Search Party is a television series that first premiered on TBS in 2016. The show revolves around a group of self-absorbed millennials living in New York City who become entangled in a missing persons case. Dory, the main character, becomes obsessed with finding a former college acquaintance who has gone missing and enlists the help of her friends to track down the truth. Along the way, they encounter a range of eccentric characters and unexpected twists and turns.

If you have missed a chance to be hooked up with Gilmore Gilrs, the new ABC's dramedy Bunheads is exactly what you need. The first episode of Bunheads has left such a feeling that if there were a little bit more of GG-like moments in Bunheads, the CW lawyers would inevitably file the suit against ABC. And that is not surprisingly taking into consideration the fact that the TV show was created by the same Amy Sherman-Palladino who created splendid Gilmore Gilrs. It is felt throughout the sharp dialogs, giddy repartees, deeply portrayed personalities and perfectly constructed dance scenes. The astonishing dancing ingredient of the Bunheads, is of course not only the personal merit of Sherman-Palladino, but Sutton Foster and Kelly Bishop. Both of them have quite serious dancing background. Another Sutton's and Kelly's merit is drollery atmosphere which these two awesome women create around themselves. Kelly plays Fanny Flowers, a small town dance studio owner, while Sutton portrays Michelle Simms, a cute dancer being caught in the lower point of the career, when series of questionable decisions had led her out of Las Vegas dancing scenes to small rural town Paradise, California where she met Fanny. There are more pry personalities in the series like talented and perfectly shaped Sasha (Julia Goldani Telles) and purposeful Bettina, aka Boo (Kaitlyn Jenkins). All the characters feature inexpressible chemistry between each other, and the spirit of the show is sweet, pleasurable and cuddlesome.

If your family drama cannot be "Modern Family" or "Brothers and Sisters," then what can it be? It almost inevitably will be NBC's "Parenthood," a mid-season, post-Olympic experiment boldly launched in February, 2010. The "Parenthood" experiment tests the hypothesis that good writers and actors can find the middle ground between "Modern Family's" understated but outrageous satire and "Brothers and Sisters'" intensity. Producers Ron Howard and Brian Grazer are re-working the basic premise of Parenthood, the 1989 movie starring Steve Martin as a frazzled father trying with all his might to do the right thing for everyone he loves. The New York Times accurately observes, "'Parenthood,' with its polished scripts and beautifully shot exteriors, seems like a last gasp of television past," big-big production values and a cast of small-screen all-stars including Craig T. Nelson, Bonnie Bedelia, and Lauren Graham. "Parenthood's" plots and dialogue exploit the irony in everyday family life, winning empathetic laughs and wry smiles where other teams might push too hard for punchlines. Some of the dialogue has the same brilliant serrated edge that distinguished "Gilmore Girls," but, as Lauren Graham points out, "I do not have to talk so fast." Like all good comedy, the teasing and quirkiness are fundamentally good-natured, and every episode features at least one weep-worthy segment. Because "Parenthood" is not "Modern Family" or "Brothers and Sisters," it has become the rarest of rare productions at NBC"”a hit.

If bad guys forced you to choose only two programs for viewing during a long captivity, you wisely and happily might choose USA's new series "Fairly Legal." Engaging, engrossing, elegant, and electric, "Fairly Legal" is one of those shows you wish would go on and on and on. If only USA had made more than eight episodes. Sparkly, sassy, stylish, and seductive, Sarah Shahi plays Kate Reed, a once-upon-a-time lawyer who officially has resigned from the professional ranks to become a full-time mediator"”hence the two elements in the title, "legal" and "fair." Kate's goal: avoid costly and ugly litigation by finding settlements that meet everybody's needs. Kate's favourite phrase: "Win-Win." Of course, the show has sexual t4ension between Kate and her ex-husband, a district attorney; it has family tension between Kate and her newly widowed young step-mother; and it has just enough ongoing mystery and suspense in the sub-plot to sustain it from episode to episode. Having San Francisco as the setting doesn't hurt either. No one at "Law and Order" need feel threatened, though, because "Fairly Legal" is far too flirty and fun to harbour any criminal intent.

First, it was a curiosity. Then, it was popular; and, then, it was a hit. And, then, within the course of just a few weeks and a handful of episodes "Glee TV show" became a television sensation and a cultural phenomenon. Ryan Murphy's genius creation revolves around the glee club at William McKinley in Lima, Ohio"”in other words, the archetypal anytown USA. The eternal struggle between McKinley's dorks and its perennially popular football players and cheerleaders drives the show's plots; the stories, however, get permanent turbo-charge from the built-in irony that the dorks, nerds, and geeks sing and dance better than your average six-pack of rock stars. Jane Lynch plays Sue Sylvester, rough-tough and quick-tongued cheerleading coach whose life's mission is to destroy Mr. Schuester, glee club alum and now coach. Matthew Morrison stars as "Mr. Shue," brilliantly supported and often up-staged by a perfectly chosen ensemble cast: Lea Michelle stars as Rachael, powerhouse soprano with pretentions to prima dona; and Diana Agron portrays Quinn, the head cheerleader who doubles as the perfect foil to Rachel. Singles and albums from "Glee's" most popular episodes have dominated the Billboard charts, shattering popularity and longevity records with each new release. The music, unfortunately, sometimes drowns out the brilliant dialogue. Critics feel hard pressed to name even one current show that rivals the quality of the writing on "Glee."

Drunk History is a comedy series that airs on Comedy Central. It was created by Derek Waters and Jeremy Konner and first premiered in 2007. In the show, guest comedians and actors get drunk and then recount an event from history while the story is reenacted by other actors. The result is a hilarious retelling of history that often features slurred speech, rambling tangents, and off-color humor.