGuire's character. "Entourage" producer Doug Ellin recently explained, "We always try to write the show starting with 'What's real?' not 'What's funny?,' " but the two questions may be opposite sides of the same coin, because uninitiated audiences find it belly-laugh-out-loud hilarious. "When you're on the inside like we are, good water-cooler television is hard to find," said Jay Sures, a partner at the United Talent Agency. "Entourage" compels the real Hollywood "ten-percenters" to engage in spirited discussions of the show's characters and situations, treating the fictions as if they were real colleagues and clients, because the work-a-day professionals willingly have suspended disbelief and taken Ari Gold into the fold. For the average cable subscriber, then, "Entourage" is the entre to life as a Hollywood insider.

"Sex and the City" is an American television show that aired on HBO from 1998 to 2004. The series is based on the book of the same name by Candace Bushnell and follows the lives of four women living in New York City. The show explores their romantic and sexual escapades, careers, and friendships.