"Whose Line Is It Anyway?" is an American improvisational comedy show that first aired in 1998. The show is based on a British version that aired in the late 1980s and early 1990s. The American version features a group of four comedians who perform comedic skits and games based on audience suggestions.

Premiered on September 25, 2012, Ben and Kate is adorable FOX-produced situation comedy, has immediately got lots of positive critic reviews. There are lots of reasons for this, and one of them is a brilliant ensemble cast. Not in the sense of presence of some top-paid actors in the series, but in the sense of amazing chemistry between the leading roles actress and actor: Dakota Johnson and Nat Faxon. They play adult brother and sister, how has grown up in totally different characters with lots of opposite traits. Kate (played by Dakota Johnson) is a lone mother, who is raising a daughter, trying to make ends meet by working hard as bar manager, while Ben (Nat Faxon) on his turn has had no special purpose in his life and just remained a child. The show begins when Ben decides that her sister lives a very uneasy life and decides to help her by moving in to her flat. All the Ben and Kate plot is build upon a laughable situations that arise in numerous quantity around their almost-as family life. Ben is trying hard, giving her sister lots of advices on how to establish strong relationship with men from a very first date, while Kate endeavors to familiarize his brother with a real adult life.

Sketches are a comics best format for television and Nick Swardson has a show that's loaded with them. Each episode displays some sort of rank and raunchy humorous ingredients that will make 7th graders giggle and adults cover their heads. But along the way some of it is actually funny even if rather dark. Skits about cats in wheelchairs, snipers who masturbate, and incestual dreams involving the Nightmare on Elm Street movies are unusual fare for family television nights and when the show's main character sits and tells us about what we are about to see we begin to wonder what world this is. Nick's dead cat, Fitzgerald, is fair game for another episode as are a fatherly bucket list for a dying son, urine powered cars, and even a Gay Robot. Never one to be short on "off the wall" ideas, Nick Swardson's Pretend Time will give viewers a peek into a rather weird place, the mind of Swardson. Imagine, if you will, recovering a time capsule full of sex objects, or following Gay Robot as he buys airplane tickets to visit the alien probe site (area 51 come to mind?), or maybe learn how a forest ranger steps in to break up intimate moments between homosexuals. All this and more can be found on the Nick Swardson's Pretend Time show.

As he championed "the new journalism" in the late sixties, Tom Wolfe suggested no one ever would write anything truly compelling"”fact or fiction"”about the suburbs; he asserted, "There is no life there." During the New Depression, however, the suburbs have gone ghetto, suddenly teeming with life and depravity; and television writers are producing all kinds of compelling stuff about what they have discovered beyond the white picket fences. Witness Showtime's smash-hit "Weeds," the life and times of a "proper" suburban widow keeping-up appearances while she deals more dope than a six-pack of Mexican cartels. As in "The Office," the basic premise for "Weeds" is an import from Great Britain, adapted from the British film Saving Grace which showed a widow and her gardener conspiring to maintain the widow's lifestyle by supplying the locals with their favorite herbal refreshment. Critics frequently compare "Weeds" with American Beauty for its exploitation of the idea "Normal is the face we wear to cover how f***ed-up we are." By contrast with "Desperate Housewives," Nancy Botwin, our entrepreneurial heroine, has far more good reason for desperation than her difficulty achieving orgasm; she has a house, a mortgage, two sons, and a reputation. Since Bonfire of the Vanities tanked and "Weeds" flourished, Tom Wolfe may have to consider the distinct possibility that there is no life in Manhattan.

Previewing "Breaking In" for the press, star Brett Harrison suggested, "If you like "The A-Team", you'll like "Breaking In". If you like "The Office",'you'll like "Breaking In". And if you like breaking-in, you will like "Breaking In!". Harrison's observation proved strangely prophetic in at least two ways: First, the new Fox comedy does combine comic elements from "The Office" with "The A-Team's" dark, sarcastic point of view. Office humor"”there's just no such thing as too much. Second, the weak attempt at humor in Harrison's last line is sadly characteristic of the writing for "Breaking-In." Apparently, the B&E crowd lobbied for its own version of appointment viewing. Who knew? Although it's becoming this season's standard"”bad guys gone good, the premise nevertheless has promise. Five exceptionally skilled and highly specialized burglars team-up to operate Contra Security, a consulting firm that tests companies' security systems by breaking into them. Borrowing liberally from "Leverage" and "Breakout Kings," this wickedly bland team includes a hacker, a bad girl who can pick any lock, a semi-skilled con man, and a mysterious boss. First episode ratings may prophecy the sitcom's fate. Scheduled right after a big-big episode of "American Idol", "Breaking In" carried approximately 19 million viewers into its time-slot; by the end of its half-hour, 12 million of them had tuned-in elsewhere.

Stars Hank Azaria, Kathryn Hahn, Natasha Leggero, and Al Madrigal apparently are having fun with the US version of a British hit titled Free Agents. The PR firm of CMA is the scene for much of the frivolity and even though the employees are there to assist their clientele it seems as if they can barely handle their own personal interests let alone be of assistance to any customers. Sitcoms that deal with workplace romance and banter have been popular for a long time (The Mary Tyler Moore Show, News Radio, Scrubs, Mad Men, The Office). There may be little in the way of plot line but plenty of humor, particularly of the dark and borderline mean variety. But the cast handles it all and even succeed in making the audience like them, well most of them. Sleazy and kinky yet charismatic boss Stephen (Anthony Head of Merlin and Buffy The Vampire Slayer) makes each day difficult for his staff. In the first episode we find two of the workers have committed the "cardinal" sin of employees sleeping together. Alex, played by Hank Azaria (does several voices on The Simpsons) and Helen (Kathryn Hahn of Crossing Jordan) get wasted and spend time in bed together, waking the next morning with more than just a hangover. At work other employees drill them for details and Alex nearly becomes a stalker trying to convince Helen to let him move in.