From the 8th of March, 1993 until the 28th of November, 1997 a "socially awkward" yet somehow lovable duo with the unlikely names of Beavis and Butthead ruled the MTV airwaves. The pair loved heavy metal rock and roll and hailed from the fictionalized town of Highland, Texas where they grew up with no apparent adult supervision (think Charlie Brown, Lucy, and Linus). Highland High School teachers didn't quite know how to deal with the rather dim-witted pair"¦ that is when the two even bothered to attend school. This may be simply a lesson in how not to survive the teen years or perhaps a cautionary tale of how to be obnoxious and perverted while giving commentary on popular music videos. In any case those around Beavis and Butthead tend to get in harms way while the "boys" skate free. As in the time Butthead fired a rifle that resulted in hitting an airliner (a Boeing 747). With part time jobs at the local Burger World, among others, and still wearing their AC/DC t-shirts they manage to survive as they provide bawdy comments for today's reality TV shows like Teen Cribs, UFC fights, and Jersey Shore.

"Whose Line Is It Anyway?" is an American improvisational comedy show that first aired in 1998. The show is based on a British version that aired in the late 1980s and early 1990s. The American version features a group of four comedians who perform comedic skits and games based on audience suggestions.

For all the right reasons, "Community" has become one of the mainstays in NBC's comedy line-up. During its first season, "Community" focused on attorney Jeff Winger, disbarred after the accreditation committee discovered his undergraduate degree was from Colombia the country, not the university. Determined to win reinstatement in his old profession, Winger enrolls in community college, forming a Spanish-class study group which includes, among others, a cynical divorcee and a mid-life millionaire who made his money in moist towelettes. "Community" bravely exploits the ethnic and economic diversity in the study group, showing its gifts as an equal opportunity satirizer. The writers also have courage to wring big laughs from realistic representation of life and attitudes in "junior college." During the second season, "Community" had large and loyal enough following to encourage writers' development of plots centered on characters other than Winger, and they developed some of their best material by focusing on the dynamics of the group itself. Every member of "Community's" all-star ensemble cast has impeccable comedy or small-screen credentials: Chevy Chase's resume, of course, reads simply "legend." Joel McHale, Gillian Jacobs, Yvette Nicole Brown, and the rest of the cast bring a combined gazillion years of small-screen experience into the mix, and they have imprinted their distinctive styles on their roles. Similarly, all the partners in the production team boast high-powered Hollywood pedigrees and trophy cases full of Emmys. If "Community" had gone dark after the first thirteen episodes, television sets all over North America would have gone straight to test-patterns, because NBC writers and producers would have abandoned all hope for traditional sit-coms' futures.

Returning to television as the star of ABC's "Mr. Sunshine," Matthew Perry faces two formidable challenges: First, he must out-grow, live-down, or crawl out of his intimate association with Chandler, his legendary "Friends" persona. Second, Perry and co-star Allison Janney must inspire their audience to forget "Mr. Sunshine" replaces Courtney Cox's hit "Cougar Town." Perry and Jenny benefit from writers' and producers' wonderfully quirky visions of their characters and unusual situation. Perry plays Ben, a character potentially as memorable as Chandler but with far greater depth and much richer melancholy mid-life undertones. Operations Manager of The Sunshine Center, a run-down San Diego arena, home of the circus and lingerie football, Ben learns on his fortieth birthday that his girlfriend is leaving him because he is so thoroughly self-involved he has no love left over for anyone else. Jenny plays Crystal, the arena's pill-popping owner who could become America's next favourite villain on the strength of her thinly veiled racism and despise of children, except that Jenny's consummate skill as an actress redeems her. One Los Angeles reviewer wisely concludes, "["Mr. Sunshine"] isn't perfect; and it won't change the landscape of comedic television right away, even though it's part of a game-changing three-hour comedy block for ABC. But it is taking all of the important steps in the right direction." If "Mr. Sunshine" seems a little wobbly at first, viewers should remember "Cougar Town's" first-episode identity crisis, allowing lots of latitude for Perry's and "Mr. Sunshine's" rapid evolution.

Animal Control was a reality television series that aired on the Animal Planet network from 2005 to 2008. The show followed animal control officers as they responded to calls about stray or dangerous animals in various parts of the United States. The officers were responsible for capturing and removing the animals from the area to ensure public safety.

Yet another reality show for television? Now that's seems to be getting to be a pretty old concept until you figure in the producer of this hot television industry based program who just happens to be Kim Kardashian herself! The show is centered around Hollywood and the ins and outs of getting on the A list or being invited to red carpet events. It's all about knowing who to befriend and who to simply ignore. The Spin Crowd is paparazzi at its low down dirtiest and often that's what it takes to make it in tinsel town. Ms Kardashian herself has been sometimes victim and often target of much hype and deception brought her way by those who make their living off "celebrityism" and even though she is behind the cameras for this show, she knows who to ask for help when it comes to getting that head shot seen by the important people in Hollywood. The Spin Crowd shows the viewers how difficult it is to get ahead in the celebrity industry, and talent often has little to do with winning.