The League is about six participants in Fantasy Football who are actually players in a Fantasy Football league along side the creators of this TV show. So evidently they know what they are talking about when it comes to football, right? Well maybe even their wives know more and sometimes run the show. All the six characters have their own motivation to participate in such fanciful games. Set in the windy city, Chicago, we find Pete Eckhart who has won the league championship three times. Pete is now separated and learning how to meet women all over again. His job involves working in a cubicle but he spends more time plotting his fantasy football moves. Kevin MacArthur is deep into fantasy football and also a district attorney. His position allows him to make some great draft trades and his wife just may run his teams more than he. Attorney Rodney Ruxin plays the game but is extremely paranoid about what others think of him. Another player, Andre Nowzik is a plastic surgeon who tries to be "cool" but doesn't have a clue. He does love the fantasy football games! Taco MacArthur and wife Jenny also play the virtual games. Jenny is Kevin's wife and just may be the best at trading and betting. Watch for some special guest stars on each season. Terry Bradshaw and Chad Ochocinco have shown up in past seasons.

"Friends" is a popular American sitcom that aired for ten seasons from 1994 to 2004. The show revolves around six friends living in New York City, including Ross, Rachel, Monica, Chandler, Joey, and Phoebe. The group navigates life together, experiencing everything from relationship drama to career changes and more.

Mike & Molly is an American Sitcom that is set in Chicago and follows the lives of two overweight people Mike who wants to lose his weight and Molly that wants to embrace hers. An interesting show that featuring the ups and downs they have to go through together after they meet at an Overeatinonymous group.

Television snobs maintain the American version of "The Office" TV series pales by comparison with its British forerunner. Their sneers, however, have done nothing to diminish "The Office's" standing as America's premier sitcom. Audiences and critics wholeheartedly agree the Dunder Mufflin office follies restored NBC as network television's pre-eminent purveyor of great half-hour comedies. Filmed as a "mockumentary," the American "Office" TV show remains faithful to the British example of perfectly deadpan delivery, and the producers wisely add neither laugh-tracks nor musical cues. Of course, brilliant one-liners punctuate the show, but they are subtle and ironic rather than snappy. For example, in characteristically clueless style, Scranton office manager Michael Scott tells his staff, "As Abe Lincoln once said: If you are a racist, we will attack you from the North." Steve Carrell leads a well-chosen ensemble cast who portray a sales force the New York Times aptly characterized as "uniformly unattractive, wan and dull" characteristics which, of course, make them deliciously funny.

When the son finds he must "man up" after his father is incarcerated for some rather shady accounting practices, life becomes a roller coaster ride for the entire family. Michael Bluth (Jason Bateman) is a widower who has a thirteen year old son and finds the entire family needs his support (and common sense) to survive. Mom (Lucille) lives in a penthouse by herself but cannot afford her chosen lifestyle. Michael has two brothers, Buster and GOB, in addition to a sister Lindsay and her husband Tobias plus a daughter called Maeby. They each must learn to cope with their sudden alternate financial dilemma. Seems the family financial assets have been "frozen" due to dad's shifty money handling. Each member of this rather dysfunctional family needs to learn how to cope with limited finances after living a rather pampered existence before dad went off to prison. The show is narrated by a familiar voice (Ron Howard) who is also an executive producer. This "riches to rags" story shows how selfishness and materialism can create some rather unpleasant personality conflicts but a sense of humor will prevail. And there is plenty of humor on this show.

Starring Edie Falco, Showtime's "Nurse Jackie" stands out as arguably the best medical drama on television, because the premium cable network allows writers and producers plenty of latitude for developing all of Jackie's passions"”the quality of her patients' care, the unbearable arrogance of vaguely sociopathic physicians, and the delicious relief of good orgasms and Oxycontin. "Nurse Jackie," both the character and the show, have some issues: The character suffers excruciating pain from a bad back and therefore has developed an addiction to painkillers. Yes, you have seen this dangerous dilemma recently on both "House" and "Southland," where the admirable characters continue doing their wonderworks despite their addictions. "Nurse Jackie," the show, suffers a subtle but unmistakable identity crisis, suggesting opportunities for some of the most brilliant black humor known to American medical drama; but, like a pensive and pretentious nineteen-year-old, it insists on taking itself much too seriously. One critic aptly observes, "'Nurse Jackie' doesn't look like the average network medical drama, but it does follow the formula of many premium cable shows, taking a knowing and at times dark, sardonic look at the classic themes of love, life and work." The critic, however, forgets to mention that nowhere does "sardonic" appear as a synonym for either "funny" or "engaging."