"Hacks" is a comedy-drama television series that premiered on HBO Max in 2021. The show follows the story of Deborah Vance, a legendary Las Vegas comedian, as she faces a career crisis and teams up with Ava, a young comedy writer who is struggling to make it in the industry. The series explores themes such as ageism, sexism, and the challenges of working in show business.

Regular viewers of ABC's Wednesday night comedy hit "Cougar Town" will feel their lips curl into wry smiles when they read pre-premiere summaries of the show: The producers and writers originally conceived "Cougar Town" as the life and times of a forty-something divorcee intrepidly devoted to seducing younger men in a small Florida town. The early promos stress the small town's obsession with its high school football team, ironically The Cougars. The football theme arrived still-born, and the entire show might have hit the airwaves DOA except that Courteney Cox and "Scrubs"-creator Bill Lawrence had vision and courage to work a few miracle revisions. The whole "Cougar Town" crew rapidly realized, like Jules surveying a bar-full of mini-skirted matrons, "I know I'm one of them. I just don't feel like one of them." They wisely helped Jules morph into her authentic self. The younger boyfriend disappeared from "Cougar Town" after just a few episodes, and stories coalesced around Cox's character Jules, her teen-aged son Travis, and Jules's extended family"”her neighbours on the cul-de-sac, her co-workers in her real estate office, and her profligate ex-husband. While "Cougar Town" struggled to resolve its identity crisis, Lawrence's innuendo-rich dialogue and Cox's increasingly sophisticated delivery sustained the show. By the end of "Cougar Town's" first season, ratings alone offered ample testimony to "Cougar Town's" radical improvement as it held audiences in the half-hour after "Modern Family"; but the Hollywood Foreign Press sealed the deal, nominating Cox for a 2010 Golden Globe as Best Actress in a Comedy.

This is Luna (No Mundo Da Luna) is a TV show about a young woman named Luna who has just landed a job as a horoscope columnist. As she starts using her tarot deck for inspiration, she realizes that the cards seem to hold a special connection to her life. This newfound connection adds a layer of complexity to her relationships, career goals, and personal life.

Just as we all began to wonder whether or not William H. Macy ever would land a role as juicy and delicious as playing Felicity Huffman's real-life husband, he scored arguably the greatest part of his entire career, starring as Frank Gallagher on Showtime's gritty new "Shameless." Frank drinks. Frank drinks shamelessly, intrepidly, relentlessly, recklessly and irretrievably while his six motherless children learn to fend for themselves on Chicago's unforgiving south side, "back of the stockyards," as they say, although the cattle have long-since gone. In the first episode, a properly burly Chicago police officer deposits Frank on his entryway floor, noting his incontinence and suggesting, "I wouldn't put him anywhere near a carpet until his pants dry." This ain't no Wisteria Lane. Adapted from its British companion, the American version of "Shameless" fulfils producer John Wells's long-standing desire "to make a television show where familial love, juicy cursing, casual sex and drug use, bluntly put humor, mega-alcohol bingeing and total chaos reign." The subject matter and setting naturally lend themselves to that treatment, and the entire casts rises to the occasion. "Shameless" depicts abject poverty, incurable alcoholism, and hopeless co-dependence as grimly and accurately as they deserve, yet it still persuades slightly spellbound viewers the Gallaghers genuinely love one another.

Previewing "Breaking In" for the press, star Brett Harrison suggested, "If you like "The A-Team", you'll like "Breaking In". If you like "The Office",'you'll like "Breaking In". And if you like breaking-in, you will like "Breaking In!". Harrison's observation proved strangely prophetic in at least two ways: First, the new Fox comedy does combine comic elements from "The Office" with "The A-Team's" dark, sarcastic point of view. Office humor"”there's just no such thing as too much. Second, the weak attempt at humor in Harrison's last line is sadly characteristic of the writing for "Breaking-In." Apparently, the B&E crowd lobbied for its own version of appointment viewing. Who knew? Although it's becoming this season's standard"”bad guys gone good, the premise nevertheless has promise. Five exceptionally skilled and highly specialized burglars team-up to operate Contra Security, a consulting firm that tests companies' security systems by breaking into them. Borrowing liberally from "Leverage" and "Breakout Kings," this wickedly bland team includes a hacker, a bad girl who can pick any lock, a semi-skilled con man, and a mysterious boss. First episode ratings may prophecy the sitcom's fate. Scheduled right after a big-big episode of "American Idol", "Breaking In" carried approximately 19 million viewers into its time-slot; by the end of its half-hour, 12 million of them had tuned-in elsewhere.

According to the series' creator Marc Cherry, "Desperate Housewives TV show" recreates the suburban malaise of the hit movie American Beuaty, substituting irony for melancholy. Cherry reportedly conceived the show after watching news reports about Andrea Yates. When he first pitched the show, Cherry called it a "parody" of soap operas; when ABC picked-up the show, executives told Cherry to focus on the soap opera and the parody would take care of itself. They were right. Up and down Wisteria Lane, four women wage love and sustain family life, cleverly concealing all kinds of insidious plots, illicit affairs, and the occasional felony. Teri Hatcher, Felicity Huffman, Marcia Cross, and Eva Longoria Parker have imprinted their styles on their characters, collecting armloads of Emmys, Golden Globe Awards, and Screen Actors' Guild Awards along the way. In April, 2007, ratings experts reported "Desperate Housewives" was the most popular tv show in its global demographic, boasting more 120 million worldwide viewers. Behind the scenes, a little bit of the show's history reveals how Disney executives can overdose on their own sugary snacks. Shortly after programmers Lloyd Braun and Susan Lyne gave the go-ahead for "Desperate Housewives," the suits fired them, because they simultaneously had approved an extremely "risky" TV show called "Lost."