Malcolm in the Middle was a popular American television sitcom that aired from 2000 to 2006. The show followed the life of Malcolm, a genius child from a dysfunctional family, as he navigated his way through adolescence. Malcolm was the middle child of the family, hence the show's title.

Who says symbiosis cannot be funny? Co-dependency typically is tragic; reciprocity generally is wistful and romantic. "Peep Show" affords viewers a rare and privileged glimpse into perfect coincidence and complement. "Peep Show" pairs the proper and respectable, reasonably successful but socially inept Mark Corrigan with Jeremy Lisbourne, an unemployed musician who makes-up in narcissism and self-confidence what he lacks in musical talent. Of course, Jeremy's irrepressible optimism complements Mark's relentless pessimism. Of course, Mark's cynicism and lassitude provoke Jeremy's vaguely manic enthusiasm. Of course, women terrify Mark, encouraging Jeremy to tutor him in the subtle arts of grace and seduction. One could not survive without the other; and in this intricately inter-dependent environment, "Peep Show's" comedy flourishes. Early in 2011, "Peep Show" earned the title "longest-running sit-com on British Television's Channel 4." To the best of our knowledge, they award no nifty statuette for that, but it represents a considerable honour"”at least as big as the show's BAFTA awards. "Peep Show's" style showcases its writers' talents, because it features point of view shots with Mark and Jeremy's thoughts revealed in voice-overs.

If your family drama cannot be "Modern Family" or "Brothers and Sisters," then what can it be? It almost inevitably will be NBC's "Parenthood," a mid-season, post-Olympic experiment boldly launched in February, 2010. The "Parenthood" experiment tests the hypothesis that good writers and actors can find the middle ground between "Modern Family's" understated but outrageous satire and "Brothers and Sisters'" intensity. Producers Ron Howard and Brian Grazer are re-working the basic premise of Parenthood, the 1989 movie starring Steve Martin as a frazzled father trying with all his might to do the right thing for everyone he loves. The New York Times accurately observes, "'Parenthood,' with its polished scripts and beautifully shot exteriors, seems like a last gasp of television past," big-big production values and a cast of small-screen all-stars including Craig T. Nelson, Bonnie Bedelia, and Lauren Graham. "Parenthood's" plots and dialogue exploit the irony in everyday family life, winning empathetic laughs and wry smiles where other teams might push too hard for punchlines. Some of the dialogue has the same brilliant serrated edge that distinguished "Gilmore Girls," but, as Lauren Graham points out, "I do not have to talk so fast." Like all good comedy, the teasing and quirkiness are fundamentally good-natured, and every episode features at least one weep-worthy segment. Because "Parenthood" is not "Modern Family" or "Brothers and Sisters," it has become the rarest of rare productions at NBC"”a hit.

With a wide assortment of talent including John C. Reilly, Will Ferrell, Alan Thicke, and Zach Galifianakis showing up as guests and plenty of satirical humor and special effects with editing tricks included this show is one to definitely catch whenever possible. The creators of Awesome Show, Eric Wareheim and Tim Heidecker also control the reins on this fun show, which is often surrealistic, satirical, and always entertaining. Watch for the faux-commercials for they are bizarre and often poke fun at the industry. It has been described as a nightmare version (as seen by us the audience) of the television industry itself. Wareheim and Heidecker's previous offering to television, Tom Goes to the Mayor, provides several of the comedy skits as well as repeat characters borrowed from their original show. A news channel correspondent, played by John C. Reilly, and "Weird Al" Yankovic, who's gravelly voice add humor to skits like the "Uncle Muscles Hour" and it's all done in fun"¦ truly hilarious!

Fox's latest venture into the dysfunctional family sitcom is Raising Hope. It features young adult man, Jimmy Chance (Lucas Neff). The shiftless Jimmy works as a pool boy and commensurate with the stereotype, has a one-night stand with Lucy (Bijou Phillips). He finds out later she is a wanted felon and has had their baby while in jail. Jimmy is given custody of the baby and takes her home to his "˜family'. If grandmother, "Maw Maw" (Cloris Leachman) is an off-the-rocker type who lives with Jimmy, his mother Virginia (Martha Plimpton), father Burt (Garret Dillahunt), and his coz Mike (Skyler Stone). With a family that knows nothing about good parenting or how to take care of a baby the comic zaniness of caring for the baby, Hope, begins. As the family struggles thorough the difficulties of "Raising Hope", they learn about themselves and each other, with plenty of laughs thrown into the mix.

The Bear is a comedy-drama television series that premiered on Hulu in June 2022. Created by Christopher Storer, the show stars Jeremy Allen White, Ebon Moss-Bachrach, Ayo Edebiri, Lionel Boyce, Liza Colón-Zayas, and Abby Elliott. The first season of the show received critical acclaim for its direction and performances of the cast, leading to nominations for several awards, including Best Comedy Series at the Critics' Choice Awards and Golden Globe Awards.