"Ballers" is an American comedy-drama television series that aired on HBO from 2015 to 2019. The show follows the lives of current and former football players, as well as their families and friends, as they navigate the ups and downs of their personal and professional lives.

Their friends acknowledge it always has been this way: Tina Fay gets lots of headlines and personal appearances while Amy Poehler does the majority of the comic heavy lifting. The trend continues in NBC's high-powered Thursday night comedy line-up as Fay continues driving "30Rock" to the top of Nielsen's charts and Poehler brilliantly busts-out gut-busters with her new sit-com "Parks and Recreation." In much the style of "The Office," Poehler's "Parks and Recreation" TV show works the popular mockumentary format; and her character, Leslie Knope, willingly gives voice to her relentless optimism as she speaks directly into the camera. Leslie serves as the Deputy Director of the parks and recreation department in Pawnee, Indiana, where she considers herself a rising star in the local political firmament. Think of her as the female equivalent of Steve Carrell's "Office" character, prone to pretzelating the truth with observations like, "These people are members of a community that care about where they live. So what I hear when I'm being yelled at is people caring loudly at me." Professionals devoted to the sad enterprise of explaining the jokes stress that Poehler's genius lies in her ability to make an obvious ditz both funny and sympathetic rather than just plain weak. Women may not feel inspired to vote for Leslie, but they cannot help loving her.

Miracle Workers is a television series that premiered in 2019 on TBS. The show is based on the novel "What in God's Name" by Simon Rich and stars Daniel Radcliffe and Steve Buscemi. It is a comedy series that takes a lighthearted look at heaven and the bureaucracy that runs it.

If your family drama cannot be "Modern Family" or "Brothers and Sisters," then what can it be? It almost inevitably will be NBC's "Parenthood," a mid-season, post-Olympic experiment boldly launched in February, 2010. The "Parenthood" experiment tests the hypothesis that good writers and actors can find the middle ground between "Modern Family's" understated but outrageous satire and "Brothers and Sisters'" intensity. Producers Ron Howard and Brian Grazer are re-working the basic premise of Parenthood, the 1989 movie starring Steve Martin as a frazzled father trying with all his might to do the right thing for everyone he loves. The New York Times accurately observes, "'Parenthood,' with its polished scripts and beautifully shot exteriors, seems like a last gasp of television past," big-big production values and a cast of small-screen all-stars including Craig T. Nelson, Bonnie Bedelia, and Lauren Graham. "Parenthood's" plots and dialogue exploit the irony in everyday family life, winning empathetic laughs and wry smiles where other teams might push too hard for punchlines. Some of the dialogue has the same brilliant serrated edge that distinguished "Gilmore Girls," but, as Lauren Graham points out, "I do not have to talk so fast." Like all good comedy, the teasing and quirkiness are fundamentally good-natured, and every episode features at least one weep-worthy segment. Because "Parenthood" is not "Modern Family" or "Brothers and Sisters," it has become the rarest of rare productions at NBC"”a hit.

"Not Dead Yet" is a British comedy television series that was created by Ben Elton and aired on ITV in 2017. The show follows the life of Richard Wilson, a retired actor who is trying to stay relevant in the entertainment industry. Richard is determined to prove that he is still capable of performing despite his advancing age and declining health.

Who says symbiosis cannot be funny? Co-dependency typically is tragic; reciprocity generally is wistful and romantic. "Peep Show" affords viewers a rare and privileged glimpse into perfect coincidence and complement. "Peep Show" pairs the proper and respectable, reasonably successful but socially inept Mark Corrigan with Jeremy Lisbourne, an unemployed musician who makes-up in narcissism and self-confidence what he lacks in musical talent. Of course, Jeremy's irrepressible optimism complements Mark's relentless pessimism. Of course, Mark's cynicism and lassitude provoke Jeremy's vaguely manic enthusiasm. Of course, women terrify Mark, encouraging Jeremy to tutor him in the subtle arts of grace and seduction. One could not survive without the other; and in this intricately inter-dependent environment, "Peep Show's" comedy flourishes. Early in 2011, "Peep Show" earned the title "longest-running sit-com on British Television's Channel 4." To the best of our knowledge, they award no nifty statuette for that, but it represents a considerable honour"”at least as big as the show's BAFTA awards. "Peep Show's" style showcases its writers' talents, because it features point of view shots with Mark and Jeremy's thoughts revealed in voice-overs.