The sit-com opens up with three men, each in their own home, playing online video games and discussing their life goals. Sandwiched in between a new hit comedy starring Tim Allen "Last Man Standing" and the elimination night for "Dancing with the Stars", how can this new one lose? ABC has long had a strong line up on Tuesday evenings, particularly in the area of the situation comedy genre. Starring Dan Fogler (Mars Needs Moms, Take Me Home Tonight), playing Kenny Hayden who sees his ex-wife out with a much better looking man. Kenny's ex is played by Amanda Detmer (Necessary Roughness, The Vampire Diaries). She got fed up with being married to a child who could not, or would not grow up. Christopher Moynihan (House, M.D., Psyche) is Craig Griffith, the sensitive yet manly type who still carries a flame for his ex from the college years. And Will Keen is played by Mather Zickel from TV shows Dislocated and The Cape. Will's wife Theresa, ably played by Teri Polo (Medium, Monk) is gorgeous and makes Will constantly wonder why she married him. Satisfying comedy that perhaps needs some time to find its purpose.

The Mindy Project is centered on single gynecologist, Mindy Lahiri, portrayed by Mindy Kaling who has written the script for the TV show, based upon the real life story of her mother, a former OB/GYN physician. There are lots of interesting facts about The Mindy Project: it was first South Asian American leaded series in American TV history; and it features one person as a leading character, a script writer and a director. This person is Mindy Kaling, born as Vera Chokalingam, who has made a phenomenal career in television. She has started as writer in The Office being only woman in the staff. Besides the fact she has written at least 22 episodes she has got the role of Kelly Kapoor. By the eighth season she was awarded as the Executive Producer of the TV show which marked the pivotal point of her television career. It was crucial moment when NBC executives decided to give a green light for her TV show "“ The Mindy Project. In this single camera comedy Mindy depicts nice and cheerful young woman who is trying to find a man of her dreams, and in this endeavor she easily enters every new relationship that looks promising.

First, it was a curiosity. Then, it was popular; and, then, it was a hit. And, then, within the course of just a few weeks and a handful of episodes "Glee TV show" became a television sensation and a cultural phenomenon. Ryan Murphy's genius creation revolves around the glee club at William McKinley in Lima, Ohio"”in other words, the archetypal anytown USA. The eternal struggle between McKinley's dorks and its perennially popular football players and cheerleaders drives the show's plots; the stories, however, get permanent turbo-charge from the built-in irony that the dorks, nerds, and geeks sing and dance better than your average six-pack of rock stars. Jane Lynch plays Sue Sylvester, rough-tough and quick-tongued cheerleading coach whose life's mission is to destroy Mr. Schuester, glee club alum and now coach. Matthew Morrison stars as "Mr. Shue," brilliantly supported and often up-staged by a perfectly chosen ensemble cast: Lea Michelle stars as Rachael, powerhouse soprano with pretentions to prima dona; and Diana Agron portrays Quinn, the head cheerleader who doubles as the perfect foil to Rachel. Singles and albums from "Glee's" most popular episodes have dominated the Billboard charts, shattering popularity and longevity records with each new release. The music, unfortunately, sometimes drowns out the brilliant dialogue. Critics feel hard pressed to name even one current show that rivals the quality of the writing on "Glee."

If bad guys forced you to choose only two programs for viewing during a long captivity, you wisely and happily might choose USA's new series "Fairly Legal." Engaging, engrossing, elegant, and electric, "Fairly Legal" is one of those shows you wish would go on and on and on. If only USA had made more than eight episodes. Sparkly, sassy, stylish, and seductive, Sarah Shahi plays Kate Reed, a once-upon-a-time lawyer who officially has resigned from the professional ranks to become a full-time mediator"”hence the two elements in the title, "legal" and "fair." Kate's goal: avoid costly and ugly litigation by finding settlements that meet everybody's needs. Kate's favourite phrase: "Win-Win." Of course, the show has sexual t4ension between Kate and her ex-husband, a district attorney; it has family tension between Kate and her newly widowed young step-mother; and it has just enough ongoing mystery and suspense in the sub-plot to sustain it from episode to episode. Having San Francisco as the setting doesn't hurt either. No one at "Law and Order" need feel threatened, though, because "Fairly Legal" is far too flirty and fun to harbour any criminal intent.

"Black-ish" is a popular American sitcom that premiered in 2014 and is still running. The show is centered around an African-American family, the Johnsons, who live in the wealthy and predominantly white neighborhood of Los Angeles. The series explores issues of race, class, and identity in a comedic way, while also touching on more serious topics.

If your family drama cannot be "Modern Family" or "Brothers and Sisters," then what can it be? It almost inevitably will be NBC's "Parenthood," a mid-season, post-Olympic experiment boldly launched in February, 2010. The "Parenthood" experiment tests the hypothesis that good writers and actors can find the middle ground between "Modern Family's" understated but outrageous satire and "Brothers and Sisters'" intensity. Producers Ron Howard and Brian Grazer are re-working the basic premise of Parenthood, the 1989 movie starring Steve Martin as a frazzled father trying with all his might to do the right thing for everyone he loves. The New York Times accurately observes, "'Parenthood,' with its polished scripts and beautifully shot exteriors, seems like a last gasp of television past," big-big production values and a cast of small-screen all-stars including Craig T. Nelson, Bonnie Bedelia, and Lauren Graham. "Parenthood's" plots and dialogue exploit the irony in everyday family life, winning empathetic laughs and wry smiles where other teams might push too hard for punchlines. Some of the dialogue has the same brilliant serrated edge that distinguished "Gilmore Girls," but, as Lauren Graham points out, "I do not have to talk so fast." Like all good comedy, the teasing and quirkiness are fundamentally good-natured, and every episode features at least one weep-worthy segment. Because "Parenthood" is not "Modern Family" or "Brothers and Sisters," it has become the rarest of rare productions at NBC"”a hit.