"The Comeback" is a television series that aired on HBO in 2005 and 2014. It follows the story of Valerie Cherish, a washed-up actress who tries to revive her career by starring in a reality show. The show is shot in a mockumentary style, with the cameras following Valerie around as she navigates the ups and downs of her life.

"Check It Out! with Dr. Steve Brule" is a television comedy series that originally aired on Adult Swim from 2010 to 2016. The show follows the titular character, Dr. Steve Brule, portrayed by John C. Reilly, as he hosts a fictional public-access television show. Dr. Brule, a quirky and often clueless character, explores various topics ranging from food to relationships in a humorous and unconventional way. The show employs a deliberately low-budget production style, using amateurish camera work and editing techniques, to add to its comedic effect.

It seems like it was a wise business decision for FX to pick up Charlie Sean, who was recently fired from Two and a Half Man and put him in to a new environment of three-camera heavy-laugh-tracked sitcom about a former baseball player, Charlie Goodson, struggling to find a balance in his new life trough the anger management therapy courses. So, Charlie Sean's comeback to TV called Anger Management is new is a new promising round of career and, in case of success, a high-ROI business move for FX "“ mostly because of low-level costs of creation of such a sitcom. The plot of Anger Management is simple, and reminds us Californication: Charlie Goodson is divorced middle-age man who tries to keep formally good relationships with his ex-wife Jennifer (Shawnee Smith who may be familiar to you as Amanda from Saw franchise) and their OSD issues suffering daughter Sam (Awake TV show starlet Daniela Bobadilla) while being in Friends-With-Benefits-like sexual relations with his therapist Kate (Selma Blair, some people may know her as Abigail from released in 2012 Columbus Circle and Mary from the same year Replicas). Despite the bold sexual background of Anger Management, this TV show is only on FX without TV-MA rating. Who would have thought that Charlie Sean's new series will be such a content-safe?

If you have missed a chance to be hooked up with Gilmore Gilrs, the new ABC's dramedy Bunheads is exactly what you need. The first episode of Bunheads has left such a feeling that if there were a little bit more of GG-like moments in Bunheads, the CW lawyers would inevitably file the suit against ABC. And that is not surprisingly taking into consideration the fact that the TV show was created by the same Amy Sherman-Palladino who created splendid Gilmore Gilrs. It is felt throughout the sharp dialogs, giddy repartees, deeply portrayed personalities and perfectly constructed dance scenes. The astonishing dancing ingredient of the Bunheads, is of course not only the personal merit of Sherman-Palladino, but Sutton Foster and Kelly Bishop. Both of them have quite serious dancing background. Another Sutton's and Kelly's merit is drollery atmosphere which these two awesome women create around themselves. Kelly plays Fanny Flowers, a small town dance studio owner, while Sutton portrays Michelle Simms, a cute dancer being caught in the lower point of the career, when series of questionable decisions had led her out of Las Vegas dancing scenes to small rural town Paradise, California where she met Fanny. There are more pry personalities in the series like talented and perfectly shaped Sasha (Julia Goldani Telles) and purposeful Bettina, aka Boo (Kaitlyn Jenkins). All the characters feature inexpressible chemistry between each other, and the spirit of the show is sweet, pleasurable and cuddlesome.

Previewing "Breaking In" for the press, star Brett Harrison suggested, "If you like "The A-Team", you'll like "Breaking In". If you like "The Office",'you'll like "Breaking In". And if you like breaking-in, you will like "Breaking In!". Harrison's observation proved strangely prophetic in at least two ways: First, the new Fox comedy does combine comic elements from "The Office" with "The A-Team's" dark, sarcastic point of view. Office humor"”there's just no such thing as too much. Second, the weak attempt at humor in Harrison's last line is sadly characteristic of the writing for "Breaking-In." Apparently, the B&E crowd lobbied for its own version of appointment viewing. Who knew? Although it's becoming this season's standard"”bad guys gone good, the premise nevertheless has promise. Five exceptionally skilled and highly specialized burglars team-up to operate Contra Security, a consulting firm that tests companies' security systems by breaking into them. Borrowing liberally from "Leverage" and "Breakout Kings," this wickedly bland team includes a hacker, a bad girl who can pick any lock, a semi-skilled con man, and a mysterious boss. First episode ratings may prophecy the sitcom's fate. Scheduled right after a big-big episode of "American Idol", "Breaking In" carried approximately 19 million viewers into its time-slot; by the end of its half-hour, 12 million of them had tuned-in elsewhere.

A comedy based a book with the lengthy title like House of Lies: How Managements Consultants Will Steal Your Watch And Then Tell The Time exemplifies how well some management consultants can "pull the wool" over the eyes of businesses who hire them. Created by Matthew Carnahan (writer producer of Dirt, The Fugitive) House of Lies is a biting satire with devilishly good characters that are fun to watch each week if only to see who they will "screw" next! With a stellar cast including Don Cheadle (Ocean's Eleven, Traffic) as Marty Kaan a cutthroat and highly successful consultant that goes to any lengths to help his clients, Dawn Olivieri (Takedown, Drop Dead Gorgeous) as Marty's pill popping nutty ex-wife Monica, Ben Schwartz (Everybody's Fine, The Other Guys) is Clyde Oberholt a member of Marty's team of consultants. Also starring are Kristen Bell as Jeannie Van Der Hooven, another consultant and Richard Shiff as Marty's boss. Plenty of crazy antics as the "team" go about getting information for their clients by any means possible.