"Adam Ruins Everything" is a television show that aired from 2015 to 2019, hosted by Adam Conover. In each episode, Adam debunks common misconceptions and myths that people believe to be true. The show uses humor and research to educate viewers on topics such as history, science, and politics.

The three main characters involved in "Traffic Light" apparently represent the three colors involved on a light that directs traffic. Mike (David Denman), Adam (Nelson Franklin), and Ethan (Kris Marshall) have been best friends ever since their days in college and even though they've chosen different paths in life, still remain close now that they are in their thirties. Mike might be compared to a red light because he is married, has a small son, and settled in comfortably with his life and lifestyle. Adam is then the yellow or caution light. He recently moved in with a girlfriend and is cautiously optimistic about their relationship. Ethan, a British bachelor, has no plans for future commitments and hopes to remain "footloose and fancy free" with his life. This highly entertaining sit-com is popular in part due to good writing, interesting characters, and the fact it has no irritating "laugh track" does not hurt. This show is to be appreciated for its candor between friends as they each deal with life and balancing romance and relationships.

"Bored to Death" seems so completely and consummately the work of Larry David it ought to come with some kind of designer label. Its characters show the same seen-it-all New York brusqueness that distinguished the most memorable characters on "Seinfeld," and the characters sleep-walk through their lives with the same un-self-consciousness as their cousins on "Curb Your Enthusiasm." Not surprisingly, therefore, David scored a prestigious nomination for a 2010 Writers' Guild Award. Based on a delectably quirky premise, "Bored to Death" stars Jason Schwartzman as Jonathan, a writer in search of meaning, adventure, and consolation has he struggles through a pretty routine midlife crisis. When his long-time girlfriend dumps him, walking roughshod all over his delicate ego, Jonathan becomes a Craig's List private detective. The New York Times explains, "One of the charms of "Bored to Death" is that the hero, a pothead and screw-up, secretly moonlights as a man of action" at least as much action as missing skateboards and cheating boyfriends can trigger. Ted Danson co-stars as George, a profligate publisher and socialite, who encourages Jonathan's new endeavor. Not surprisingly, Danson shows a marked tendency to steal all the scenes in which he appears. Mid-life man's marginalization probably is the well-spring of Larry David's most exquisite ironies.

Lisa Kudrow has been a busy gal since she was part of the ensemble cast of Friends! She now produces as well as stars in a new concept in sitcom on Showtime Television titled Web Therapy. Kudrow is Dr. Fiona Wallice, a therapist who contrives a new therapy form in which she spends three minutes on a web cast with patients who were formerly treated to those long and overly "talky" 50 minute sessions where nothing really happened. Her idea is to abbreviate those unproductive bouts down, thus leaving out most of the irrelevant chit chat. Kip Wallice, Fiona's husband, is played by Victor Garber (Ugly Betty, Nurse Jackie) shows up occasionally and her mother Putsy Hodge is well played by Lily Tomlin (stand up comedienne "Ernestine"). Apparently her newly devised condensed version of has some therapeutic value as she works with various patients who have guest starring roles in each episode. Names like Meryl Streep, Phylicia Rashad, Courtney Cox, and Jane Lynch fill in the 30 minute situation comedy and the results are hilarious and especially innovative due mostly to the level of talent involved. Well worth catching if you have Showtime.

If bad guys forced you to choose only two programs for viewing during a long captivity, you wisely and happily might choose USA's new series "Fairly Legal." Engaging, engrossing, elegant, and electric, "Fairly Legal" is one of those shows you wish would go on and on and on. If only USA had made more than eight episodes. Sparkly, sassy, stylish, and seductive, Sarah Shahi plays Kate Reed, a once-upon-a-time lawyer who officially has resigned from the professional ranks to become a full-time mediator"”hence the two elements in the title, "legal" and "fair." Kate's goal: avoid costly and ugly litigation by finding settlements that meet everybody's needs. Kate's favourite phrase: "Win-Win." Of course, the show has sexual t4ension between Kate and her ex-husband, a district attorney; it has family tension between Kate and her newly widowed young step-mother; and it has just enough ongoing mystery and suspense in the sub-plot to sustain it from episode to episode. Having San Francisco as the setting doesn't hurt either. No one at "Law and Order" need feel threatened, though, because "Fairly Legal" is far too flirty and fun to harbour any criminal intent.

Legendary bad-boy and all-around ace philanderer Charlie Sheen stars in CBS's hit sitcom "Two-and-a-Half Men," inspiring most loyal viewers to wonder how much the show and its situation actually challenge the million-dollar jokester really to act. Sheen plays, just coincidentally, of course, Charlie, a profligate composer living comfortably on the beach in Malibu thanks to his singular gift for making-up catchy commercial jingles. Charlie's steadfast devotion to "The Playboy Philosophy" meets serious challenges when his frighteningly repressed, skin-crawlingly anxious, and obnoxiously too-preppy chiropractor brother moves into the beach house, bringing his adolescent son with him"”both refugees from a Southern California tract-house divorce. Perfectly cast for his role in "Two-and-a-Half Men," John Cryer brilliantly recreates Alan's tics, quirks, and peccadilloes; and Angus T. Jones, television's consummate anti-Disney superstar, makes puberty and cluelessness look (almost) vaguely adorable. Brilliant, insightful, incisive, snarky and sardonic, frequently edgy, deliciously allusive writing keeps the show fresh and relevant"”lots of running jokes and familiar motifs have developed, but nothing ever seems even vaguely old"¦least of all, Charlie Sheen.